The best street photography. Street photography - Notes on street photography and simple tips. Pay attention to the light

Most genres in photography can be easily identified or described by at least the subject of photography. If a photographer is photographing natural beauty and landscapes, then, therefore, he is engaged in landscape photography. If he photographs people, their faces and emotions, then we are talking about portrait photography. It is much more difficult to define the genre of street photography.

At first glance, it seems that street photography is about photographing people, objects and interesting events taking place on the streets of the city, in parks or other public places. But in reality, street photography may not necessarily imply outdoor photography. Perhaps the main thing that distinguishes street photography from all other genres is the photographer's desire to find some zest in everyday events and ordinary life of people, to satisfy his curiosity in unexpected cases and to capture the true diversity of the world around him in pictures.

Therefore, a real street photographer is not limited to any strict definition of the genre of street photography - he can concentrate on comic situations that a person constantly encounters in his life, draw the viewer's attention to acute social problems, or choose a certain event that seems interesting to him to shoot. Be that as it may, a street photographer constantly examines everything around him in search of interesting subjects and curious incidents, focusing the attention of his camera, first of all, on people and their actions.

Becoming a street photographer is easy - you just need to carry your camera with you wherever you go. This is how many of the professional photographers who have become famous for the street photography genre began. You don't need to go anywhere, you just need to walk around your city and strive to make interesting shots. This is the main beauty of street photography. Take your camera with you and go to work, classes or just a walk around the city, and you can always find time to take some interesting shots.

Author: schaaflicht

By the way, for street photography it is not necessary to use an expensive SLR camera, because it will be hard to carry with you. It is enough to acquire some kind of advanced and convenient compact camera, which, due to its modest size, can always be put in a bag or pocket. Carrying your camera with you at all times is actually a rule of thumb for any photographer looking to master street photography. Interesting and funny moments on the street often arise at the most unexpected moment. And if you do not have a camera at hand, you may later regret that you missed the great opportunity to take the most successful shots in your life. Street photography implies that anything can happen in the next second and the photographer must be prepared for it.

However, in addition to the fact that the photographer must capture any interesting moment on the street, he must also play it correctly in context. Comparing the event that interested him with the environment, a street photographer always strives to create a certain story, a plot capable of expressing the humor, irony of the author or the beauty of the world around him.

Usually photographers go to the city center, through the streets of which a huge number of people pass every day and there are many interesting events that just need to be noticed. This is where the ability to wait comes in handy. Although modern digital photography allows you to take hundreds of pictures in a matter of minutes, in the case of street photography, the main thing is not quantity, but quality. It is better to wait for an interesting, curious moment and take just a few successful shots, having previously studied the place, light, actions of people and surrounding objects.

The skier lingered until the summer

Photographer behavior and ethics are important aspects when it comes to the genre of street photography. When photographers first start taking street photography, they inevitably get overwhelmed by a certain shyness and stiffness. Many people are simply not comfortable being on the street with a camera and taking pictures of people who immediately pay attention to you. If you really want to become a street photographer, then you have to forget about shyness and what other people think of you.

Regarding the very behavior of a photographer on the street, there are no universal recipes. Many famous photographers have used special techniques to get lost in the crowd and remain invisible. For example, someone was covering the camera from prying eyes or filming "from the hip" so that people passing by on the street did not understand that they were being filmed. This street photography technique also means that you have to look like a typical representative of this urban area, so that you can completely blend in with the crowd and at the same time take pictures of people up close without getting into the frame. We can say that in this case, the photographer is required to possess real ninja skills. However, this is not necessary at all. Some photographers succeed, on the contrary, due to their directness, courage and openness. In short, everyone has to find their own approach here.

It is believed that you cannot take pictures of people on the street without permission. People are often annoyed when they suddenly realize that they have hit the camera lens. Some even openly express their dissatisfaction and go to conflict. Only a smile helps the photographer in such a difficult situation. Try to smile more often at strangers on the street, and a positive response will not keep you waiting. It is better, of course, to politely ask permission for photographing from a person who interested you in something. If someone does not want to be photographed, you need to show respect and leave him alone.

