Music editor profession. Creative professions: sound engineer and music editor. Learning New Material

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The profession of music editor arose with the advent of broadcasting and television. The first professionals were engaged in the selection of compositions for various programs, and also tracked their ideological orientation.

In the modern sense, this specialty appeared in Russia in the 90s. Now she is very popular. There are more artists and composers, and the possibilities for creating and distributing music are also growing. Therefore, people are needed who are able to process and promote the material to the masses. This type of activity is well suited for creative individuals with an entrepreneurial spirit.

Description of Activities

The boundaries in which the “music editor” can apply his skills are vast. So, his competencies will come in handy when planning concert programs and releasing new songs. You can find work on the Internet: for example, in a digital store or music service, laying out songs for subscribers. Many radio stations require professionals, and each company has its own format, dictating the choice of the appropriate audio recordings. Music editors who know how to create a certain atmosphere with the help of sound are needed at film studios and TV channels. As you can see, the question of finding a job is easily solved, and the vacancy can be selected depending on preferences.

Wage

average for Russia:moscow average:average in St. Petersburg:

Job responsibilities

The duties of a music editor depend on the place of work. He can, without leaving his home, post tracks in playlists on sites and in social networks, or completely plan the release of songs on the air of the radio station. Working on television, the editor is engaged in the sound design of programs, the selection of video clips, listening to participants in various auditions, and we are tracking new artists. In any case, he needs to constantly monitor the release of audio novelties, determine the frequency of the appearance of songs on the air, compile a variety of ratings, prepare concert programs and participate in rehearsals, develop a repertoire for singers.

Career Features

Opportunities career growth for the music editor are wide. Former DJs, journalists, radio station employees, bloggers, who with the ability to understand pop art and genres, grow into world-class producers or editors. But behind a big name is always hard work: listening to hundreds of tracks a week, working with novice artists, organizing various castings, studying the audience. It turns out that a successful editor has to connect his whole life with music, but in return he will be able to control the mood of the population of the whole city or the whole country.

Employee Profile

The work of a music editor requires good taste and hearing, as well as an understanding of the basics of arrangement and pop art. Will help higher education in the artistic field. Excellent computer and foreign language skills will also come in handy. Necessary personal qualities: clear diction, attentiveness, creativity, energy, sociability and patience. This profession is hardly suitable for non-initiative, passive people without organizational abilities. In addition, it is important to have a delicate musical instinct, that is, to know in advance which composition can become a hit.

Hello to all readers of the blog site! Today I propose to consider another option for working at home.

The profession of an editor is not simple, but interesting for creative people. She is also for purposeful, ambitious, with organizational abilities. In the article we will analyze who the editor is, how to become one, what he does and how much the specialist earns. So let's go!

To begin with, this is one of the oldest professions. With the development of typography, a need arose for editing text. There was a need for a person who would follow the literacy of the printed word, its correct addition to sentences, clarity and interest for the reader.

Over time, editing covered all areas of stylistic activity. Work in the field of literature, the media is not possible without the participation of the editor. Newspapers, magazines, books, articles on websites, before reaching the reader’s eyes, go through the hands of this specialist.

Editor - who is and what does he do

The name of the profession originates from the Latin "redactus", which means "tidied up." What does the editor tidy up? Of course, the text. He is responsible for preparing it for publication.

This process includes:

  • selection of fascinating and relevant topics,
  • tracking content
  • content adjustment in accordance with the requirements of a particular genre,
  • editing and revision of the finished material.

But not only that. The editor combines the skills of a journalist, and even. It’s also a manager, because he has to deal with authors, publishers and other services.

Varieties of profession

Editor is a creative and multifaceted profession. It all depends on which profile you want to create, what editor you want to become:

  • literary (editor of a book publishing house) - responsible for the artistic component of the text, its stylistic design, expressiveness of speech;
  • artistic (bill editor) - engage in the design of the publication, its aesthetic content;
  • scientific - to advise and edit popular science and educational works;
  • technical - to control the correct spelling of the text, to be responsible for the technical process of the route: edition - printing house;
  • the main thing is to manage the publishing department, to control the direction of activity, to be responsible for all the work of the publishing house.

The development and popularity of the Internet made it possible to do all this remotely and opened the curtain on yet another kind of profession - the editor of an electronic publication / website editor / content editor.

The functional features of the latter differ only in that all work is carried out online, and publications are presented to a wide readership in electronic form.

