The camera is meaningful for extreme sports. Action cameras. Camcorders for extreme
Summer is coming - it's time for vacations. Many people today prefer to spend it on tourist trips, on tours to new cities and countries, in resorts or in extreme outings to the wild. So that in the end such a vacation does not remain only a series of personal memories, modern vacationers must take a digital camera with them - so that the pictures taken will allow them to again and again find themselves on warm islands, on the streets of European cities or in the Pamir mountains or the Alps for many years.
What to take into orbit? The best cameras for extreme recreation and tourism. ZOOM selection
Since there is no formal class of "tourist" cameras, many traveling vacationers are guided by their own ideas and capabilities when choosing a particular model. As a result, you can see vacationers, "armed" with a variety of equipment: compact cameras, designer samples, SLR and mirrorless devices, and so on.
Having chosen a place of rest - choose the right camera for the trip!
Of course, in our material we cannot - and we do not want - to cover all the diversity presented in travel. Therefore, we identified several main characteristics that the models selected as the best had to meet.
Selection criteria
However, at the beginning we decided that when we talk about vacation tourism, we should have in mind two different styles of vacation: traditional and extreme. The latter included trips to the mountains, to places with an uncomfortable climate for people and technology, to swampy, desert, Arctic territories. This also includes tourism for diving.
For extreme tourism, the most suitable photographic equipment is special cameras with body protection. It provides moisture and water resistance, dust resistance, insensitivity of the electronics of the device to shock, pressure drops, heating in the sun and the effects of low temperatures. In addition, when choosing the best representatives of secure cameras, we focused on compactness and without fail checked the models for the presence of a built-in GPS receiver. We explained the first requirement by the fact that extreme tourists (namely tourists, not photographers or amateur photographers who were on the expedition) have an impressive load, where there is no place for bulky cameras. The second one is a certain uniformity of the material filmed under extreme conditions, the cataloging of which is difficult without geo-positional information.
Nikon Coolpix AW110
Of all the four presented body colors, the Nikon Coolpix AW110 looks the most advantageous in khaki camouflage. So the camera looks like a real military device, which in fact it is.
The protective characteristics of the camera are impressive: the Nikon Coolpix AW110 body protects the electronic components of the model from water penetration at a depth of 18 meters, from drops from a height of up to 2 meters, from frost to -10 degrees Celsius, from shock, pressure (compression) and dust. In all of the above conditions, the Nikon Coolpix AW110 is not only able to function properly as a camera, but also to be an electronic compass, barometer, altimeter, depth gauge. The built-in GPS module allows you to write geolocation data into the system information of the image, and also works as a navigator in conjunction with a world map preinstalled in the device's firmware.
Nikon Coolpix AW110
The Nikon Coolpix AW110's ergonomics are also optimized for extreme conditions. So that a person can use the functionality of the camera without taking off their gloves, a gyroscope is built into the body, which catches the shaking of the camera up and down and left and right and translates these gestures into cursor movements through the menu system. In addition, all major mechanical control buttons are oversized.
Additional advantages of the model include the presence of a built-in Wi-Fi module, an image stabilizer and an HDMI port.
Panasonic Lumix DMC-TS5
Panasonic Lumix DMC-TS5 is not just a camera for extreme tourism, but a whole complex that can make life much easier in conditions of reduced comfort. In the body of the model, in addition to the necessary photographic components, there is a compass, a barometer, an altimeter - all with the ability to keep a log of indicators.
The protective functions of the Panasonic Lumix DMC-TS5 housing allow the device not to be afraid of falling from a height of 2 meters, not to pay attention to temperatures down to -10 degrees, to immerse itself in water to a depth of 13 meters and be exposed to a pressure of 100 kilograms. In addition, the housing is dust-tight in accordance with IPX8 and IP6X standards.
Panasonic Lumix DMC-TS5
Panasonic Lumix DMC-TS5 became the first camera in the history of the manufacturer with a rugged body that uses wireless technology Wi-Fi and NFC - so that the transfer of footage can be done without "depressurization". In addition, the wireless connection allows you to control the unit using devices running Android and iOS operating systems.
As a camcorder, the Panasonic Lumix DMC-TS5 allows you to shoot videos in Full HD resolution at 60 frames per second with progressive scan. To help you take photos and videos, the camera has an Image Stabilizer Power O.I.S. The maximum burst speed is 7 frames per second.