I must say that not all street photographers share the opinion that you need to try to ask permission to take photos from people just walking along the street. In particular, many believe that true street photography should be impartial, which means that the photographer is not at all responsible for the fact that any person or event was captured during shooting in a public place. Nevertheless, if you decide to become a street photographer, then you cannot avoid communicating with strangers, and therefore you need to learn how to talk correctly with the person you just photographed.

We must not forget about respect for people. On the street you can find a lot of photographic subjects that can capture a person, to put it mildly, from a not very beautiful side. Sometimes photos of homeless people taken on the street look like pure exploitation of their misery. Taking pictures of such people just to take a photo is probably not a good idea. But to come up with an interesting photo subject that would evoke in the viewer a feeling that prompts him to help the homeless is a completely different task.

When it comes to shooting techniques, street photography requires the photographer to get as close to the subject as possible. Always try to get closer to people and take more detailed pictures. For street photography, the use of wide-angle lenses is relevant. Such lenses, firstly, look much less threatening than large telephoto lenses, and secondly, they create such a perspective of the frame in which the viewer will feel like a part of the scene, and not an outside observer. In street photography, you can also shoot black and white, monochrome images, thanks to which the photographs better convey human emotions caught at some decisive, interesting moment.

When shooting outdoors, you should always pay attention to the background and lighting features. The background should be chosen so that it can add additional expressiveness and attractiveness to your photo. And at the same time, it should not distract from the main subject of photography. Light is important for any genre of photography and street photography is no exception.

A street photographer is the exact opposite of a studio photographer who tries to correctly align the light, position the subject in the best way, and decide on the appropriate camera settings in order to get the desired result. It's different with a street photographer. Its main task is to capture any curious moments and unusual things, isolating them from the maelstrom of the daily life of the metropolis. Therefore, for him, the characteristics of photographic equipment are not so important. But, despite the fact that for a street photographer, in general, it does not matter in principle which camera to use - a DSLR or a "soap dish", he must clearly know how best to use it. A street photographer shouldn't waste his time changing various camera settings. All this should happen on an almost subconscious level.

Newbies who are just taking their first steps in the genre of street photography often have a variety of doubts and difficulties. They just do not know where and where to start shooting on the street, which scene to choose? But it is worth immediately discarding these doubts and indecision. After all, this is the essence of street photography - you cannot plan what will happen in the next moment and what story will suddenly seem interesting to you. You just need to start, take your camera with you and go out into the street, where a wide variety of interesting moments awaits you.

The art of photographing people in their familiar environment, in those places where you and I “live”: streets, parks, squares, avenues, alleys. There are many different articles about this genre of photography, about what, where and how to shoot. In this article, we do not set ourselves the task of talking about the principles of street photography, but we invite you to get acquainted with the best photographers, representatives of this type of photography. A variety of cultures, people, objects - all this is combined in our articles, enjoy your viewing.

Eric Kim

Eric Kim, became a street photographer by accident. His heartfelt portraits are full of drama and expressiveness. While working as a Sociologist at UCLA, Eric continues to experiment on the streets. The theme of his work is the study of human behavior, he seeks to make people overcome their fear in the streets.

Claude Renault

If you have ever dreamed of visiting India or if you are interested in the culture of this country, then you definitely need to get acquainted with the works of Claude Renault. He is one of those wonderful street photographers who does not focus on certain people, his photographs are moments, moments, the simple truth of life.

Markus Hartel

Street photography combined with art. A special distinguishing feature of his work is the use of dark tones and the transmission of the true emotions of the characters in creating the composition of the photograph. An unusual look at the embodiment of abstract street compositions. Marcus's secret is simple, it reflects the reality around us every day.

Thomas Leuthard

Thomas Leuthard, street photographer, perfectionist. For him, street photography is about adventure and shooting. The composition of his photographs is the look of a traveler, a stranger at a character.

Boogie

Don't miss out on informal street photography. He created his collection of street photography in many places from Cuba to New York. His paintings are compelling and understandable without much explanation.

Sha Ribeiro

Sha Ribeiro is a photographer from Milan. His photographs are different from others. They are calm and seemingly peaceful. Considering them, listening to slow beautiful music, you will surely feel peace of mind.

Matt Stuart

Matt is a street photographer from London. His colossal fourteen years of photography experience can be easily seen in the pictures. A variety of colors combined with the expressiveness of the characters. Matt shoots with Leica and never leaves his house without a camera.

