Man artistic image list. Professions of the "person - artistic image" type. Specificity of professional affiliation

Art embodies beauty, harmony, it is not subject to logic and reason, everything that is beautiful - we can calmly call "art". Among many professions, the interaction between a person and an artistic image is of particular importance. Today we will try to cover this topic.

The subtleties of the profession "man - artistic image".

Work in the field of art dates back to ancient times. It is still highly valued today. The best evidence of this is the monuments, sculptures, visual activity during the Paleolithic period. At the present stage, the following professions of the direction "person - artistic image" are distinguished:
- designer, architect, sculptor,
- singer, composer, conductor, vocalist,
- writer, playwright, poet,
- artist,
- actor, director, cameraman,
- photographer,
- fashion designer, make-up artist, hairdresser, etc.
When getting a job "a person is an artistic image", keep in mind that your main principle is the achievement of perfection, harmony, beauty. Working in art always requires fresh ideas. You must be their generator. In art, a sense of proportion is everything. There is a very thin line between art and vulgarity. If you decide to devote yourself to this direction, you need inspiration, ideas and hard work. A person of art needs to constantly develop, be familiar with new, current trends. You need to keep up with the times. Your work must be aesthetically pleasing. A beginner with no work experience should learn a lot and be as diligent as possible.

A man of art. Benefits of the profession.

A person who creates in art must have certain inclinations and abilities. Very often this manifests itself in childhood, but there are exceptions. A man of art is creative, he is a generator of amazing ideas. You must be persistent, have willpower and strive for excellence. So, to succeed in the profession of "person - artistic image" you will need:
- the ability to subtly feel the beauty,
- vivid imagination,
- developed imaginative thinking,
- hard work, patience,
- the desire to create.
The main advantages of working in art are recognition and popularity. If a person is talented and hardworking, then he will be in demand and receive high material rewards. You have the opportunity to realize your creative potential. Browse current vacancies, send your resume and prepare for an interview.

These are professions in which work is aimed at artistic objects or the conditions for their creation. All professions of the "person - artistic image" type can be divided into subtypes in accordance with historically distinct types of artistic representation of reality.

1. Professions related to visual activity.

2. Professions related to musical activities.

3. Professions related to literary and artistic
activity.

4. Professions associated with acting and stage activities.

The listed subtypes are not strictly limited from each other and are more or less strongly intertwined.

The first manifestations and forms of art (image, song, dance) in the history of mankind have always been by no means idle, but the most important social matter - the work of the collective. The song set the rhythm of joint work or created the necessary mood (sorrowful, joyful or fighting). A drawing or dance determined and specified intentions, goals, plans, served as a kind of preparation for hunting, fighting, etc. Art was associated with the life support of society, work.

In the process of human development, the production of artistic values \u200b\u200bwas separated and separated from the production of material values. Artistic specialists appeared. They satisfy their material needs at the expense of those who work in the field of agriculture, industry, and in return bring aesthetic values \u200b\u200binto the common cause.

There is a natural exchange of labor products. Of course, from time to time, there appears a “frenzied piano”, which begins to think that “it plays for itself,” in other words, ideas appear that art is something exceptional (“art for art,” etc.). This is no more witty position than if someone proclaimed: "industry for industry", "beekeeping for beekeeping", etc. In any area of \u200b\u200bwork, skill can be unreachable; however, not in every area it is expressed in spectacular effects. Therefore, not all areas of labor are the same conditions for "pride" to take possession of a person.

One of the features of this type of profession is that a significant proportion of the employee's labor costs remain hidden from the outside observer. Moreover, special efforts are often made to create the effect of lightness, ease of the final product of labor. Thus, an artist's performance can continue in public for several minutes. But for it to take place, the artist daily and many hours works to improve and maintain his skill at the required level, strictly adheres to a special regime, etc.

When choosing the appropriate professional path, it is important to think about this implicit side of work, which can turn out to be an unbearable price to pay for success. In order for work to bring satisfaction, it is important to cultivate a realistic level of claims for public recognition (not to claim more recognition than what you deserve for the real results of your activities). However, this is not easy to achieve if someone has already been praised by someone. A person with an unrealistic level of claims drives away the idea that the real reason for the lack of resounding success is in himself. He is inclined to explain the failures by the actions of other people ("interfered", "do not give passage", "envy", "slow down", etc.).