What are the responsibilities of the editor

There is an opinion that the main and only duty of the editor is to edit the printed text. I’m deeply mistaken, because without a special education, a gift for writing texts and understanding speech styles, without innate or acquired literacy, you will not become a professional.

Editorial activity is not an easy creative process, and just as they say “from the street”, you cannot get to this position, you need to have certain skills and be able to perform certain duties.

The duties of the editor:

  • Work with printed material, in the first place: its compliance with the requirements of the genre and style, correction of speech defects and errors in the text, rephrasing incorrect phrases / words, etc.
  • Creating the basic concept of the project, which includes determining the general direction of activity, topics, title of articles, assignments to authors and control over deadlines, analysis of material, quality control, and, if necessary, revision and editing of edited materials.
  • Assistance in solving various issues: artistic as well as technical design of the material before preparing it for publication.
  • Implementation of management tasks.

This is not the whole range of responsibilities. It can be supplemented, expanded or, conversely, reduced, depending on the staffing features, the presence or absence of specialists, as well as the concept of the editorial office / organization / site.

Important professional qualities

Who can become an editor? Who is this profession suitable for? What qualities should a person want to become a professional in this business?

Alas and oh, many have to be upset: not everyone who already sees himself in the editorial chair can succeed. You must have many personal qualitieson which the result of work will depend.

  • responsible
  • attentive
  • hardy
  • creative
  • sociable
  • literate
  • erudite
  • emotionally balanced and stress resistant
  • have organizational and oratory skills,
  • have an analytical mindset and good memory,
  • love to read
  • good computer skills

this work is for you. If you don’t have any of these qualities, it’s not a problem, “there is no limit to perfection” - you can develop them in yourself if you wish. An excellent help would be experience in journalism, pedagogical activity in the field of philology, and knowledge of languages. And the main thing is to love what you do.

Purposeful, confident in his abilities professional, having a solid baggage of knowledge and skills behind his back, will not be unclaimed.

Pros and cons of the profession

As in any other profession, the work of the editor has its pros and cons.

The positive can include:

  • Moral component

The publication of the next edition brings joy and satisfaction from the work done. The work itself, whether it be an article or a book, entails the formation of opinions, attitudes, tastes and preferences of readers. In many ways, this is the merit of the editor.

  • The ability to work quietly remotely in solitude with a computer, copyright material and language splendor, to be the first in line for a masterpiece.
  • Constant self-development and improvement. Work with educated intelligent people - A powerful incentive to self-education, knowledge and realization of their capabilities.
  • “A good increase in retirement,” as Lenya Golubkov said from the sensational once MMM advertising, that is, your ability to write and edit gives you an excellent opportunity to earn extra money.
  • Career prospects.

The disadvantages, first of all, include medical contraindications:

  • visual impairment
  • diseases of the musculoskeletal system,
  • diseases of the nervous system.
  • numerous stresses due to the large amount of work within the framework of the tough,
  • high responsibility
  • big competition.

The profession is in high demand, since editorial organizations and Internet resources are rapidly developing. More and more new projects appear every day, and the need for competent and timely editing is increasing significantly.

How much can you earn

A question that is difficult to answer unambiguously. The editor’s fee may depend on many components: education (it must necessarily be higher philological or journalistic, in the extreme case, pedagogical), qualifications, place of work (which is very important), your experience, the complexity of projects, related skills (knowledge foreign languages, for example) and others.

An important factor affecting the level of income is a lot of competition. It is clear that the prestigious publishing house of a newfangled magazine or the editorial office of a book publishing house is more competitive and the salaries there are many times higher than the editorial office of a regional periodical or electronic publication.

If you are particularly interested in numbers, then in the World Wide Web they range from 300 to 1,000 $. How much you will earn depends on you and your desire.

Employment

How to become a remote editor? As mentioned above, without experience no one will entrust your project to you. Typically, a career begins with work, as the level of professionalism in this area increases, you can already count on the position of editor.

You can settle in the same way as with any other remote work, search and respond to vacancies.

Conclusion

Everyone, I think, made a conclusion for himself. Work that allows you to combine business with pleasure, turn a hobby into a source of income.

If you are seriously thinking about doing this work, then here are some tips for you from already held pros in this niche:

  • in order to “get your hand” in the editorial industry, do not limit yourself to just one thing, work in various genres, focus on your target audience;
  • do not leave the facts unverified;
  • learn to work with a large amount of information;
  • master the spelling rules (remember: the editor has no right to make a mistake!);
  • study the computer (master the programs necessary for editing);
  • develop;
  • the site editor needs to know;
  • constantly improve, reading cognitive literature, expanding horizons.