Maciej Dakowicz

Maciej Dakovich photographs streets, trying to reflect the comic nature of situations in his works. Professionalism and a sense of humor fill his pictures. Brilliant use of colors all over to convey to us the beauty of the streets.

Jurgen Burgin

A little about the natural light of street photography. Jurgen Burzhin is an extremely talented person with a special eye for composition. Born in Germany, Jurgen believes his photography is a mix of street, architecture and portrait photography.

Greg Schmigel

Greg Schmigel, the dynamism of his compelling photographs makes you ponder over the history behind each shot. He is possibly the first person to take photographs using mobile phones. Greg believes that 90% of great photography is due to the photographer and the rest to technology.

Kevin Wy Lee

Kevin Wee Lee, founder of the society of so-called invisible street photographers, where people study the art of this genre. His shots are striking examples of creative street photography. Compositions, objects, characters can serve as excellent research material for beginners.

Robert M Johnson

Robert M. Johnson, his photographs are the reason why you should fall in love with this genre of art. His subjects are so simple, and the exceptional angles make the viewer admire the shot. Verve and charming American street photography at its best.

Matt Weber

His pictures of the streets of New York make us understand what street photography is. The daily life of ordinary people, just like us, in the form of photography.

Guido Steenkamp

If you like Black & White street photography, then it is simply impossible to pass by the work of Guido Steenkamp. An incredible play of light and shadow, stunning compositions and a tremendous experience in photography for 13 years.

Chris Sorensen

Uncomplicated compositions of photographs attract the viewer with their sincerity, play of colors and the emotional state of the characters.

Danny Santos

Unusual fantastic paintings. Danny Santos presents us with wonderful items on the streets of the garden road. His portraits of strangers, street portraits will give everyone real aesthetic and visual pleasure from the process of communicating with the art of photography. He really tells us the story of his portraits.

Richard Sandler

After viewing the first three photographs, you can plunge into his gallery to unconsciousness and not notice how time passed while you were studying the gallery of his works, trying to find and catch the very captivating secret of his work.

Dairou Koga

Dairo Kozha is a photographer based in Tokyo, Japan. As a bookseller, he is engaged in portrait photography, trying to convey all the emotional characteristics of each character.

David Jakelic

Silence is the meaning of his pictures of the picture. Empty streets with a magnificent play of lights and shadows, geometric shapes and objects. One begins to wonder where is watching David's work.

Ilya Shtutsa is not just a talented street photographer. Photography for him is a way of interacting with the world, a kind of game, the rules of which he gladly shares.

Several years ago, when I just discovered street photography, and at the same time photography in general (school experiments with Smena 8m, apparently, cannot be seriously considered a photographic experience, there was no awareness, moreover, after I abandoned " shift ”, there was a break, neither more nor less, at 20), I happened to be among the participants of one of the photo quests in Vladivostok, just at the moment when they were given assignments. The tasks were quite varied, 12, it seems, themes, one of which was "through the looking glass".

It would seem that what is easier - open your eyes wider and go to the city, seize the moment and bring a great shot. But ... almost all of these people preferred to make a staged shot. And for this they had to be wildly perverted - I heard the conversation of the participants who were going to buy frozen chicken, put it in the toilet, light it red and do a few more strange manipulations, I no longer remember the details - and all this instead of just going and seeing, that the existing request will offer an expensive universe.

Actually, the main thrill of street photography is that it is an extremely addictive game for two players - a photographer and ... the world? Cities? The environment? The easiest way, of course, is to say that the game goes on with the world, and it goes on an equal footing - if you go out into the city with wide-open eyes, like into an enchanted forest, firmly knowing that unknown wonders await you around the corner, then peace is sure to you will show miracles.

It looks like a fairy tale, but the very principle of street photography is best expressed just ... with a line from a Russian folk tale - “go there, I don’t know where, bring that, I don’t know what”. For example, you can tell the story of a photograph in which a cardboard box on legs is chasing a fleeing girl.