Subtypes of professions such as "Human - Artistic Image"

Artistic professions:

Wallpaper painter, tiler, photographer, toy painter, chaser, wood carver, jewelery insert cutter, makeup artist, lighting designer, restorer, production designer.

Musical professions:

Piano tuner, accompanist, vocalist, orchestra artist, musical toy tuner.

Writing professions:

Editor, newspaper employee, correspondent, writer.

Professions related to acting and stage activities:

Drama artist, circus artist, intraveling to the concert.


So, you have determined the type of profession that suits you, and now we will determine which class your future profession belongs to.


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When we talk about a profession as a community, we are not talking about an organization, but about a mentally imagined group of people similar in orientation and experience. To this community, not only the living “doers”, but also the famous workers of the past, who made a noticeable, well-known contribution to this or that cause, are “attributed” to this community. It is rather a social group in relation to which the individual feels his belonging, with which he identifies himself, and not the organization itself.

The main psychological questions in connection with the understanding of the profession as a community concern, firstly, those who are already included in this community. These are beginners, developing, involutional “off the track” professionals. Secondly, these questions concern those who propose or intend to join this community (those who dream of choosing a profession, who are concerned about the issue of choosing it, who are in a situation of choosing optants).

It would be rash to think that the profession as a community develops purely spontaneously due to the free and uncontrollable influx of interested people.

The factor of spontaneity in the above sense, however, takes place. But there are certainly reasonable people and groups who begin to understand the importance of some personnel policy. They implement one or another strategy in this matter, fight against the "clogging" of the professional community with unsuitable people, establish more or less strict personnel selection, attract capable forces from related fields, etc. This is especially important when, for some reason, the profession becomes prestigious attractive to many, including people who are clearly undesirable for business reasons.

Of course, in the real activities of people, these systems can interpenetrate in certain zones, forming certain subject mixts (confusions). For example, an artist-restorer must understand not only the artistic styles of the old masters, but also solvents, adhesives, textile fibers (canvases are weavers' products), putties, etc.

Each person is characterized by a more or less clearly expressed preference for activities corresponding to the subject of labor that is closer to him. This is due to the predominance of certain interests and personal characteristics. Someone likes to work with technology, and this is easy for him, but someone, on the contrary, feels horror from one type of household appliances, but his strong point is communication.

The specifics of the profession "person - artistic image"

In order to talk about the professional type “person - artistic image”, let us highlight the main psychological characteristics inherent in professionals of this profession.

About representatives of professions such as "person - artistic image":

In professions of this type, the world is seen by the worker and worries him, first of all, as a given given, in which one can find, highlight the beautiful, the beautiful, and as an area that can be transformed and brought into it beauty, convenience, a form of some kind of content that excites a person ... Natural conditions (for example, the relief of the Earth's surface, the sides of the horizon, prevailing winds, average monthly temperatures, etc.) are what must be taken into account when designing buildings and structures. For representatives of professions of this type, nature is a source of not only impressions, but also, for example, dyes, as well as some troubles (there are no eternal art materials in nature, time and microbes turn canvases to dust).

Professionals identify and keep in mind the integrity of, for example, of this kind: artistic styles, harmony of color solutions (paintings, architectural projects, showcases, theater decorations), a sense of beauty presented to people, stage speech, faith in what is happening on stage, performing concept, musical design of a theatrical performance, etc.

Civilization, culture, the history of mankind are thought of here as a multitude of artistic achievements, and often quite specific (in terms of authorship, time, place), samples of dyed fabrics found in the Egyptian pyramids; Goya's etchings that impressed his contemporaries; Michelangelo's frescoes, amazing in their beauty and strength of spirit, famous all over the world, etc. International relations, as such, are not emphasized: the world of people, countries, nations appears in broad comparative excursions as devoid of political, state, time boundaries invented by people: one row can be compared with the artistic deeds of antiquity, and the achievements of contemporary artists, and the masterpieces of ancient Russian icon painting; mysterious temples of Egypt and gothic buildings of the Middle Ages.

Typical examples of professional units of consciousness and psyche analysis of this type: sketch, idea, visible image, form; covers, layers, missing details (in the old picture); chains of icons, inscriptions; exposition, author's text; tempo, dynamics, rhythm, character of the created image, etc.

Representatives of the professions of the type "person - artistic image" are able to embody an idea or a certain mood in a concrete, directly perceived integral image, as well as to evaluate and analyze this embodiment. It can be, for example, batik (painting on silk) made according to the artist's sketch. These can be restored (restored) details of the image on the canvas of the old master, which have disappeared by our time.