“Oh, it's not an easy job ...” Well, who said it would be easy? But then it will be nice to brag about your ability to turn even the most boring article into a masterpiece.

That’s all, friends. I hope the article was useful and interesting to you. Share your opinions, thoughts. Waiting for your comments. See you on the blog pages.

It would seem that classical music is a narrow area of \u200b\u200bactivity for a select circle of people. In fact, there are quite a lot of professional musicians in society. This is not surprising, because hundreds of millions of people on the planet listen to music, and music must be taken from somewhere.

Today we’ll talk about where the musicians work and name the most common music professions. If earlier, just about 200 years ago, a professional musician had to be universal, that is, be able to play several musical instruments at once, compose music and improvise, promote his own compositions for performing them on stage, now all these functions are shared between different specialists musicians.

Music creators - composers and arrangers

First, consider a group of music professions that is associated with the creation of music. it composers and arrangers. Composers write music for songs, performances, films, as well as for performance in concert halls.

Despite the fact that many popular musical compositions are created using computer programs, composer music does not lose its relevance, even if only because it is the composers who provide constant forward movement. They are "inventors", and until some cool feature is invented by the learned composer, it will never appear in electronic programs to create music.

Arrangers help distribute composer music - these are people who prepare music for performance by any group of musicians. For example, there is a cool song for a vocalist with a modest piano accompaniment, the arranger can remake it so that it can be performed, for example, with the following composition: 3 vocalists, guitars, flute, violin, drums and keys. And from this the song should somehow embellish itself, and at the same time not lose its originality as a composer - this is the professionalism and co-creation of the arranger when working with the original version of the composition.

By the way, both composers and arrangers actively use various ones in their work. Before the appearance replicating technique and one more old profession was spread by special music editors - scribe of notes, a modern analogy is music composer, music editor.

Music performers - singers, instrumentalists and conductors

Now let's see what musical professions exist in connection with the performance of music. Music can be vocal (the one that is sung) and instrumental (which is played). It is clear that among musicians there are soloists (performing alone - for example, pianists, violinists, singers, etc.) and those who take part in various forms ensemble play or singing (any musicians)

Types of ensembles are different: for example, several musicians can unite in a chamber ensemble (duets, trios, quartets, quintets, etc.), and pop groups can also be attributed here. Members of such associations - chamber ensemble artists. There are larger associations - a variety of orchestras and choirs, and hence musical professions such as choir artist or orchestra.

Orchestras and choirs are either independent musical groups, or large groups of musicians serving theater performances, church services, or, for example, a military parade. Naturally, in order for the orchestra to play and the choir to be harmonious, collectives need leaders - conductors.

Conductor is another important music profession. Conductors are different. Actually conductors - these are the leaders of orchestras (symphony, pop, military, etc.), choirmaster work in secular choirs, and regents run church choirs.

The conductor's assistants in the orchestra are accompanists - musicians responsible for the quality of the play of any orchestra group (for example, accompanist of violins or accompanist of brass instruments). The first violinist is the concertmaster of the entire orchestra - before the start of the game, he goes around all the musicians and, if necessary, corrects the line of instruments, he also replaces the conductor if necessary.

The word accompanist has another meaning. Concertmaster - This is a musician (most often a pianist), who accompanies singers and instrumentalists (as well as their ensembles) during performances and rehearsals, helps soloists learn their parts.

Educators

Schools, colleges and conservatories work music educatorswho devote themselves to training future professionals. About what is taught at a music school, you can read a separate article. In ordinary schools and kindergartens, those who educate with music work music teachers and music directors .

Musical organizers and PR managers

These are people who are promoting music projects - art managers, producers, impresario - they are not always musicians by their education, but they are well versed in talents. To the same group adjoin entertainer - leading concerts and theme nights.

Musicians in the media, radio and television

Many musicians work in this area. it tV and radio presenters, journalists, reporters. This is due to the fact that many music and entertainment programs are broadcast on television and radio. In creating the same products for the mass audience (films, broadcasts, music albums, etc.), they take a large role sound engineers.

Other music professions

There are many other professions related to music. Occupations acquired some scientific bias music critic and musicologist. Applied character are such musical professions as piano and grand piano tuner, master of the manufacture and repair of musical instruments, creators of computer music programs etc.

Here is a far from complete list of those professions that are somehow related to music. Special musical education is received at colleges and conservatories, as well as at the music departments of pedagogical universities and cultural institutes. However, not for all people working in the music field it is equally important to receive a diploma from the conservatory, the main professional quality there is and remains a love of music.