Sony Cyber-shot DSC-TX200V
The minimalistic design of the ultra-compact Sony Cyber-shot DSC-TX200V does not fit in any way with the appearance of a traditional camera, which has a protective case. Nevertheless, this model is not afraid of dust and can be a good choice for underwater photography at a depth of 5 meters.
Sony Cyber-shot DSC-TX200V
Making this camera, Sony first of all wanted to create a high-tech miniature device for photography, the owner of which can easily move from one point of the world to another - not being afraid of either an unfriendly external environment or the possibility of being with a strange-looking camera in a crowd of "cultural" tourists ... The result is the Sony Cyber-shot DSC-TX200V one of the most versatile cameras ever built for the holiday season.
The technological advantages of the Sony Cyber-shot DSC-TX200V include a large (3-inch diagonal) touchscreen display, the ability to record video in Full HD resolution at 60 frames per second with progressive scan, the presence of automatic panorama photography modes (normal and 3D) ). We also note that the speed of continuous photography of the device is equal to 10 frames per second.
Pentax WG-3 GPS
If the degree of protection of cameras directly depended on the design and appearance, the Pentax WG-3 GPS would become just an "unkillable" model - its body looks so brutal and cheerful.
However, the device really does not experience a lack of strength: the camera can withstand immersion in water to a depth of 14 meters, a fall from two meters, and freezing up to -10 degrees Celsius. Also, Pentax WG-3 GPS is not sensitive to dust penetration and pressure (shock) at the level of 100 kilogram-forces.
Pentax WG-3 GPS
Despite these impressive characteristics and the presence of a built-in compass in the camera, the main focus of the Pentax WG-3 GPS design is on photographic capabilities. To do this, the camera uses a fairly "light" optics with aperture of F / 2, the lens is able to focus at a distance of 1 centimeter from the front lens, and around its shaft there are six microflashes made of LED elements. The model also has a traditional built-in flash.
Other advantages of the camera include the presence of an image stabilization system, support for Qi wireless charging technology and the ability to shoot videos at 120 frames per second.
Olympus Tough TG-2 iHS
To date, the Olympus Tough TG-2 iHS can be confidently considered one of the best cameras designed for extreme tourism. This model intelligently combines good photographic capabilities, a high degree of body protection and a fairly attractive design.
Olympus Tough TG-2 iHS
As for the protection, this device has it at least a little, but surpasses the protection of competing cameras: the Olympus Tough TG-2 iHS can withstand immersion in water up to a depth of 15 meters, it is not afraid of a fall to a height of 2 meters 10 centimeters, weather disasters do not affect the electronics models to a cooling point of -10 degrees Celsius. Measurement of the dustproof properties of the Olympus Tough TG-2 iHS has not been numerically evaluated - but it is sufficient, but the shock pressure withstands the cases is equal to 100 kilograms-force.
In terms of design, the Olympus Tough TG-2 iHS attracts not only with the harmonious lines of the body and its colors (classic combinations of red and black), but also with an excellent display on the OLED matrix with a diagonal of 3 inches.
Evaluation of the photographic potential of a camera can begin with the designation of the lens aperture, which is F / 2. Also worth mentioning is the possibility of the device operating in a semi-automatic mode with aperture and sensitivity adjustment and the presence of a lens mount for a proprietary teleconverter.
The best cameras for extreme tourism
| Model | Matrix | Lens | Advantages | Cost, rubles |
| Nikon Coolpix AW110 |
1 / 2.3 "" (6.17 x 4.55 mm) 16.0 Mps (4608x3456) |
28-140 mm EGF |
|
12 thousand |
| Panasonic Lumix DMC-TS5 |
1 / 2.33 "" (6.08 by 4.56 mm) 16.1 MPS (4608x3456) |
28-128 mm EGF |
|
15 thousand |
| Sony Cyber-shot DSC-TX200V |
1 / 2.3 "" (6.17 x 4.55 mm) 18.2 MPs (4896x3672) |
28-140 mm EGF |
|
17 thousand |
| Pentax WG-3 GPS |
1 / 2.3 "" (6.17 x 4.55 mm) 16.0 Mps (4608x3456) |
25-100 mm EGF |
|
15 thousand |
| Olympus Tough TG-2 iHS |
1 / 2.3 "" (6.17 x 4.55 mm) 12.0MP (3968x2976) |
25-100 mm EGF |
|
17 thousand |
website
Cameras with a wide focal length range are well suited for traditional tourism. It was among such models that we were looking for the best samples. It took into account the quality of the optics, the quality of the final images, the ability to record video in Full HD and the overall functionality of the device. The priority was also given to cameras with minimum values \u200b\u200bat the lower end of the focal length range - when traveling through architecture-rich European cities, the widest possible angle of photography is very important. As for the built-in GPS receiver and the dimensions of the device, these characteristics were not rigidly written. Nevertheless, the presence of GPS was welcomed, and we tried to equalize the rather serious (by road standards) dimensions of the selected models by mentioning more compact alternatives from the same manufacturer.