In order for the tasks of the kind indicated above to be solved, delicate, painstaking work is required both on the subject of labor and on oneself. Behind the visible executive and motor components of a professional's activity are hidden his invisible, but sometimes complex, various cognitive actions and personal qualities. The creator of the drawing sees and feels the beauty of the construction of the figure and the background in their unity. The architect is attentive to the natural landscape, takes it into account. And this, of course, is not all, in which the cognitive component of the activities of workers in the area under discussion manifests itself.

The professional relies on folk experience and cultural heritage. But he needs all this as his own baggage of very diverse knowledge, both scientific and purely practical, acquired by considerable efforts. This is a comprehensive knowledge of the subject area (the world of colors, shapes, sounds, subtleties of the organization of space), and the world of past and modern culture, life of society.

A fine arts worker needs a developed sense of color, an accurate spatial eye, vivid images of the imagination. The musician needs vivid auditory representations, a subtle distinction of the quality of sounds. The actor, in order not only to clearly remember, but also to feel which actions in a given role are natural, plausible, logical, and which are not, mentally imagines such a complex system as the personality of the character portrayed.

As a rule, a non-standard mind is required, the ability to see events with an open mind, it is important to think that is not limited by those frameworks, patterns that could be assimilated during training.

A developed aesthetic sense is required. It is important not only to understand, not to "count", but to directly feel the beauty and uniqueness of a life event, a work of art; not only know, but also feel the compositional principles in their field (fine arts, sculpture, architecture, music, dramatic art).

Artistic tact is important, respectful attitude to the completed work of art. The best representatives of the professions of this type are characterized by a clear awareness of responsibility for the formation of the spiritual image of the consumer of art products. An employee in this area should take care of his professional development, not fall into pride and be able to subordinate the author's ambitions to socially significant goals. Perseverance, self-discipline are important attributes of a professional in this field.

They often talk about the artist's self-expression. However, self-expression is characteristic of any active human being: as soon as he feels his organs of speech, the baby begins to “walk”, “babble”, and then speak out, creating, in particular, new words and thought patterns. A preschooler expresses himself vividly in the game, a teenager in relationships with others, etc. So one should not assume that self-expression is an indispensable sign of an artistic mentality.

You can distinguish yourself in different ways, and some of them require a lot of work on yourself and a lot of self-discipline, self-criticism, good adherence to the idea of \u200b\u200bserving society, and some are just an unbridled hysterical demonstration of oneself to others on the assumption that these others are simply doomed to listen to some unusual person.

Self-expression for a high professional is not a goal, but an inevitable by-product of selfless dedication and service to social ideals. The feeling of the beauty presented to people supports the exacting attitude of the master to each of his actions.

The features of creativity (creativity) of representatives of the type of professions under discussion are that they are innovators in their essence; they relate to the world in which they live as transformers: not to preserve and not just to multiply the good, but to change. The unique, one-of-a-kind, unique, non-standard is especially appreciated here.

Open-mindedness, looseness of artistic thought (but not licentiousness of temper, this should not be confused), bold flight of imagination, flexibility in decision-making (the ability to abandon previously made decisions in favor of the best) are very important. But the broad horizons of creativity open up before a person only when he, through sometimes heavy efforts, has perfectly mastered the skills, methods of painstaking work.

For example, an artist-painter can be original if he has overcome the purely technical difficulties of execution with numerous exercises, that is, when he does not need to think about how the material “works”

The peculiarities of self-regulation of representatives of this type of professions consist in the fact that one must be able to subordinate the author's ambitions to common goals.

For example, an industrial product designer works as part of a development team. It includes specialists of different profiles: economists, design engineers, and, possibly, physiologists, psychologists. It is clear that the position of a capricious child, insisting that everyone agree with him, is simply meaningless here. For all the creativity, performance clarity and self-discipline are needed (if you can't do it well, do it as you can, but on time, etc.). Perseverance, patience, the ability to rework what has been done are important qualities of a creative worker.

The difficulties of this type of profession often include long-term static loads of individual muscle groups, high requirements for the sense organs and the musculoskeletal system. Considerable nervous stress.

One of the features of this type of profession is that a significant proportion of the employee's labor costs remain hidden from the outside observer. Moreover, special efforts are often made to create the effect of lightness, ease of the final effect of labor. Thus, an artist's performance can continue in public for several minutes. But for its implementation, the artist works every day and for many hours to improve and maintain his skill at the required level, strictly adheres to a special regime, etc. An artist's masterpiece can leave the impression of lightness, a small amount of effort, but this often requires a lot of work. knowledge, mastery of material handling, mastered over the years.