I am often asked if this is a production. No, of course, not staging at all. It took place in Blagoveshchensk-on-Amur, in June, the heat was forty degrees Celsius, I was returning home at night and suddenly near the bus stop I saw a cardboard box, from the window in which the light of a cigarette peeped out. Bending down, I found a grimy face in the slit, and took a picture - with a flash, because it was very dark. Three guys came running to the flash from the darkness, and said - wait, he will scare the girls now, you take it off, it will turn out cool. I retreated into the darkness, and a couple of minutes later, when two unsuspecting girls passed by, chatting carelessly about something, the box quietly rose to its feet, ran up to them and began to push in the ass. The girls turned around, screamed and ran away. Then the situation was repeated with another passer-by. After taking some photos, I asked the guys - why are you doing this? And I heard in response - and h ... still doing, boring.

Of course, it is not enough to see something interesting, you also need to be able to show it to others, that is, in fact, to take a good photo. But here I will not open any America, almost all good photographers advise the same thing - to shoot a lot and very carefully select, ruthlessly discarding 99 percent of what was shot, and watch a lot of other people's good photos. Start with the Magnum website, for example. By the way, it is better not to limit yourself to photographs alone, it is also useful to go to museums, watch a good movie and, in general, cultivate visual literacy. But these are all common truths.

The aforementioned “go where I don’t know where” is the perfect guide for a street photographer. Ideal, but, of course, far from the only possible one. Sure, it's great to just wander the street lightheartedly in search of a unique and impressive moment, relying solely on your scent, but filming something on a given topic is very useful, if only as an exercise.

For example, I was very lucky three years ago (that is, at the very beginning practically) to find and join the Street Photography Now Project. This project was launched in mid-2010 by London-based Photographers Gallery in collaboration with Sophie Howarth and Stephen McLaren, authors of Street Photography Now, which became something of a Bible for a new generation of street photographers almost immediately after the release. During the year, 52 famous photographers, for example, Alex Webb and Bruce Gilden of Magnum, Matt Stewart and other members of the In-public collective, and others gave every week some instructions that everyone could try to follow by simply uploading their a photo taken during this week to the appropriate group on photo hosting Flickr.

Why do I say I'm lucky? First, it was, in fact, a free one-year course in street photography from the best masters of the genre, and sometimes the authors of the instructions actively commented on the work of the participants - what else could a beginner dream of? It is also important that, since about 500 people took part in the project, their common intention to fulfill the next instruction created a stream of enormous force, which greatly facilitates the task. For example, my photograph of women rolling a piece of tree trunk down the street was taken in response to Gary Alexander's instruction, "Surrealism Today."

I then had a particularly busy week, there was no time to wander around the city with a camera, and I was able to allocate only three hours to complete the instructions. That is, in three hours I had to go and find some surrealistic scene. The task seemed impossible, but I was sure that something would turn up - and now, after wandering for two hours in vain, I turned into another alley and saw it.

Secondly, a friendly community has formed from the permanent participants of the project. These people did not want to stop playing after the official end of the project - and continued it on their own for the second and then the third year! The only difference is that it is now called Street Photography Now Community and instructions are given half as often, which is why the flow is somewhat weaker, but not critical. A side effect of the continuation of the project was, in particular, the creation of the international collective of street photographers Observecollective.

Photographers who lived in the pre-digital era never dreamed of this. The Internet offers incredible opportunities for extremely fast learning, but it also has a downside (there are no free cakes - he liked to repeat my head of the department at the institute). When thousands of pictures flash before your eyes every day, you very quickly begin to realize that most of them use a rather small set of the same cliches.

This also applies to your own photographs - what until recently seemed to be a successful find, suddenly turns out to be another stamp worn down to you by hundreds, if not thousands of people from all over the world. What if you hit this wall? There is no unequivocal answer to this question, but I think that you just need to keep shooting, catching the buzz from the process itself (otherwise why is all this?), Perhaps postponing the photos for a while, in order to return to them later with a fresh look. One of the instructions from the above-mentioned SPNP project, which was given to the participants by the wonderful Indian photographer Ragu Rei, sounded something like this: "Until the supernatural comes into play, the picture is just information." This means that a good photograph must have some magic.

It's hard to explain, but sometimes something happens, a click, and something goes through you, breaking the tight cage of cliches and mental constructions. Such pictures, strictly speaking, cannot even be called our own, they are donated by some forces that are larger than us, and the one who held the camera in his hands is, at best, a co-author. But only they, by and large, are important.

Often, photographers looking for interesting subjects become perfectionists. They want to get the perfect shot right away, without unnecessary detail or a cluttered horizon.