Creative professions always seem attractive to people and, as many believe, do not require any effort. But this is fundamentally wrong, for specialties of such a plan, talent is needed - because without it it is difficult to create masterpieces. And music-related professions are no exception. For most, the music profession can be only one - a singer or musician. Someone can still remember about the composer. In fact, work in the music industry is not limited to these well-known specializations. What are some professions related to music? Their quite a lot of variety, which is not limited to singers and musicians. Below the reader will be presented with a list of professions related to music.

Music artists

These are those who convey to the listeners the meaning of a piece of music. These include representatives of the following specialties:

  • Singer. This is probably one of the most popular professions related to music. A singer is a person who, with the help of his voice, conveys to the audience the contents of a musical work. The voice is his working tool, so he must be able to master it perfectly. It is not enough just to have good vocal data by nature - you need to purposefully work on the vocal chords so that the performance of the composition remains in the hearts of the listeners for a long time.
  • Musician. If for a singer his instrument is voice, then for a person of this profession it is an absolute ear and the ability to play any musical instrument, as a result of a game on which people hear music.
  • Conductor. This is one of the difficult professions related to music, because the quality of a musical work depends on how he will manage a group of musicians or vocalists. After all, his task is not just to manage the performers, but to convey the meaning of the composition. The conductor must have absolute pitch, organizational skills.

Music creators

In order for performers to have something to do, you need to create it. And here the music society can not do without representatives of these beautiful professions:

  • Composer. This is the one who writes music, conveys his emotions through music. Some compose while behind the instrument. Someone prefers to write notes. If you cannot live without music, want to communicate through it with the world, then the profession of composer is for you.
  • Arranger. This specialization is recalled less often than the above. This is the person who is involved in processing the sound of the composition. An arranger can make a real masterpiece out of an uninteresting thing, but for this he needs some composer skills. Also, it is this specialist who can give, for example, a classic piece of rock sound.
  • one of the most popular professions in youth related to music. Progress does not stand still, including music. Using special equipment, a DJ mixes, that is, mixes several compositions and creates something new.
  • It can be said a combination of skills from the last two specialties. A person engaged in sound engineering, using various techniques, creates new look sound, which can then be used in films, performances.

Music teachers

Of course, music teachers are indispensable. Indeed, for all professions related to music, you need to have the necessary skills that can only be given by a teacher. In addition to staging, learning to play the instruments, people in the musical field should be well-educated and versed in musical directions. All this knowledge is given by musical educators.

Specialties with a technical and scientific bias

It is also worth mentioning such professions:

  • Sound technician. Thanks to him, all the musical equipment that is available on stage, on the set, works, and listeners can enjoy great sound.
  • Musicologist. That's pretty rare profession, considering the musical sphere from a scientific point of view. These specialists are engaged in the development of musical theory, its systematization and the solution of various musical issues.

Above were listed 10 professions related to music that may seem the most interesting. As in any creative field, you cannot create beautiful things without talent. But you can not even be able to realize a wonderful idea due to lack of knowledge. Therefore, music professions need to be trained if you want to connect your professional activity with music.

Where do they teach

Musical specialists are taught in conservatories, philharmonic societies, special musical institutions, and faculties. It is necessary to study for all the professions listed above, which will make it possible to become a true professional in the musical field in the future. The main thing is to remember that the creation and performance of music is primarily art, which should bring spiritual harmony.

As part of the special project "MediaProfi »Artyom Samoilov, music editor of Radio ROKS, toldMediaBusiness atabout the technical and creative side of the work, about who decides the fate of Beyonce on the air and where the people of the profession the music editor from the radio come from. Recall the first cycle of MediaProfi devoted to the topic of radio and is implemented jointly with the Radio Committee.

There is an opinion that the music editor is precisely the person who decides what will sound in this hour, for example.

Well this is a too loud statement that I decide the fate of Beyonce on the air (laughs). In any case, each radio station has a certain set of music and a set of rules by which it goes on the air, that is, is rotated. Of course, it’s not specifically written anywhere that in the tenth hour the Rolling Stones group must definitely go on the air. But there is some rule according to which 10 songs can get at this hour and the first in line is the Rolling Stones. So, she goes on the air. In the next similar situation, the song that comes second in line, etc., will be broadcast.

- Who creates these rules?

The management of the station, including the music editor. We define our tasks and decide what we need in order to realize them. But even with the same rules, as I said, different people will create different sound stations.