In professions of this type, the world is seen by the worker and worries him, first of all, both as a given given, in which one can find, highlight the beautiful, the beautiful, and as an area that can be transformed and brought into it beauty, convenience, a form of some content that excites a person. Space is where people have to live, and therefore one has to think about the interior of a spaceship. The Earth is something that you need to mentally look at from a great height, from space, in order to better organize the designed settlement. Natural conditions (for example, the relief of the Earth's surface, the sides of the horizon, prevailing winds, average monthly temperatures, etc.) are what must be taken into account when designing buildings and structures. For representatives of professions of this type, nature is a source of not only impressions, but also, for example, dyes, as well as some troubles (there are no eternal art materials in nature, time and microbes turn canvases to dust).

Professionals identify and keep in mind the integrity of, for example, of this kind: artistic styles, harmony of color solutions (paintings, architectural projects, showcases decorated, theatrical scenery), feelings of beauty presented to people, pulse of the day, stage speech , belief in what is happening on the stage, performing concept, musical arrangement of theatrical performance, phrasing (musical material), symphonic sounding, deviations from the tempo, etc.

Civilization, culture, the history of mankind are thought of here as a multitude of artistic achievements, and often quite specific (in terms of authorship, time, place) - samples of dyed fabrics found in the Egyptian pyramids; Klodt's horses on the bridge over the Fontanka; lacquer miniatures by Palekh masters, famous all over the world, etc. International relations as such are not emphasized: the world of people of countries, peoples appears in broad comparative excursions as devoid of political, state boundaries invented by people: in the same row, the artistic deeds of both primitive man and the masters of Italy, Russia can be compared or Holland, etc.

The conditions for human existence and development are the system of human settlement, residential quarters, front squares of the city, space for recreation in the designed living quarters, space for handicrafts, fertile places, which are important to take into account when designing settlements and villages. The activities of people, of humanity as a whole constitute a certain background, the main thing is what must be ensured, overcoming the existing shortcomings: the norms of modern life, services, provision of rural residents with everything that is in the city (not all , including, say, the ridiculous idea of \u200b\u200bmulti-storey buildings).

Typical examples of professional "gestalts": sketch, idea, visual image, form; covers, layers, missing details (in the old picture); perceived city environment; chains of icons, inscriptions; exposition, author's text; tempo, dynamics, rhythm, features of the singing voice of a given person; the nature of the created image, the character of the character, the logic of the behavior of the hero of the play, etc.

Representatives of professions of this type are able to embody an idea or a certain mood in a concrete, directly perceived holistic image, as well as evaluate and analyze this embodiment. This can be, for example, engraving on the steel shaft of a fabric printing machine, made according to an artist's drawing. These can be restored (restored) details of the image on the canvas of an old master, which have disappeared by our time (concern for the integrity of the image is not removed here, although we are talking about details). This may be the thousand-first performance of the first piano concerto by P.I. Tchaikovsky or the role of Khlestakov in "The Inspector General" by N.V. Gogol. This can be the first and only sculptural expression of the idea of \u200b\u200bthe triumph of labor and knowledge.

In order for the tasks of the kind indicated above to be solved, delicate, painstaking work is required both on the subject of labor and on oneself. Behind the visible executive-motor components of a professional's activity are hidden his invisible, but sometimes complex, various cognitive actions and personal qualities. The creator of the drawing sees and feels the beauty of the construction of the figure and the background in their unity. The architect is attentive to the natural landscape, takes it into account. The actor analyzes and takes into account the mood, the reaction of the audience. And this, of course, is not all, in which the cognitive component of the activities of workers in the area under discussion is manifested.

The professional relies on folk experience, cultural heritage. But he needs all this as his own baggage of very diverse knowledge acquired by considerable efforts - both scientific and purely practical. This is a comprehensive knowledge of the subject area (the world of colors, shapes, sounds, subtleties of the organization of space), and the world of past and modern culture, life of society. Often small, accurate, well-coordinated, sometimes fast and complex coordinated movements are required.

A fine arts worker needs a developed sense of color, an accurate spatial eye, vivid images of the imagination. A musician needs vivid auditory representations, a subtle distinction of the qualities of sounds. The actor, in order not only to clearly remember, but also to feel which actions in a given role are natural, plausible, logical, and which are not, mentally imagines such a complex system as the personality of the hero being portrayed. Such complex systemic "blocks", professional "gestalts" of memory are in any work; each time it is necessary to understand this specifically.