Yes, these technical issues (as a rule, quite correctable) will be important at the stage of selecting the best personnel. But when you go out on a photo hunt, it is better to free your brain from unnecessary thoughts, which can kill the ability to notice and quickly capture interesting subjects.

The advice is simple: enjoy. Be spontaneous, trust your instincts. The less you worry about the quality of the photo, the better the shots you will get. Many famous street photographers have cropped legs and a cluttered horizon in their shots, but this does not spoil their work at all.

Weber-street-photography.com

In search of interesting subjects, photographers sometimes walk several kilometers, hoping to find that very magical place where they will take a masterpiece picture. But the peculiarity of street photography is that a good photo can be taken anywhere.

As you run across a boring square or street, ask yourself why you think there are no interesting stories here. Instead of wasting energy walking, slow down and look around.

3. Don't be afraid to take bad photos.

Photo.davidjakelic.com

Even the most successful ones have unsuccessful shots. It is important to take such pictures, and not be upset with supposedly crooked hands and lack of skill. Bad photos will help set off good shots. Think of it as a practice to capture the really rare and precious moments for your masterpiece.

4. Pay attention to the light

Richardsandler.com

If you follow the advice to skip street marathons, you can better understand how to work with light. Pay attention to its sources, how objects are illuminated, where contrasting areas are located. It is the light that will tell you how best to frame the frame.

5. Notice people who are far away from you

Weber-street-photography.com

Observe passers-by, evaluate their appearance and emotions. You can notice a bright, interesting character from a distance through the viewfinder (especially if you have a lens with a good zoom). In this case, you can prepare to take an interesting picture in advance, before the person comes closer to you. Experiment, compose your own scenarios and stories.

6. Think about the future

Chris-sorensen.com

An important strategic point: try not to take what is happening around for granted. Think about how your photographs will be perceived 50 years from now. What will go out of style, what will seem strange? Will the person sitting on the bench with the tablet be interesting?

Celebrate key milestones, signs of the times. This will give your pictures more storytelling value.

7. Be consistent

Maciejdakowicz.com

Street photography, despite its seeming simplicity, is a rather difficult genre. In order to improve your skill, you must act consistently, have a filming schedule.

Maybe you will spend half a day on street photography once a week, or 30 minutes a day during your lunch break, or after work. Perhaps you will be filming non-stop, stopping only for lunch.

Either way, by doing it all the time, you can do more than just improve your pictures. Over time, you will develop your own style, and interesting stories will find you on your own.

8. Use the camera as a key

Guido-steenkamp.com

A huge plus of the camera is that it is the key to new impressions. The desire to take a good picture makes you go out into the street, when everyone is watching popular programs on TV, taking pictures at night, in the rain and blizzard. You will be able to visit places where you have never been before.

Plus, you'll definitely make new friends. The camera helps to break the ice in a relationship, and the portrait you take will reveal a person from a different, unknown side.

9. Catch gestures and emotions

Erickimphotography.com

The photographer's task is to call the viewer who will consider the picture. Try to determine what meaning your photo carries, whether it will please or make you empathize. Think about the emotion a gesture or gaze of the person you have photographed evokes. You must make sure that the viewer himself gets the answers to all the questions.

10. Study books on photography

Look for new sources of inspiration. Take pictures during the day, at night, study the books of famous photographers, preferably working in different styles. You will glean a huge number of ideas that will help you rise to the next level.

Anton Vershovsky, “Street photography. Opening the plane. " A book by a Petersburg photographer who started shooting at the age of 7.
Brian Peterson, “How to Capture Masterpieces with Any Camera. Exposure strength "and" Finding a frame. Idea, color and composition in photography ”. The photography instructor explains the basics of using a camera.
Lee Frost, “Black and White Photography. Simple ways to get artistic shots ”,“ Night and evening photography ”. Practical advice from the famous English photographer.

Two weeks ago, we asked you to help identify the 20 most influential street photographers today, and the response we received was incredible. The comments just flew and we are very grateful for this amazing participation. You have recommended a variety of street photographers, from which a list of 75 names has been compiled. We believe this was the first crowdsourced street photographer list ever created. And you did it! Thanks!