- Where do people from your profession come from? Do they teach us music editors in our country?

So historically, it probably happened that they managed without professional courses and training programs. During the formation of the industry, the first music editors acted almost blindly. Now the radio stations have gained experience and requirements for the profession and broadcast. And we are self-learning, as it has become easier to find out what people are doing in the same States, where they have been doing commercial broadcasting for thirty to forty years. They come here, share experiences. And among ourselves in Kiev we communicate in the profession. It happens that you have a problem that needs to be solved. And a colleague ran into her earlier and he has turnkey solutionsimple and cool. Or vice versa, someone says: we have a problem, we fight - we can’t do anything. And you say - it’s easy, 15 minutes - and you're done, because you already know how. Of course, a good music editor, technically savvy, will solve any problem. However, if there is a ready-made solution that will save time and effort, then why not use it? It turns out that there is training, but not classical. And through the exchange of experience within the profession.

- And how did you come into the profession yourself?

Like 90% of music editors, I worked on the radio before. First - the presenter of the ether, then - in other positions. Once a situation arose when the music editor quit, and he had to look for a replacement. For me, this work was interesting and technically simple, since I am a programmer by training, and I had experience with programming. The management offered to try myself in this direction, and I agreed.

I had a feeling before the interview that the music editor is a creative profession, and we are talking about programming ...

Creative, of course. Simply, on the one hand, programming is a set of clear rules by which a radio station’s broadcast is built: we take this, this and this, and combine it. And, even if you approach this globally, it doesn’t make much difference whether you program the site with scripts or broadcast songs. This is all - programming, planning.

But, on the other hand, it’s a creative process. As in cooking - there is a recipe and there is a cook. Two different cooks from the same ingredients can make, if not completely different, then certainly very different dishes from each other. So we have - there are rules, but according to these rules two different music editors can make two completely different stations.

At that time, programming was not new to me. Only in addition to developing programs did I take up on-air programming. It is very interesting in fact - you program the broadcast, and then you hear how it all sounds. I will not say that it was simple, but very interesting.

- And how did you first study as a music editor?

Studied in several ways. At that time I already had colleagues, acquaintances, friends who worked as music editors for a long time. And at first I was very tired of them. In each work there is a standard "rake", on which all beginners stepped on, are stepping on, and will be stepping on. And which is better, if possible, to get around.

- For example?

Basically - some technical points, rules. But how to do it? How about that? Someone came to this with their mind, bumps and experience for several years. I tried to skip this stage with minimal losses.

- And what are these moments, the rules?

For example, how often you can put this or that song, which music we put in the morning, which - in the evening, and so on.

Air Force legend Tony Blackbourne in an interview in honor of his birthday complained that the list of songs for rotation among British broadcasters is very narrow, that it needs to be expanded. How limited are our radio stations in this matter?

We have it, so to speak, optimal, this set of songs in the playlist. Optimal for variety to be felt, and at the same time for the listener's expectations to be met. Much depends, of course, on the radio station. For example, I do not welcome "random songs."

- In what sense - “random”?

This is when a song goes on the air according to the criterion "also a good song", "let it be." Sometimes you listen to the radio and you can’t understand why this song appeared here, in this place of the broadcast of this radio station. It seems that she is not bad, well-sung, well-mixed, but the fact is that the listeners of this station somehow do not really need it. And we are trying to balance between so that the ether is recognizable, and so that it does not become monotonous. It is important to get each song in anticipation of the listener, it does not matter whether it is new or old. Of course, you can always drive yourself into a framework that will bother you, or vice versa - expand them so that the station will cease to be recognizable and, ultimately, loved.

What are the requirements for the work of a music editor? Knowledge of music, knowledge of technology, knowledge of the basics of programming ... What else?

Technical education is, in fact, completely optional. It so happily happened that I had it and yes, in some moments it turned out to be easier. But there are plenty of examples when people with a liberal education work in this profession and make radio stations certainly no worse. You can just learn the technical part.

And yet, if you had to select a person for a job as a music editor, what would your requirements for a candidate be?

I would insist on the experience of working on the radio in the software part - the presenter, producer, etc. Such a person already has some kind of broadcast picture, which, as a music editor, is only expanding and supplementing. Theoretically, you can take a person from the street with a great desire to work and teach "from and to." But this takes time, which, as a rule, is not there, because a vacancy opens when the current music editor is about to leave. And we don’t have a year or two, so that a person from the street will look. And when a person worked for a year, two, three on the air, he sees how the songs are, he already understands the system. And all that changes when he becomes a music editor - he begins to manage this system.

In addition, this work requires some perseverance. It's one thing you - the host of the show, bright, incendiary, worked 3 hours of broadcasting - and left. Such a person is unlikely to work as a music editor. Here the work needs to be done slowly, very carefully.

- What is the responsibility of the music editor? This is a 24-hour x 7 days a week profession.

- And how are these new songs usually recruited, from which sources?

Depending on the radio station. If this is Radio ROKS, then watch the charts. Let's say we are interested in the music of the 70s-80s - we look at the charts of those years - did we miss some song. So painstaking technical work. There is also permanent job with music for editing. For example, after a song, you can put one beat “Radio ROKS!”, Or you can put a second, third, etc. You can wait until the song ends, or you can cut it off somehow interestingly.

- Earlier, it seemed, the presenters of the live broadcast did it ...

Somewhere DJs still do it, and we have a music editor. I know such a scheme, when a music editor simply downloads a certain number of songs for each hour, and the host arranges them every 60 minutes, he picks up interruptions and decides how to cut the song or not cut it at all. And for each song we have the optimal markup made by the music editor - here we cut the song and put such a break. But, if a DJ sees that in some case he can make not the optimal, but an ideally beautiful option, then he can correct this markup a bit, that is, shift the interruption and let the song continue to sound or make it shorter, cut.

We have all the joints of songs by default good. They are proven, listened more than once. But it happens that something can be improved one-time at the junction of this and this song right now. This is the charm of a living person on the air, because the process is creative.

You're talking about trimming songs, but what about mixing them up? People do it, do you build or does a special program make a mix?

We do not mix, because, firstly, our format is rock songs that people want to listen to from beginning to end, since this is a finished work. Therefore, our task is to beautifully complete the song, say what is needed or put a break with the call signs of the radio station and beautifully go to the next song. Perhaps this makes it easier for us - that we don’t have to pick a hard mix. On other radio stations, this task may be critical.

- How much time does it take to compile a playlist?

Maybe an hour. And maybe the whole working day. Differently. There is a regular broadcast day - night, morning show, line hosts, evening. And there are special esters, when all the elements of the day need to be built from scratch. For example, she scheduled an online broadcast of the concert on air. Or some special morning broadcast. It happens that a special broadcast goes on all day. With us, that was the birthday of the morning show. In those days when the software grid is changing, this is a concern for everyone, and the task of the music editor is to provide everything technically.

- Do you often listen to the air?

I try to do this more often if possible. It's one thing to sit at lunch and imagine how the songs will sound in the evening. And the other is to turn on the radio in the evening and hear “from the side”. I listen critically, analyze - the songs have merged well, for example, or not? If not, then I mark myself, come to work and look - and if so, or how will it be better? You need to listen to the broadcast, because you get a completely different impression, and it’s easier to control yourself.

You don’t get tired of music, is there no kind of burnout or a situation where the musical taste of a music editor fails?

I don’t see any reason to work as a music editor if music can be annoying. In my experience, music editors include people who are good at the music they work with. If this is not a random person for a couple of months, of course. This music does not need to be fanatic, it is not necessary to love it faithfully and passionately, but if it is not pleasant and frankly not interesting, it is difficult to work. And if the work causes discomfort to a person, this will be 100% reflected in the quality.

As for taste, this is a loose concept. Rather, other professional feelings are developed in the process. For example, after several years, you can quickly give a preliminary assessment - the song of this station is suitable or not. I mean by sound, vocals and so on. The radio station has been on the air for four years, now it’s easier for us, but first, of course, we checked ourselves - we checked at every step.

- Checked how?

We regularly conduct musical testing. This is done by a separate company, to which we give music and from which we get the opinions of people, on the basis of which we build our music policy.

And what place does the music editor take in the radial hierarchy? Which of his colleagues is he in contact with at work or is this a fairly autonomous profession in conjunction with a music editor - program director?

We all interact with everyone. It is clear that the music editor forms the schedule, and the presenter adheres to it. In turn, the music editor is instructed by the program director or the station director, depending on the situation, because the music editor in terms of stitching the ether is a technical position. Where goes which program is decided by the program director. Where some new elements appear - he too. The task of the music editor is to make it beautiful.

In addition, it is creatively interesting: to do something, and then listen to it from the side. When you do your work, this is an interesting process, because you work with pleasant material.

Natalya Tyutyunenko

 

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