As a rule, a non-standard mind is required, the ability to see events without prejudice, it is important to think that is not limited by those frameworks, templates that could be assimilated during training. A developed aesthetic sense, a sense of beauty is required. It is important not just to understand, not to "count", but to directly feel the beauty and uniqueness of a life event, a work of art; not only know, but also feel the compositional principles in their field (visual arts, sculpture, architecture, music, dramatic art).

Artistic tact is important - respect for an established work of art. You cannot perform Beethoven as a foxtrot (technically, of course, this is achievable, but not permissible - “you can, but you can't” for reasons of artistic tact). You cannot paint the lost places from the picture of the old master to your taste (you must either deeply imbue with the spirit and style of the corresponding era and a particular master, or simply smoothly tint the loss). The best representatives of the professions of this type are characterized by a clear and persistent consciousness of responsibility for the formation of the spiritual image of the consumer of art products. An employee in this sphere should take care of his professional development, not fall into pride and be able to subordinate the author's ambitions to socially significant goals. Perseverance, self-discipline are important signs of a professional in this field.

They often talk about the artist's self-expression. However, self-expression is characteristic of any more or less active human being: as soon as he feels his organs of speech, the baby begins to "whine", "babble", and then speak out, creating, in particular, new words and thoughts. The preschooler expresses himself vividly in the game, the teenager - in relationships with others, etc. So one should not assume that self-expression is an indispensable sign of an artistic mentality. Often, the idea of \u200b\u200bself-expression is used to cover up the inability of self-regulation, self-control, and on this basis oppose oneself to others - to distinguish oneself. From a certain age (approximately from preschool age) everyone has a need to distinguish themselves from others. It aggravates in adolescence, and then moderates somewhat as a result of the understanding that each person is significant in his own way.

However, you can distinguish yourself in different ways, and some of them require a lot of work on yourself and a lot of self-discipline, self-criticism, good adherence to the idea of \u200b\u200bserving society, and some are just an unbridled hysterical demonstration of oneself to others on the assumption that these others are simply doomed to listen. some unusual person.

Self-expression for a high professional is not a goal, but an inevitable by-product of selfless dedication and service to social ideals. The feeling of the beauty presented to people supports the master's exacting attitude to each of his actions. Re-readthe story of N.V. Gogol "Por-Tret" - very significant ideas about any artistic work are impressively expressed there.

Features of creativity (creativity) of representatives of the discussed type of professions are that they are innovators in their essence; they relate to the world in which they live as transformers: not to preserve and not just to multiply the good, but to change. The unique, one-of-a-kind, unique, non-standard is especially appreciated here.

Open-mindedness, looseness of artistic thought (but not licentiousness of disposition - this should not be confused), a bold flight of imagination, flexibility in decision-making (the ability to abandon previously made decisions in favor of the best) are very important. But the wide horizons of creativity expand before a person only when he, through sometimes heavy efforts, has mastered the skills, methods of painstaking work. For example, a performing musician can be original if he has overcome purely technical difficulties of performing with numerous exercises, i.e. when he does not need to think about whether his finger will fall in a difficult passage to the desired key or position on the instrument's neck. The peculiarities of self-regulation of representatives of this type of professions consist in the fact that one must be able to subordinate the author's ambitions to common goals. For example, an industrial product designer works as part of a development team. It includes specialists of various profiles: economists, design engineers, and, possibly, physiologists, psychologists. It is clear that the position of a capricious child, insisting that everyone agree with him, is simply meaningless here. With all the creativity, you need performance clarity and self-discipline (if you can't do it well, do it as you can, but on time, etc.). Perseverance, patience, the ability to repeatedly rework what has been done are important qualities of a creative worker.

The difficulties of professions of this type often include long-term static loads of individual muscle groups, high demands on the sense organs and musculoskeletal system, and not-small nervous loads.

List of professions related to this type:

  • Actor
  • Circus performer
  • Architect
  • Choreographer
  • Ballerina
  • Brader
  • Visagiste
  • guitar player
  • DJ
  • Designer
  • Conductor
  • Journalist
  • Sound engineer
  • Goldsmith
  • Illustrator
  • Image maker
  • Screenwriter
  • Projectionist
  • Cameraman
  • Filmmaker
  • Composer

 

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