A week ago, dear readers, we asked you to do one more thing for us - vote for the most influential street photographers from that list of 75 names. You have voted 21,137 times! Thanks!

It is clear that each of you is influenced by different street photographers, and this makes each voice even more interesting. Influence plays an important role in how an artist perceives the world and his / her art, so it makes sense that each of us has different sources of inspiration. This makes our perception of what we call "influence" unique. What's important is that, using your voices, we have identified the 20 most influential street photographers of today, in your opinion. Here they are:

20 most influential street photographers rated by Streethunters.net readers

Rui palha

Rui is a street photographer from Portugal. He has been shooting since 1967 and is very dedicated to the art of street photography. His work has been exhibited and published countless times. He has won numerous photo awards. Rui has influenced the street photography community for many years.

Thomas leuthard

One of the most famous contemporary street photographers. Thomas is from Switzerland and he is an international street photographer. He loves to travel the world to take more and more photos. Thomas teaches workshops, online courses in street photography, he has written and released 5 free e-books, and also has a YouTube channel where he shares his work and passion for street photography. Thomas has been an inspiration to many and has a great influence.

Eric Kim

Starting as a street photographer in California, he is best known for his street photography blog and workshops. Eric has been an inspiration and influence on a huge number of street photographers from all over the world. He believes in sharing what he knows, but he is also there in a state of constant learning. He loves teaching to travel. In addition to passionately blogging, teaching street photography and travel, Eric also shares many interesting street photography videos and interviews on his hugely popular YouTube channel. He has exhibited, published and given interviews several times. He is a very influential figure, and his blog is considered by many to be the de facto Street Photography Blog.

Vineet Vohra

Vinit is a street photographer from Delhi, India, studying applied arts with a specialization in photography. He was interested in the art of creating images and from early childhood he photographed everything that captured his attention. Instead, with his brother Rohit, he formed APF, a growing magazine to recognize new talent. The community photographer Fuji X also blames his work in prestigious magazines around the world.

Rohit vohra

Rohit are street photographers from New Delhi, India. Since the beginning of his career in the world of street photography, he has managed to accumulate a body of work, most of which you can see on his website. Together with his brother Vinit, he co-founded APF magazine. Like his brother Rohit, the Fuji X community photographer, his work has been featured in various prestigious magazines.

Bernd schaefers

Bernd is a German street photographer based in Solingen, shoots exclusively in B / W. He loves to shoot sincere moments and everything that generally attracts his interest. Bernd is always a constant learner, observing the streets and other contemporary photographers he admires - Hallik Allah, Rinzi Ruiz and many others.

Marius vieth

Marius is a very active international photographer with a focus on German street photography. Currently based in Amsterdam, The Netherlands. He is the founder of Neoprime, an international fine arts label, and owner and publisher of his own magazine, Neoprime Contemporary Fine Art Photography. He is also writing a book about street photography and finding his creative soul. Marius has won 21 international photography awards, he runs workshops and loves pugs.

Bruce gilden

Photographer Magnum from New York is a renowned street photographer who is widely recognized for his unique photographic style. Bruce is a street photography giant who has influenced the work of thousands for years. Bruce Gilden's name is synonymous with haunting flash photography. It captures characters, faces and expressions that can only be captured at close range. Despite the fact that Bruce has been photographing for many years, he is still very active both on the streets and on the Internet. In 2014, he shot several videos for vice.com criticizing Vice readers' photos and explaining what good photography is. Bruce Gilden's work has been exhibited around the world and published numerous times. He is the recipient of numerous awards and has been featured in many short documentaries. He conducts seminars and is constantly working on something new. His impact on the street photography community is undoubtedly enormous.

Nikolas Goodden

Niko is a street photographer based in London. He is the founder of the London-based collective of street photographers. His work has been featured online on reputable sites such as The Huffington Post, The Phoblographer, and many others. Niko has done many interviews about street photography. A list of his most famous interviews can be found on his website. Olympus chose him as their ambassador and promoted him in their Olympus Magazine quite a few times.

Alex webb

Alex Webb is from San Francisco. Alex is a "solid" street photographer with vast experience who has a wide impact on the street photography community through his publications and unique style. Webb is a composition genius with an unrivaled understanding of color. He, like no one else, can see the world in slow motion and convey it in all its glory. All of his photographs are visually rich, complex and have a strong inner history.