Nikon Coolpix P520
(Alternative compact variant - Nikon Coolpix S9500)
The Nikon Coolpix P520 is a good release ultrazoom that tries to make the smallest difference (compared to competitors on the market) on your travel budget.
In general, studying the characteristics of this model, you cannot get rid of the thought that the manufacturer, releasing the Nikon Coolpix P520, had in mind tourists as a target audience.
No, this does not apply to dimensions. They are quite standard in the camera for their class: 12.5 by 8.4 by 10.2 centimeters with a weight of 550 grams. It is about achieving a good price-performance ratio. Having abandoned some of the possibilities (a connector for an external flash, shooting in RAW format), Nikon has invested in the Nikon Coolpix P520 several extremely useful options.
Nikon Coolpix P520
Among them - the presence of a GPS signal receiver, an excellent freely rotatable display with a diagonal of 3.2 inches and a resolution of 921 kilopixels, the ability to connect a Wi-Fi module.
Nikon Coolpix P520 is also capable of shooting Full HD video at up to 60 frames per second in progressive scan, taking burst photos at 7 frames per second, and automatically creating circular panoramas and 180-degree panoramas. The device has an automatic shooting mode with high dynamic range (HDR) - which is very important on sunlit beaches and city streets. Finally, the focusing system of the model is optimized for macro mode and allows the camera to focus on objects that are at a distance of 1 cm from the front lens.
Sony Cyber-shot DSC-HX300
(Alternative Compact Option - Sony Cyber-shot DSC-HX50V)
It can be seen that creating this tourist ultrazoom, the manufacturer was ready to make sacrifices in functionality for the best possible shooting quality. As a result, the Sony Cyber-shot DSC-HX300 really has an outstanding picture for its performance. And this is a zoom lens with a fifty-fold difference in the focal length range and aperture from F / 2.8 and a 1 / 2.3 '' matrix with a resolution of 20.4 megapixels.
Of course, maximum results are not achieved at every ISO sensitivity level. However, the available range from 100 to 12800 units is more than half suitable. At least up to the ISO 3200 mark - for sure.
The camera does a good job with filming videos. Full HD resolution is available at up to 60 frames per second in progressive scan.
Sony Cyber-shot DSC-HX300
Traditionally, for Sony products, the camera pleases with the presence of a large number of automatic modes - including the proprietary panoramic iSweep.
The Sony Cyber-shot DSC-HX300 has a continuous shooting speed of 10 frames per second. The model demonstrates more than impressive start-up speed and fast autofocus operation.
As for the victims, when designing the Sony Cyber-shot DSC-HX300, they touched the connector for external flashes, the ability to record frames in RAW format, the presence of GPS and Wi-Fi modules, as well as the limited freedom of the information display mounting mechanism.
Canon PowerShot SX50 HS
(Alternative Compact - Canon PowerShot SX280 HS)
Last year, the Canon PowerShot SX50 HS became the first ultrazoom camera to break the fifty-fold difference between the minimum and maximum focal lengths available to a camera lens. Although there are currently three such models on the market, the Canon PowerShot SX50 HS remains Canon's most advanced ultrazoom.
The undoubted advantages of the device include a good sensor of 1 / 2.3 '' standard size, not overloaded with pixels. Thanks to the moderation of the designers, the matrix has a very good signal-to-noise ratio at high ISO sensitivities.
Canon PowerShot SX50 HS
The dimensions of the Canon PowerShot SX50 HS are 12.3 by 8.7 and 10.6 centimeters, and the weight is 595 grams. This is roughly the size of an entry-level DSLR with a complete lens.
Among the advantages of the camera's ergonomics, one can single out good control with extensive use of mechanical elements, a display mount with three degrees of freedom, and a proprietary connector for an external flash of the Canon Speedlite EX line.
The device is capable of shooting videos in Full HD resolution at up to 60 frames per second in progressive scan. Photo shooting supports RAW recording, the maximum burst speed is 2.2 frames per second.
Fujifilm FinePix HS50 EXR
(Alternative compact version - Fujifilm FinePix F770EXR)
To compensate for the dimensions - 13.1 x 9.7 x 12.6 centimeters and 687 grams of mass - the Fujifilm FinePix HS50 EXR, which is more than comparable to the dimensions of entry-level DSLRs, the manufacturer has endowed this device with functionality similar to that in DSLRs and we see.
Fujifilm FinePix HS50 EXR
So, the forty-two-fold zoom lens of the model changes its focal length with the help of a mechanical ring - which allows you to very accurately frame the image. Like DSLRs, the Fujifilm FinePix HS50 EXR has a connector for an external flash, an HDMI port and an external microphone jack. The autofocus speed of the Fujifilm FinePix HS50 EXR is quite comparable to what we see in entry-level DSLRs - this was made possible by the use of a hybrid contrast-phase system in the camera. A gyroscope built into the device allows you to display a level line on the information display or in the electronic viewfinder - which avoids perspective distortion, especially when shooting wide-angle architecture and landscapes.
Although the technical characteristics of the Fujifilm FinePix HS50 EXR related to photography can hardly be directly compared with the characteristics of SLR cameras, the model has a lot of advantages here too. So, the device is based on the matrix EXRCMOS 1/2 ''. The Fujifilm FinePix HS50 EXR allows you to shoot in RAW format, record video in Full HD resolution at up to 60 frames per second in progressive scan, and the continuous shooting speed is 11 frames per second.
Panasonic Lumix DMC-FZ200
(Alternative compact version - Panasonic Lumix DMC-ZS30)
Among the best selected models, the Panasonic Lumix DMC-FZ200 has the lens with the smallest magnification of the focal length range. This, however, is more than generously compensated for by the constant aperture of the optical scheme at F / 2.8. According to this indicator Panasonic Lumix DMC-FZ200 to this day remains a unique representative of the ultrazoom class on the market.
However, the advantages of the model are not limited to optical superiority. The device is "loaded" with a complete list of all the features necessary for a long journey. These include a connector for installing an external flash, a connector for an external microphone, a lot of automatic modes - including shooting panoramas and with an extended dynamic range (HDR), and the presence of a powerful battery designed for shooting 550 frames.
Panasonic Lumix DMC-FZ200
The camera's shooting capabilities allow you to capture images in RAW format. The continuous shooting speed of the Panasonic Lumix DMC-FZ200 is 12 frames per second. The device perfectly can situationally replace a video camera, making very high-quality video clips in Full HD resolution at up to 60 frames per second in progressive scan.
Not least among the advantages of the Panasonic Lumix DMC-FZ200 is the very well thought-out ergonomics of control - with a wide range of mechanical elements and a double zoom mechanism.
The best cameras for traditional tourism
| Model | Matrix | Lens | Advantages | Cost, rubles |
| Nikon Coolpix P520 |
1 / 2.3 "" (6.17 x 4.55 mm) 18.1 MPs (4896x3672) |
24-1000 mm EGF |
|
14.1 thousand |
| Sony Cyber-shot DSC-HX300 |
1 / 2.3 "" (6.17 x 4.55 mm) 20.4 MPS (5184x3888) |
24-1200 mm EGF |
|
19 thousand |
|
1 / 2.3 "" (6.17 x 4.55 mm) 12.0 Mps (4000x3000) |
24-1200 mm EGF |
|
15.2 thousand | |
| Fujifilm FinePix HS50 EXR |
1/2 "" (6.4 x 4.8 mm) 16.0 Mps (4608x3456) |
Which action camera to choose?
Today it is almost impossible to single out a specific leader in the field of action cameras, however, one brand still stands out from the crowd:
GoPro Hero brings amazing performance, quality and reliability into their products. In the latest line (GoPro Hero 3+), the global brand has traditionally presented three models Black, Silver and White, differing in maximum resolution and frequent video recording.
In the 13th year, the old SONY entered the market, demonstrating to the public an amazing HDR-AS30V, which is in many ways not inferior to eminent competitors. The high quality sensor delivers really great results and the built-in GPS sensor makes this camera special.
Bullet cameras and Drift Innovation cameras deserve special mention. The former have an original and memorable cylindrical design, which simplifies the use and storage of the camera in some cases. The latter have all the traditional set of characteristics of extreme video cameras, have a lot of thoughtful nuances like a convenient fastening system, ergonomic controls, WiFi module, etc.
Camcorders for extreme
All of the above examples are just examples. Often an extreme camera for shooting one direction or another depends on its model features, and on the preference and choice of the buyer. Some cameras may have similar designs, but different functions, or similar functions, but completely different designs. Therefore, the choice of camera, say, for the best action shooting of riding a LiquidImage or AEE BlackEye snowmobile depends on the buyer himself. The main thing is that all the latest action video cameras shoot what is happening in Full HD quality, such a maximum video resolution of 1920 x 1080 megapixels will allow you to capture your takeoffs and vivid impressions in the best quality and real picture. Make records, record your achievements on video and keep the unique brightness of events with the help of the perfect modern technology called the action camera!
Each direction of filming has its own characteristics, its own requirements and certain rules. Accordingly, in the direction of various modes and methods of shooting scenes, there are models and adaptations of action cameras.
The man is a hunter, and the thirst for adrenaline is in his blood. If you are fond of alpine skiing, snowboarding, rafting, surfing, rock climbing, wake or any other extreme sport, you probably know how you want to capture your best trick and leave some cool pictures to remember.
If you love photography, on your next trip to the mountains or the coast with friends, take on the role of a sports photographer. Keep in mind that doing this can be as difficult as doing the sport itself. You have to climb trees, shoot on rocks, follow the athletes, not lagging behind them a step, and sometimes even ahead of them, and at the same time think only about how to get good shots. Professional sports photographer Leonid Zhukov shared the secrets of extreme photography with us.
“Extreme photography is when you love sports so much that you can't help but shoot it. It all started with a hobby - photographing for myself, for friends. And then it stopped being just a hobby, and now it is one of my main occupations. And my favorite. "
The basics
Extreme photography is a separate direction of photography. As a dentist, he understands little about cardiac surgery, and also here: in order to take good pictures of extreme sports, a photographer must "be in the subject." A few tips for those looking to learn how to shoot sports:
Love what you shoot. Best of all, if you yourself are involved in extreme sports, or at least tried yourself in the direction that you shoot. This will allow you to feel and catch the most interesting moments, to convey in the frame all the beauty and complexity of the performed tricks.
Get fit. Extreme photography places high demands on the physical fitness of the photographer. This is not a studio shoot! You need to be ready to climb mountains with a backpack full of equipment, sit in the snow and rain, waiting for the rider to jump from this springboard, run with the camera along the track to catch the most important shots.
Get started from filming friends or local sports events. Once you find your shots are good, you can try moving on to bigger competitions and tricky shots.
About technique
Of course, professional equipment is not a guarantee of a successful shot. Capturing the right moment and choosing the best angle requires experience and reportage skills. However, no matter how master of photography you are, amateur technique will never give you the opportunity to capture the perfect shot.
Choose the right camera. Professionals prefer to take one accurate shot than "scribble from a machine gun." However, the trick can be so dynamic that it can be difficult to isolate a specific moment. It is better to shoot a series and only then, in a calm atmosphere, choose the most successful shot. The determining factor here is the rate of fire of the camera - choose a camera that captures at least 5 frames per second. For modern digital cameras, another parameter is important - the matrix. Professionals choose full frame cameras - when the sensor is about the same size as a 35mm film frame. Only full-array cameras can capture the full depth of light and color that traditional film equipment is capable of.
Speed \u200b\u200bmatters. Photos need not only to be taken quickly, but also quickly recorded. Use high-speed flash cards: when shooting large series, the difference with regular cards is very noticeable. The temperature difference is also important here, at which stable operation is guaranteed. Special "extreme" series of cards allow you to shoot in the range from -25 to 85C without failures.
What else to pay attention to. A set of fast lenses - from wide-angle to telephoto - will make it possible to shoot in any conditions (for example, 14-24 f / 2.8, 70-200 f / 2.8). Flashes help freeze motion or create more dramatic lighting.
Save money. Good technique is usually expensive. If you have just started to master the art of extreme photography, do not rush to immediately purchase premium equipment. After all, before investments in a hobby begin to pay off, it will take more than one month of long and hard work. Ebay.com will help you save money and time on selecting the right equipment. Often there you can find not only individual profitable offers, but also whole sets - a camera with suitable lenses, filters, flash and everything you need to get started. This collection, for example, contains everything for a beginner extreme photographer.
About travel
“When traveling, you always want to combine shooting, recreation, and extreme sports. Take pictures of your friends, and let them take pictures of you! And then everything will work out. "
If you have already mastered surfing in Bali and ski raids in the Alps, and still decided to seriously take up sports photography, be prepared for the fact that all the fun is happening at international competitions. You have to travel a lot, attending various sports. What to take with you on such trips?
What should be in the backpack. When going on a trip, in addition to photographic equipment, you may need: swiss knife (saw off a branch, tighten a bolt on a tripod, cut off a piece of a colored filter, or share an apple with friends); insulating tape, 2-3 meters thin climbing rope and several plastic clamps (universal tools that allow you to fix anything, anywhere), several garbage bags (in summer the rain can start as unexpectedly as it ends, especially in the mountains; the bag can not only cover the camera, but also wear it instead of a raincoat), a couple granola bars - sometimes the photographer simply does not have time for a snack, but it is necessary to maintain strength.
Clothing should not restrict movement. This applies not only to a comfortable cut, but also to suit the shooting conditions. The photographer should be thinking about how to get a beautiful shot, not how not to get the sneakers dirty. In winter, the two main attributes of a wardrobe are warm waterproof boots and good gloves. Gloves should be moderately warm to keep your fingers warm, but also moderately thin so as not to lose sensitivity to control the camera. In summer, these are usually light pants, a pair of T-shirts (most often synthetic), a fleece that can be stowed away in a backpack, and a sun cap.
Get ready for extreme conditions. In search of an unusual and interesting angle, you may have to shoot in the mountains or climb trees. For this, climbing equipment is very useful - ropes, carabiners, a harness, a helmet (and who said that it would be easy?). Professional sports photographers often carry two backpacks (one with a camera, the other with equipment), but the shots are really interesting and the result is worth it.
About inspiration
“When I see how my friends perform some new element, go through a difficult track, raise the bar even higher, I want to catch this moment and tell others about it!”
Athletes - these are, obviously, those for whom you generally started doing this. To convey the tension of a person, his emotions, the beauty and complexity of the trick, the picturesque landscape and nature around is a whole art.
Professional photographers. Check out the shots of talented sports photographers, especially if you are new to the business. You can get new ideas from colleagues and be inspired by beautiful photographs. Do not be afraid to borrow ideas, in any case, everyone embodies them in their own way.
Nature and city also very inspiring! Always try to shoot not the stunt itself separately, but in relation to the surrounding space. Sometimes the simplest element can look absolutely stunning in the appropriate setting.
Over the past decade, photography and video technology has progressed so far that athletes and extreme athletes have the ability to effortlessly capture their achievements with portable action cameras. "Popular mechanics" became interested in how the shooting takes place in the most difficult conditions and what difficulties the conquerors of industrial facilities most often face. To find out the answer to this question, we interviewed three of the most daring urban adventurers.
— How is shooting done while climbing? - Now I personally take with me an impressive set of equipment, because in addition to photography, we are also engaged in video filming. For her, we use action cameras that are attached to the head, and in the event that we climb the spire, we use a monopod. To make the picture more "extreme", the camera needs to be raised as high as possible, besides, you always have to choose the most interesting angle, which is not easy. Of course, an ordinary camera is also always with us, with its help you can sometimes take pictures of interesting city views. The telephoto lens, which comes in handy for interesting shots, and the wide-angle lens, which is better suited for shooting at the edge, where it is important to capture both the person and the surrounding landscape, helps here. https://www.youtube.com/watch?v\u003dpCdZRsEV4lI "\u003e Link to full video
The next guest of Popular Mechanics was Denis Lenchevsky, a well-known base jumper and stunt performer. Base jumping is an extreme sport that uses a special parachute to jump from fixed objects. Due to the high risk of entering an erratic fall during a jump (since the athlete does not have time to correct the position of the body in the air, like an ordinary parachutist), this sport is considered very dangerous and in order to do it, you need to have a sober head and steel will. Denis has been making jumps for 19 years, and until now, each jump for him is a separate event full of vivid emotions. - What causes you the most problems while jumping? - You know, even though I personally do not consider base jumping a sport, although I participated in world-class competitions, it is still a technically difficult event and deep psychological practices. This complexity is akin to parachuting, but if there most of your actions are determined by the head of the jumps at the airfield - when to jump, where, from what height - then here you are left to yourself, and this imposes on you the burden of additional responsibility for your life. You yourself must understand the weather reports and take into account the features of the relief and local features of the climate, up to folk signs. For example, if a “cap” (a cloud of a special shape) hangs over the top of Elbrus, it means that in the near future the weather will change dramatically. Often the ascent to the jump point takes more than one day, so you involuntarily learn to be pedantic. 
- After 19 years of jumping, do you still get the same thrill as before? Many experienced skydivers complain that jumps become boring over time. - Indeed, for parachutists, ordinary jumps quickly become monotonous. It doesn't matter where you jump, in Russia or Argentina, the picture changes, but the essence remains the same. Base jumping is very different. We try to be progressive athletes and constantly discover new places from which no one has ever jumped, and in this case, jumping always brings different sensations. In base jumping, you can be both a geographer and a pioneer at the same time. - How does the shooting process take place while jumping? - It depends on the format. Sometimes we shoot each other by appointment, sometimes we attach a camera to our suit. We started filming a long time ago, since there were projects on Channel One and just feature films. Among other things, I am also a stuntman, so I sometimes dubbed the actors during the filming, while a film crew independent of me worked on the set. 
... This means that you need to navigate the flight and make decisions very quickly. Photo by: Andrey Kamenev In the case when personal shooting is carried out, now most often they use action cameras, and at one time we began to shoot on film. There was a period when I jumped with a film camera and with a film camera on my helmet, and now hardly anyone can repeat it. Modern cameras are sold already in a protective case, and you just need to press a button in time. Imagine what it was like before: we had to make our own fiberglass boxes and special equipment for the camera. During the jump, you will not be able to shoot with the camera manually, it is very dangerous. Therefore, you could take a baby pacifier in your mouth, inside which there was a terminal: you squeeze your teeth - the circuit closes and the device works, and in the same way you could bring the button to the index finger of your left hand. Today, the equipment is incredibly light and practically does not interfere with athletes, but then we had to make anatomical helmets that allowed us to properly distribute the load. In the case of jumping with heavy cameras, the helmet even had shoulder rests in order to relieve the neck at the moment of a jerk on opening. - Over the past 19 years, technology has certainly made a step forward. In your opinion, are modern cameras that allow exercise superior in quality and convenience to those of the late 90s? - Of course, if we are talking about comfort during shooting, modern action cameras are beyond competition, although the film equipment was quite good. Everything has become much easier and more convenient, but the picture resolution, in my opinion, is even ahead of its generation. For example, I have the ability to shoot video in 4K resolution, but not every computer is able to process it. Cameras are definitely developing faster than software, so modern devices still have a very long period of time ahead, during which they will remain relevant. Link to original video
Another person who shared with us the secrets of professional excellence was Roman Usatov, director of the AlpProm company, which provides industrial mountaineering services. It is these people who carry out high-rise work on building structures where it is not possible to place a suitable support. Roman's professional experience is 16 years, 7 of which he personally had to hang on the walls of buildings in the heat, and in the snow, and in the rain. For him, mountaineering is only work, but Usatov assures that those who are fond of speleology and mountain climbing in their free time are best at coping with their duties. - What external factors most affect the work of an industrial climber? - First of all, of course, the weather. There is a strict reference to height and wind: the higher the building and the stronger the wind, the harder it becomes to work. For example, if the height of the building is 150 meters, while the work is carried out at a height of only 20 meters, then the rope is very long and the amplitude from the attachment point is very large. This can cause the wind to push you away from the building, causing it to hit the surface hard when you return. For this there is a special safety system, it does not have clear regulations - we develop everything ourselves. When the wind reaches more than 16 m / s, it becomes unsafe to work, and in rainy weather, visibility is seriously impaired. Temperature also plays an important role; first of all, the comfort of the climbers themselves depends on it. In addition, architectural features play a significant role. There are such points to which we never let beginners. In difficult situations, speleologists who combine work with their hobby are best suited. — During your work, do you often shoot the subject? - Yes of course. The customer is always interested in receiving a visual report on how the work is proceeding and what defects need to be eliminated on the building. As a rule, we shoot with action cameras, or we shoot from below, using a powerful camera. Sometimes climbers take pictures of each other to get a better shot. In this case, weather conditions play a key role: often due to city smog, visibility deteriorates, and during fog or heavy snow there is simply no point in shooting - not only is nothing visible, there is also a risk that expensive equipment will be damaged moisture or dust. In such situations, they help out, who are well protected and are not afraid of bad weather. - If you had the ability to record video in ultra-high definition and shoot 360 °, would it help you in your work? - Yes, in the conditions that our team is working, it would play into the hands of both us and the customer. First, we can get a much clearer picture of the problem, especially if it is global. Secondly, it will simply help to shoot much better and more interesting material, and this, I think, will be useful in any field of activity, not just mountain climbers. Link to full video In conclusion, I would like to note that now such types of extreme urban tourism are available to everyone. But if you want to not only experience the thrill yourself, but also share it with your friends, then a good action camera is simply necessary for you.
Cameras for extreme shooting GoPro are no longer curiosities. A wide range of accessories and mounts for the extreme camera allow you to mount it on the chest, mount the action camera on a helmet, directly on a ski or snowboard. A tube mount for an extreme camera will come in handy for cyclists or, for example, windsurfers. A special box will protect the camera for extreme shooting not only from snow during a snowfall or falling into a snowdrift, but you can also shoot videos underwater with it. You can also buy a telescopic stick for a GoPro camera, from which you can shoot not only the environment, but also yourself. The extreme camera will be able to capture you in the most incredible angles, everything is limited only by your imagination. The GoPro action camera comes with a basic set of mounts in the starter kit. Some craftsmen are quite limited to them and irreplaceable scotch tape.
Many fans of extreme video, even before the trip, think over the scenario of the future video to participate in various contests, choosing the optimal mounting systems for their extreme camera and coming up with an original plot. By the way, we highly recommend stocking up on an extra battery for your action camera. Time flies by quickly, and in cold conditions the battery can run out rather quickly.
Extreme camera for all occasions
Extreme GoPro cameras are very compact! Such a camera will definitely not weigh down your backpack, but if you wish, it will just fit into the pocket of your ski jacket. With this camera, you can take photos and videos of different formats. Perhaps the disadvantage of the extreme camera is the lack of a screen for viewing captured photos and videos. However, this problem can be easily solved by installing a camera application on the smartphone to view the footage on it.
If you buy a camcorder for extreme sports, it will also come in handy for family home video. You can safely entrust an extreme camera to your child without fear for its safety.
By mounting the action camera on a tripod and setting the Time Lapse mode, you can capture the awakening of the camp, getting ready for the trip, as well as sunrises and dawns and whatever you have enough imagination for!
You can also buy an extreme GoPro camera in order to analyze your riding technique or simply so as not to ask your friends to film yourself this or that. By purchasing an action camera you can do it yourself!
Camera Features for Extreme Sports
You can come to the decision that you need to buy an extreme camera rather quickly by analyzing all its advantages in comparison with a conventional video camera.
- Extreme camera compact and lightweight
- The action camera is very easy to use, with just a few buttons that anyone can figure out. This is a very important factor especially when you ask your friend to photograph you.
- The action camera is reliable and durable, it is always ready for extreme falls, ups, dives.
- The quality of shooting is practically not inferior to classic video cameras. You will be surprised what extreme cameras are capable of.
- A wide range of all kinds of mounts for extreme cameras will open up new perspectives for you.
- What's also great about an extreme camera is that the price isn't that high compared to classic camcorders.
"Sport-Marathon" offers to buy extreme cameras in Moscow at 4 Saykina, or place an order for an action camera in the online store on our website.
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