Tasuo Suzuki

Tatsuo Suzuki is a Japanese street photographer based in Tokyo. He has been active in street photography since 2008 and has won numerous awards and awards since then. His work has been awarded Nikon. Tatsuo shoots exclusively in B / W and exclusively at close range. He is clearly heavily influenced by Daido Moriyama and the Japanese photographic style of b / w grain. His photographs are dynamic and powerful.

Kevin O'Meara

Kevin is a US street / documentary photographer and member of the Elephant Gun collective. Kevin is a hardcore photographer who has no hesitation in capturing people in their most intimate, most personal and vulnerable moments. He approaches and establishes a connection with his object, and then captures on film the often harsh reality that surrounds us in a "raw" tempting form. In collaboration with Kevin Gorn, he published DAY & NIGHT, for which he filmed exclusively at night, while Kevin Gorn filmed exclusively during the day.

Kevin horn

Kevin Horn is a cinematographer and street photographer based in St. Paul, Minnesota. Strongly influenced by cinematography, Kevin manages to take “storytelling” photographs. He takes a great interest in the background and focuses more on it than on the objects that are used as props in his photographs. This is why most of his street work does not show people's faces. In collaboration with Kevin O'Meara, he published the book DAY & NIGHT, for which he filmed exclusively during the day, while Kevin O'Meara filmed exclusively at night.

Valerie jardin

Valerie is a French street photographer based in Minnesota, USA. She is a very active person who is interested in humanity and the beauty that surrounds it. Valerie never rests. She conducts international seminars, travels constantly from one major city to another, and also hosts a weekly podcast on street photography. And when he is not conducting seminars or recording a podcast, he writes for the Australian magazine Digital Photography School. In addition to all of the above, Valerie's work has been exhibited in both the US and Europe, as well as published in magazines, on many sites and blogs, she has been interviewed on shows, on radio and on podcasts. Through her work, she affects hundreds of people every day.

Trent parke

Trent is a street photographer based in Adelaide, Australia. He is a member of the prestigious international photography community Magnum Photos and the iN-Public collective, one of a kind. Trent has published six books to date and contributed to the writing of at least five more. His work has been exhibited countless times around the world and is held in 5 Australian public collections for all to see. In addition, he has received numerous national and international awards for his work, including 4 World Press Photo Awards. Trent Park is the inspiration for street photographers around the world and has a huge impact on the street photographer community.

Tavepong pratoomwong

Tavepong is a Thai street photographer based in Chanthaburi. He took part in many competitions, won first place at the Miami Street Festival 2014 (another photograph of him became a finalist). His work has been featured in group and solo exhibitions, as well as in the National Geographic Magazine of Thailand and other publications.

Chuck jines

Chuck is an American street photographer based in Chicago. In addition to filming on the street, he also shoots social and news events. He is very active on YouTube where he shares videos related to street photography. When he is not filming, he conducts workshops. The photography style he shares with his students can be called Sand Photography - a mixture of documentary photography, photojournalism and street photography with high contrast, high grain and black and white eyes. In addition to seminars, Chuck conducts video courses. His work has been published in the BBC, The Daily Mail and other publications.

Martin U. Waltz

Martin W. Waltz, also known as StreetBerlin, is a professional portrait and street photographer based in Berlin. Martin's works have been exhibited in many European countries, as well as published in magazines. He is currently working on several emerging street photography projects. Despite the fact that Martin often uploads color photographs, his signature style - b / w high contrast photography, is what he is known for. Martin is very active in social media and is happy to share his experience and advice with those who find him.

Zack arias

A versatile, very active and influential street photographer based in Atlanta, Georgia, USA. His work has been published in many places, in addition, his photographs have been featured in very famous magazines, podcasts and online shows. He has written numerous articles for magazines and made many national and international presentations. He teaches photography courses throughout the United States, Australia, Cuba, England, Hong Kong, Malaysia and the UAE, and also teaches online courses. In addition to the above - Zach has published one book and he is the official photographer of the FijiFilm X project. Thanks to Fuji, he has shot quite a lot of street videos in India.

_________________________________________________

P. S. If you would like to see all 75 names that were submitted in the vote, you can always visit the post "Vote for the 20 most influential street photographers of 2015".

It might be helpful to read: