I Want to Disappear: A chillingly honest photo project about bulimia. Street photography. Accidental non-randomness What the photographer says

One of the most famous contemporary Russian photographers Sergey Maksimishin recommends to his students 54 of the best reportage photographers of our time. Let's briefly describe each of them.

Jan Dago

Danish photographer Jan Dago began his work with short films, but he became famous thanks to his emotional photo reports, which he created over several years in various countries of the world. Yang Dago has been a World Press Photo laureate three times. His works are published in the most famous international publications.

Stanley Greene

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“I never have money, because every penny I spend on my trips and reporting on what I think is important. I try to ask magazines for orders, and they answer: "No, we'd better take pictures of Paris Hilton's under her skirt." Unfortunately, what she has there will not save the world ... "- Stanley Greene said in one of his interviews.

All his work serves the main goal - to tell about the crises of our time, to show the cruelty of wars and the destructive consequences of environmental problems, to draw public attention to what is happening next to us. Deeply philosophical and realistic, Stanley Green's reportage photographs have long won fame as the best.

Seamus Murphy

Seamus Murphy's portfolio is like a book dedicated to all the inhabitants of the planet. This is an incredibly emotional, empathic story about the life of different nations. Sometimes his photographs are slightly ironic, but often they are still tragic, just like human destinies. Seamus Murphy has been awarded the World Press Photo Award seven times.

Bruno Stevens

Bruno Stevens is the author of many memorable reports, who covered conflicts in Serbia, Angola, East Africa and other countries, a photographer who created poetic images of everyday life. Here's what he says about his work: “I observe, think, analyze. My photos are stories in which I put my emotions and feelings. They have to be deep, like metaphors ... I am not creating anything. My camera is like a notebook or notebook. I write with light. "

Thomas Dworzak

Thomas Dvorak was only 20 years old when he voluntarily gave up a prosperous life in Bavaria and wanted to know what war was. He devoted his life to the genre of photo essay, visited various hot spots and took shots that will forever remain in world war photography. “I like the fact that I am not able to fully control what is happening during the shooting; the only decision on my part is the choice of the frame. You might say that this is a flaw in photography, but it is also what makes it magic. " Thomas says.

Antonin Kratochvil

A native of the Czech Republic, Antonin Kratochvil wandered around Europe for a long time. At 24, he moved to the United States, where he began his career as a photographer. During this time, he captured many decisive events that took place in the world: the consequences of the Chernobyl disaster, military conflicts in Iraq, Nigeria and other countries. Showing war along with everyday life, Kratochvil created a documentary realistic gallery of the life of his contemporaries.

Larry Towell

Larry Towell is not only a photographer, he is engaged in folk music, writes books and simply observes the life around him. "If there is a theme that connects all my works, I think it is land: how it makes people what they become, and what happens to them when they lose their land, losing their identity with it." says Larry.

Jan Grarup

“My most important advice is to listen to your heart. If you shoot without empathy, you will fail. Only the time spent at the shooting location with the characters, only communication and interaction, only help and sympathy will help you create a real story ", - Jan Grarup once said. His black-and-white shots tell about the troubles and other people's pain. Showing the life of people in the conditions of wars and crises, he draws the attention of the world community to small feats that have become an integral part of the lives of some of us.

Carolyn Cole

Carolyn began her career as a photojournalist immediately after graduating from university in 1983. She visited Kosovo, Afghanistan, Israel, Iraq - wherever serious military events took place. In 2004, Carolyn won the Pulitzer Prize for her photo coverage of Liberia.

Alexandra Boulat

Alexandra covered the tragic events that took place around the world. Her pictures were published by the largest publications: Newsweek, Paris Match, National Geographic. She was one of the leading French reporter photographers. Since 2006, Alexandra has specialized mainly in the conflict in Gaza. In 2007 she passed away.

Tomasz Gudzowaty

Polish photographer Tomasz Gudzovati specializes in non-commercial sports photography. In his portfolio, we see dynamic shots of Mongolian horse racing, street parkour, kung fu training and much more. His work is widely published by Forbes, Newsweek, Time and The Guardian. Tomas himself does not consider himself a sports photographer and says that each of his shots is a story about a person.

Tim Clayton

Tim Clayton is also involved in sports photography. The British reporter has already covered eight Olympics and five Rugby World Championships. Finally, he is interested in street photography. For his unique sense of composition and ability to choose unusual angles, Tim is sometimes called the living classic of photography.

Heidi Bradner

Heidi Bradner is known for her humanistic reportage shots. Her works are actively published by New York Times Magazine, Granta, GEO, Time, Newsweek, US News & World Report, Stern. "When I am in another country, I am very open to what people tell me ..."- says Heidi. This must be the secret of her success.

Noel Patrick Quidu

French photographer Noel Patrick Quidy has shot in Afghanistan, Rwanda, Chechnya, Yugoslavia and the Balkans. "The war is so ugly that I do not understand those who seek to take beautiful photographs", - he said once. His shots are realistic and at the same time filled with humanism and sympathy. Noel won the World Press Photo award three times.

Ikka Uimonen

Ikka Uimonen, a graduate of the Royal Academy of Arts in The Hague, has made war reporting as his main genre. The leading theme of his work was the coverage of military conflicts in Afghanistan and Palestine.

Christopher Morris

Christopher Morris is one of the most famous American photojournalists. He filmed the invasion of US troops in Iraq, military operations in Colombia, Afghanistan, Somalia, Yugoslavia, Chechnya and other countries, a total of 18 international conflicts. Christopher is the recipient of numerous awards, including the Robert Capa Gold Medal and the World Press Photo Award. “The role of the photographer in war is very important: we must face its ugliness if we want world peace. The new millennium has begun, but the conflicts have become not less, but more. If you consider South Africa and Zimbabwe dangerous countries, where it is dangerous for a white person to appear on the street at night, remember that these are the consequences of the past - the blindness of the colonialists and occupiers. ", he says.

Luc Delahaye

Luc Delaye is a renowned French photographer who has been photographing wars, social conflicts, suffering and poverty for many years. His work is distinguished by an emphasized honesty in front of the viewer, which is combined with a thoughtful drama of the narrative, consisting of a series of photographs. Luke began working in the mid-1980s, and over the past almost 30 years has filmed almost all significant military conflicts - in Lebanon, Afghanistan, Yugoslavia, Rwanda, Chechnya and Iraq. Luc Delaye's photographs are not only published in the press, but also exhibited in museums, creating truly powerful compositions.

“It's just true that in Afghanistan, death coexists with beautiful views. Don't show this contradiction ?,- says Luke ... - Journalists representing the press see Afghan landscapes, but they do not shoot them because they were not asked to do so. All my efforts are aimed at being as neutral as possible, as well as feeling as much as possible in order to allow the image to reveal to the viewers the mystery of the real. "

Georgy Pinkhasov

Georgy Pinkhasov is one of the outstanding photographers of his generation and the only Russian to become a full member of the reputable Magnum agency. After graduating from VGIK, Georgy worked as a free artist, first in the USSR, then, since 1985, in France. His works are extremely colorful, and one of the most famous was the series "Tbilisi Baths", after the creation of which he was admitted to Magnum. Georgy Pinkhasov - winner of World Press Photo, Bourse de la Ville de Paris (France), Society of News Design Awards of Excellence (USA), his works are published in GEO, Actuel, New York Times.

“All my best photographs are contingencies. You just need to destroy your own self-will, stereotype and surrender to the free wave ... You need to find harmony with reality, but, again, this does not guarantee you success. "

James Nachtwey

James Nachtwey is one of the most famous war photographers who began working in conflict zones back in 1981, when he made the almost legendary report on the unrest in Northern Ireland. After that, war and social clashes became the main theme of his works, imbued with real pain and a call to stop violence on the entire planet. James has worked in South Africa, Latin America, the Middle East, Russia and other countries of the former Soviet Union, as well as Eastern Europe.

His dedication to his cause and humanistic ideals has made James Nachtwey one of the most respected reportage photographers, which is reflected not only in a large number of solo exhibitions, but also in the World Press Photo Award in 1994, as well as in five Robert Capa Medals in 1983, 1984, 1986. , 1994 and 1998.

“I'm half deaf. I have bad nerves and are constantly ringing in my ears ... I guess I became deaf because I did not put the earplugs in my ears, because I really wanted to hear. I wanted to achieve maximum strength of sensations, even if they are too painful "- says James.

Gideon Mendel

Gideon Mendel was born in 1959 in South Africa. As a civic activist, with his photographs, he not only tries to draw attention to any problem, but literally calls for solving it. And the main theme of his work, which is not surprising for the South African, was the problem of AIDS. He was one of the first to describe this terrible misfortune with the help of photography.

For his work, Gideon Mendel has received many awards, and his photographs are actively published by the world's leading publications, including National Geographic, Fortune Magazine, Condé Nast Traveler, GEO, The Sunday Times Magazine, The Guardian Weekend Magazine, L’Express and Stern Magazine.

Andrew Testa

Andrew Testa was born in England in 1965 and began his career as a freelance photographer for the Guardian and Observer newspapers. The first direction of his work was the protest movement of the "greens", but since 1999 Andrew Testa has completely gone into reportage photography, covering numerous armed conflicts. His first place of work was Kosovo, and then the countries of Central Asia, the Balkans and other regions.

He received his first World Press Photo award back in 1994, and since then there have been three of them. Unsurprisingly, his reporting can be seen in publications such as Newsweek, Time, Stern, GEO, Paris Match, Der Spiegel, The Sunday Times Magazine and many more.

Anthony Suau

Anthony Sauw is an American photojournalist specializing in social conflicts and their reflection in the fate of people. He filmed the demolition of the Berlin Wall, which marked the beginning of his ten-year project on the transformation of the Eastern Bloc, created a report on the famine in Ethiopia, for which he received a Pulitzer Prize, and became the author of a photo project about images and slogans within the United States during the Iraq War. Anthony Sauw visited Moscow twice: in 1991, during the putsch, and in 2009.

“I am aware of the risks involved in any military conflict. When I go there, I know what I'm going for. Often a journalist speaks on one side, and each of them has its own truth, its own ideals, its own understanding of what they are fighting for. I try never to separate them. It is important for me how I see the history of this or that conflict. "

Ron Haviv

Ron Haviv is a photographer who made it his goal to show the war as it is. Born in 1965, almost immediately after graduating from New York University, he began to film armed conflicts that have become commonplace even in Europe. Among his first missions were the Battle of Vukovar in Croatia, the siege of Sarajevo, the atrocities committed in Serbian concentration camps in Bosnia and Herzegovina, and much more. He also filmed other tragedies: the earthquake in Haiti, the famine in Bangladesh, the war with drug lords in Mexico. In 2001, Ron Haviv founded the VII photo agency, which, along with him, included, for example, Christopher Morris and James Nachtwey.

He recalls: “It's terrible when someone is killed next to you. The first time it happened, I was not allowed to film. I couldn't save them, but if I hadn't told the world about it, it would have been even worse. And I promised myself that if I find myself in this situation again, then at least I will be able to press the button. ".

Paolo Pellegrin

Paolo Pellegrin is an Italian photographer who combines the talent of a photojournalist with the talent of a photo artist, creating sometimes real works of art, which at the same time do not lose their original content, while remaining a deep journalistic work.

Paolo was born in 1964 in Rome and originally planned to become an architect, but after studying for three years, he realized that he was attracted to photography much more. He completed his studies at the Faculty of Photography, after which he moved to Paris and worked for the VU agency for ten years. Since the late 1990s, the main theme of Paolo Pellegrin's works has been wars and social conflicts, and he himself moves from one hot spot to another. It was in this field that Paolo became best known, and his work has brought him numerous awards: World Press Photo, Leica Medal of Excellence and the Robert Capa Gold Medal.

“I started traveling in the late 1990s, photographing events in Darfur and other hot spots of the time. I filmed Kosovo. Since then I have not been able to stop ", -tells the photographer.- I think it's important for me to want to document and create a visual story about our story, at least part of it. I am interested in the social, humanistic side of photography, and for me this is the main attitude towards life. I love to communicate with people and be an intermediary between a photograph and its viewer. The motivation for me is to connect these three components. "

Alex Webb

Alex Webb is one of the few photographers with a truly deep classical education. In addition to his photography studies at the Carpenter Center for the Fine Arts, he studied literature and history at Harvard University. And in 1975 he began his career as a professional photographer, and he was immediately noticed by the public and editors.

Over the years, he has achieved impressive success, becoming a recognized master of photography: his work can be found in the Cambridge Museum of Art, the International Center for Photography in New York and many other museums. In addition, as a journalist, he is actively published in publications such as National Geographic, GEO, Time, New York Times Magazine. Also Alex Webb is the author of numerous books on photography.

“When I work, I really have to work. I need to stay tuned. I have to get up early in the morning, leave the house and be curious; when the light becomes less interesting, then I go to breakfast ... I work in color, so the quality of lighting is especially important to me, for this reason I shoot more at one time of the day than at another. I always try to be outside in the afternoon and evening, ”says Alex.

Francesco Zizola

Italian photographer Francesco Zizola was born in Rome in 1962. He entered photojournalism shortly before the outbreak of numerous armed conflicts in Europe and other parts of the world, so it is not surprising that the young Italian photographer began to visit these hotspots as a correspondent. He was in Angola in 1996, prepared two projects on Iraqi issues, and filmed in Africa, Brazil and other regions.

The result of 13 years of his work was the book Born Somewhere, dedicated to the children of the countries he visited. For his work, Francesco Zizola has received seven World Press Photo awards and four Picture of the Year awards.

David Guttenfelder

American war reporter David Guttenfelder, like all his colleagues, simply cannot stay at home for a long time and tries to go on a new trip at the first opportunity. However, few of the photographers managed to visit a total of 75 countries around the world!

The main themes of his work are wars and those humanitarian disasters that accompany them. David has covered the Rwandan genocide, conflicts in Palestine, Afghanistan and Iraq. However, he does not refuse to work at various important events such as the inauguration of Barack Obama or the Olympics (he attended several).

One of his most famous projects was a series of photographs from North Korea, which is not easy for an American, and even a professional photojournalist, to get into. Nevertheless, David Guttenfelder managed to make a very informative report from one of the most closed countries in the world.

Eric Refner

Dane Eric Refner began his career as a commercial photographer. However, at some point, he realized that the romance of photojournalism attracted him much more, and began to travel the world with a camera in his hands. He filmed conflicts in Darfur, Afghanistan, Iraq.

However, Eric is not limited only to wars and humanitarian disasters, the range of his creativity is much wider. In particular, he received the World Press Photo award for his report on the "last romantics of rockabilly" who still live as if they were in the 1950s.

“I hate to hear complaints and excuses that things are not going the way they want. I don't like people who are cold about their work. There is nothing technically complicated in photography. It is important to understand and desire to do something unique, without passion for this business nothing will work ", - tells the photographer.

Reza Deghati

Reza Degati is one of the most famous photographers of our day, whose photographs have graced the covers of such publications as National Georgaphic, GEO, Time Photo and many others. Born in Iran, he was forced to leave in 1979 following a coup d'état that brought radical Islamists to power.

Over the years, Reza Degati has achieved recognition as one of the outstanding humanist photographers, combining professional talent with a sincere love for humanity. His photographs are imbued with the desire for the best, the desire to "give the world a chance", so it is not surprising that, having proved himself as a photographer and teacher (since 1983 he has implemented many educational programs in different countries of the world), Reza Degati is also a philanthropist. In 2001, he founded AINA, a charitable association dedicated to children's education.

“Two natures coexist in me, a photographer and a humanist. Photography for me is not just a picture. With my works, I try to establish a connection between cultures, as well as show the society countries and people that they have not seen ”, says Reza.

Abbas

Iranian photographer Abbas Attar first became famous on a global scale back in the 1970s, when he began filming the gradually maturing Islamic revolution in his country. After the 1979 coup, he left his homeland and moved to France. As a photojournalist, he worked in various parts of the world, covering mainly wars and other conflicts. Abbas visited countries and regions such as Bangladesh, Ireland, Vietnam, Chile, Cuba, the Middle East, South Africa during the apartheid era.

Since the late 1980s, Abbas has been involved in a large project dedicated to the rise of Islam in different regions of the planet, which not only brought fame to the photographer, but also developed into a kind of attempt to show the reality of religions as such, as well as the clash of different ideologies.

“I would call this feeling an inspiration, with the amendment that it is far from religious. To see the whole event and the multidirectional flows of people in it, you need to distinguish between color, shadows and lines. To do this, you need to immerse yourself in the event and be sensitive, and I consciously do this. Sometimes during a Muslim prayer, in an Orthodox church, during a pagan rite, there is a feeling close to a trance, but even in this case, I still have to correctly adjust the exposure, ”- Abbas shares his thoughts.

Harry Hruyaert

Belgian photographer Harry Gruer, as a photojournalist for the famous Magnum agency, has found his special niche in the everyday life of photojournalism. In his bright, emphatically coloristic works, the West and the East meet. He made his first trip to Morocco back in 1969, and the bright, rich colors of this North African country inspired his creativity. Since then, Harry Gruer has traveled all over the world and brought his bright and colorful reports from everywhere.

"A composition formed suddenly of color, lines and movement is magic."
“When shooting anywhere, I try to be open to the world. The camera must be ready, and the head must be empty, so that prejudices do not prevent me from seeing the world as it is. "

Vladimir Semin

Vladimir Semin, series “Abandoned villages. Forgotten people "

Vladimir Semin is one of those photojournalists whose work is becoming international. Born in Tula, he became interested in photography while still in elementary school, and after graduating from college he worked in the North. Then there was military service, study at Petrozavodsk University, work as a photojournalist in a youth newspaper. In the 1970s, Vladimir went on a long trip to the Pamir, Altai and Siberia. He visited many cities and towns and brought back the richest material from the trip.

Since 1976, Vladimir Semin worked at the Novosti Press Agency, and then as a freelance artist. His work has received worldwide recognition, he has received numerous international awards, including several World Press Photo awards, and has given a start in life to many Russian photographers.

“I am always looking for randomness. I can't get to the point right away. My photography language is an accident. I only have a feeling of inner attraction or coldness to this moment. Second. From experience I can see whether this situation is difficult or not. In addition to a difficult situation, she can still be cold, but she must become attached to her soul. It's just like a love moment. I do not want to say that this is ecstasy, but still it is at the level of some moment of ecstasy. A scene can be very short and I shoot a lot because I can't say “just that”. Two hundred percent. I shoot both this nuance and this one, so that when I cool down, when I am at home, I can choose and say "this is mine or something close",- says Vladimir.

Valery Shchekoldin

Cycle “History of Patriotic Photography. Photographer and Power "

Valery Shchekoldin from Ulyanovsk is a recognized classic of Soviet and Russian photography. Having started to get involved in her at the age of 16, he went to work as a professional photographer for a long time. Valery worked as a designer at the Ulyanovsk Automobile Plant and graduated from the Ulyanovsk Polytechnic Institute, all this time without parting with the camera, and only in 1974, at the age of 38, he began to devote all his time to photography.

Valery Shchekoldin is the author of many reports that honestly and impartially showed the Russian reality of the 80s and 90s of the last century. He traveled to many cities of the country, filmed in Chechnya. Today, in addition to working as a photographer, Valery Shchekoldin writes articles on photography.

“The photograph is taken not by the photographer, but by chance. Professionals who control everything are doomed to mediocre staff. The photographer is not a creator, the same Cartier-Bresson said that life is much more unusual than fiction: no brains are enough to invent such a frame that is given to you for free. We must wait for him ... ",- says Valery.

Nikolay Ignatiev

Religious procession to the river Velikaya, Kirov region

Nikolai Ignatiev came to photography quite late. For a long time, his sphere of professional interests was far from photojournalism - born in 1955 in Moscow, he received an economic education, and then served in Afghanistan as a translator from Farsi. And only after the end of the service, in 1982, Nikolai Ignatiev becomes a photographer. All his life he worked mainly in the genre of reporting, but he always tried to bring an element of genuine art into it.

In 1987 he moved to London, and a year later Life magazine published his material on the millennium of the Russian Orthodox Church. As a photographer for the Network Agency, he documented the collapse of the USSR, and subsequently published in leading publications such as the New York Times, Observer, American Express Magazine, Time, Fortune, Forbes, GEO, Stern, Vogue, Elle and The Sunday Times Magazine.

Yuri Kozyrev

Yuri Kozyrev is one of the most famous Russian photojournalists. For more than 25 years now, he has covered all the significant events taking place in our country, as well as many significant world events, including the wars in Chechnya, Afghanistan and Iraq. Since 2011, Yuri Kozyrev traveled to Arab countries, seized by popular unrest.

As a result, this photographer has accumulated unique material in his creative baggage, which has brought him a large number of international awards, including six World Press Photo awards. Moreover, for three years Yuri Kozyrev was a member of the jury of this most authoritative competition for photojournalists.

“My work is for the soul, this is my life,- once said Yuri ... - And there was never a separation, there were stages of life. Filmed one thing - confined spaces, prisons, children living in difficult conditions. I've lived it all. And for the last 14-15 years I have been filming only war ”.

Oleg Nikishin came to professional photography at the age of 20 and since then has not parted with the camera, becoming over the years one of the most respected Russian photojournalists. Having started working in Kazan (first in the theater, and then in the newspaper), he moved to Moscow in 1990 and collaborated first with Agence France-Presse and then with the Associated Press.

As a staff photographer and then as a freelance photographer, Oleg worked in Azerbaijan, Georgia, Nagorno-Karabakh, Transnistria, Abkhazia, Ossetia, Yugoslavia, Tajikistan, Uzbekistan, Chechnya, which brought him awards at prestigious Russian and international competitions.

Sergey Kaptilkin

Moscow photographer Sergei Kaptilkin is not just a photojournalist who has gained experience as a correspondent for the Krasnaya Zvezda and Izvestia newspapers. In addition, he creates amazing images on the verge of reality and surrealism, filled with ambiguous meaning. In them everyone sees something of their own. At the same time, the photographs of Sergei Kaptilkin are surprisingly harmonious and do not look like an artificial pile of plots.

Today his pictures are published by various publications, including Life, Time and National Geographic, and he also became popular on the Internet. For his work, Sergei Kaptilkin was repeatedly awarded various prizes, including Press Photo of Russia, Face Control Awards, Silver Camera, Stolychnaya History and others.

Victoria Ivleva

Victoria Ivleva is one of the most prominent domestic photojournalists. After graduating from the Faculty of Journalism of Moscow State University in 1983, she very quickly gained considerable prestige among her colleagues. At the turn of the 80s and 90s of the last century, she worked in all hot spots of the USSR, and then Russia. In 1991, Victoria became the only journalist to film inside the fourth power unit of the Chernobyl nuclear power plant. For this material, she received the most prestigious award for a photojournalist - the World Press Photo Golden Eye.

Victoria Ivleva's works were published by many leading Russian, as well as many of the best world publications, in particular New York Times Magazine, Stern, Spiegel, Express, Sunday Times, Independent, Die Zeit, Focus, Marie Claire and others.

“When filming in dangerous places, you are usually separated from the event by the camera and work - you need to think purely photographically at the same time, there is simply no time to be afraid”, - says Victoria.

Alexander Zemlyanichenko

Alexander Zemlyanichenko is one of the prominent Russian photojournalists and documentary photographers. He has come a long way from an employee of the Saratov newspaper "Zarya Molodezhi" to the head of the photo service of the Moscow bureau of the Associated Press agency (with which he has been cooperating since 1990). All significant events of the Russian history of the last decades passed before the lens of the camera of Alexander Zemlyanichenko. And even now, as a manager and doing administrative work, he continues to film reports.

In addition to a large number of photographic awards, Alexander Zemlyanichenko is also a Pulitzer Prize laureate in 1992 and 1997. Many of his photographs (for example, a snapshot of Boris Yeltsin dancing at a rock concert) have long been well-known and have taken on a life of their own, separating from the author.

“If you do not see the frame that you need, it means that it is simply not there, and you don’t need to invent it, interfere in the course of events, artificially create a performance,” Alexander said in one of his interviews. “But waiting for your moment, which would well express what is happening, and catching it - this is a real and rare pleasure for a photographer, which does not happen every day.”

Vladimir Vyatkin

Vladimir Vyatkin is an outstanding Russian photojournalist. He came to photography as a very young man, after graduating from school, and immediately to the Novosti Press Agency. Of course, not for the position of a photojournalist: at first he was a laboratory assistant, and then a student of the artist. In fact, since 1968, Vladimir Vyatkin has been continuously working for the APN and his successor, RIA Novosti.

Over a long career, he has collected perhaps the most impressive collection of professional awards among all Russian photojournalists: he has seven World Press Photo awards alone, including the highest, the Golden Eye. In addition, many of the best contemporary Russian photographers are students of Vladimir Vyatkin.

“Photography is an excellent textbook of life, inner states, discoveries and experiences. This is the energy of knowledge, self-improvement, self-discovery. Before, I never thought that photography could at some point replace a certain kind of literature or supplement it, ”- Vladimir Vyatkin is sure.

Alexandra Demenkova

Alexandra Demenkova is one of the representatives of contemporary Russian photographers, although her work is based on traditional realism, with which she tries to show people life as it is, without embellishment. Her works have been repeatedly exhibited in different countries, as well as published in leading Russian publications.

“I am sometimes told that I shoot in the tradition of humanistic photography; I do not mind, although it often means a reproach for being old-fashioned, -

Many people learned about the young photographer Anastasia Trepet after the video appeared on the network, where she hangs the Ukrainian flag on the spire of a Stalinist high-rise building. Today in herInstagrammore than 5000 subscribers. We asked Anastasia about her passion for height, photography and the connection between them.

I have been doing photography for over 4 years. When I started, it was a childhood hobby: then I was 13. I started photographing from a height almost three years ago. It was boring for me to take ordinary pictures and one day, walking with a friend, we decided to climb somewhere higher. We found a 16-storey building in the Obolonsky district, filmed it there and I liked this hobby. Every time we met with friends, we did not go for a walk to the park or for coffee, but looked for new skyscrapers.

01 / 4

Kiev has its own party of roofers, who get to know each other through social networks, share interesting locations. We call this urban exploration. Roofing has largely become popular thanks to Mustang Wanted. A couple of years ago, bumping into photos of other people from the rooftops, I was surprised that someone else was interested in this. And today there are really a lot of roofers, especially among schoolchildren. But other girls who are seriously addicted to this, I do not know.

At first, my parents were categorically opposed to my hobby: they were worried, punished ... But then we just resigned ourselves. Mom told me: "I just won't go to your pages in social networks and look at photos." I also offered to make her a trip to the roof, but she did not support this idea :)

I've never had a fear of heights - I don't even feel the adrenaline when I'm on the roof. I just really enjoy taking pictures from there. If a person is afraid, then he should definitely not go to shoot at a high-rise. Everything else is elementary safety rules.

Old houses in Kiev are often in disrepair, but roofers are there less often, after all, these buildings are significantly lower than those we are accustomed to. But it has its own romance - attics, for example. New houses, on the other hand, are all the same, only the views from the roofs differ. My favorite roof is now closed - this is a 30-storey elite building on L. Ukrainka boulevard. The view from there is simply breathtaking!

One of the main components of a good roof photo is the weather. If it is too hot outside and there is “haze” on the horizon, the picture may not work for a long time. If the sky is cloudy or even pre-stormy, then the frame comes out very bright. The rest depends on the technique: a wide-angle lens, a 75-300 mm telephoto lens or a kit. I shoot with Canon 500D, and I already do the panorama in Photoshop. I also process photos in lightroom. Recently I have been thinking about purchasing a camera with a compact size and good technical capabilities. Now I opted for the EOS M3 - a mirrorless camera. Let's see what she is capable of in the field.

01 / 2

In addition to the roof photo, I also take pictures of people- many are now interested in taking pictures on the rooftops. I also take pictures of jewelry.

The more people know about an open roof, the faster it will be closed.

Three tallest buildings in Kiev- the residential complex "Klovsky", the business center "Parus" and the shopping and entertainment center "Gulliver". I have already been to the first one, I want to conquer the other two.

There are no inaccessible bridges in Kiev. The highest are Yuzhny and Moskovsky. I was in Moskovsky, its height is about 120 meters.

It's almost impossible to get on the roof legally. There has never been such a thing that we have previously agreed on the rise with the owners of the house or the concierge: people are very wary of our hobby. Sometimes, passing by the concierge, you have to say that you are going to visit someone. In one elite house there was a very serious security system: we thought of buying a cake, a bottle of wine and pretending that we were going to a friend's birthday party. They did not want to let us in for a long time, they tried to call the owner of the apartment we named, but we managed to convince the security that it should be a surprise :)

I was at the police station 6 times. Usually everything ended with just an explanatory note. Twice they gave another 200 UAH "for gasoline" :) Problems may be for breaking the lock, but we do not do that. Residents call the police for various reasons: they are afraid of thefts in the house, they fear for the property on the roof, they are simply reinsured.

I don’t shoot in b / w - it seems to me that photos from a height look better in color.

The most difficult thing was to take a photo from a house with a star on Khreshchatyk- this spire also swayed. It is also difficult to shoot on old houses - sometimes the slate fails there and you can't put up a tripod.

My dream is to shoot in Hong Kong and Dubai. Where it is higher, there is more interesting.

I haven't completed any courses I hardly even watched video tutorials on PhotoShop - I just improvised and studied like that.

Photographers are special people. They are completely in love with their profession, and if it is a hobby, then they subordinate all their free time to it. I would even say that they are insane in their love of photography. It is not for nothing that a huge number of films have been shot about photographers, thousands of anecdotes have been invented, millions of photographs have been taken. Photographers are always in the center of attention of the photographers themselves. The photographer sees the photographer from afar. In this publication, we will introduce you to funny photos, the heroes of which are photographers, and funny anecdotes about these wonderful people with cameras.

Dear Readers! Surely you had to take funny pictures of your colleagues, people with cameras, hear funny stories about photographers and photographs. Send them to our editorial office. The best materials will be published in the journal, and their authors will receive a prize! Our address: [email protected]

Text: Oles Slipy

Jokes and photos

For example, I believe that a person who has bought a camera immediately falls into the category of photographers. When I bought my first camera, I immediately felt special, not like everyone else. I immediately began to actively photograph everything around, registered on several sites and won two contests: "Clouds" and "My Lunch". It was very pleasant when I was handed a pot and a diploma. But then there was a nuisance, when I was photographing the storm, the wave washed me away and my camera died. But it was even more unpleasant when the photographer who photographed me being washed into the sea received a prize of 15,000 euros for this photograph of himself in a photography competition. At the same time, he signed that I was killed. I had to sue him and I won 25,000 thousand euros. I bought myself a camera and now during a storm I walk near the waves. Suddenly someone else wants to win the competition. (Photographer Petrenko)

And how did it happen that in the photograph of the coat of arms, the two-headed eagle turned out?

Turned his head when he was photographed.

Are you responsible for making me look like myself in photographs?

I give a full guarantee.

And for how long?

A man is walking with his mother-in-law along Deribasovskaya street. They are stopped by a photographer.

Would you like to take a picture with a monkey?

The mother-in-law suddenly hugs the man tenderly and asks: "Take it off!"

Husband prints pictures locked in the bathroom. The wife says loudly:

I can imagine what kind of pictures they are if they have to be printed in the dark!

On the sea beach, a photographer asks permission from a pretty blonde to photograph her for a fashion magazine.

Of course, but on one condition: I will take off my bathing suit so that my husband does not recognize me.

If you are photographing a rabbit, then a flash is not needed, he already has red eyes.

Pravda newspaper. A large photo is published on the front page: Brezhnev visits the front-line pigsty. The entire editorial board thinks about which signature to put:

Brezhnev in an advanced pigsty;

Brezhnev among record-breaking pigs;

The best pigs and Leonid Ilyich ...

The final version: third from the left - General Secretary of the CPSU Central Committee Leonid Ilyich Brezhnev!

The watchman, drunk in the smoke, carefully peers into the mirror, then studies the picture on his pass for a long time and says: - Everything is n-normal, it matches. W-oh-go!

Model Photographer:

I will take small photos, so you don't need to smile so broadly.

Dear Private Vasya! I am sending you, as you requested, my photograph. Sorry, only to the waist! And below we all have the same.

I'm three years old in this photo.

Oh, it turns out that you had a bald spot in infancy?

No, you turned the picture upside down!

The blonde from the catwalk yells into the audience:

Remove the photographer immediately! With his long and thick lens, he interferes with the heat of my thoughts!

Stop for a moment! I will change the card, change the lens and the battery!

Will I be a fashion model?

Only a composite sketch.

Today a bird really fluttered out of the camera lens in the “Bird” photo studio. The child laughed and clapped, the photographer fell unconscious and was taken by an ambulance. The secret services took up the camera.

When checking the camera, a bird flew out again, but when it saw the major, it came back.

Photographer:

And now, beauty, show deep thoughtfulness on your face. I'll help you now: how much is 8 multiplied by 7?

Many negative faces look positive.

How is it that everyone is laughing so naturally and naturally in your photographs?

Oh, if you saw our photographer!

Two photographers walk with cameras. They do not take their eyes off the viewfinders, take pictures. Suddenly one stumbled and crashed to the ground. The second one immediately falls next to:

Great position! What are we shooting?

I can disfigure anyone with one finger!

Oh, do you know karate?

No, I'm a photographer!

A man comes to a photo studio, and there is a girl photographer. He undressed and says:

Take me on an erotic photo.

We don't do macro photography ...

A photographer is walking along the seashore.

A woman catches up with him:

Quicker! My girlfriend is drowning! - shouts.

Excuse me, - the photographer smiles guiltily, - but I already have a card filled ...

If the photo album is thin and very small, but there is only one and ugly picture - this is a passport!

The photographer takes a long photo of the wedding and finally proclaims:

And now, finally, I want to capture the happiest couple.

The guests are at a loss: hundreds of photographs have already been taken.

The bride and her mother, the photographer explains.

The client, receiving her photo in a photo studio, swears:

Who is this? It's scary to look!

Look at yourself in the mirror! - says the photographer offended.

Re-shoot!

In the morning, the photographer issues a new photo.

Fine! You can, if you want!

Sure you can. This is a snapshot of my assistant wearing a gas mask, ”the photographer mutters back.

Recently I found out: a photo for memory and a photo on paper are two big differences!

For the photographer:

Mr. photographer, this is not my photograph.

How is it, yours, and it seems to have worked out.

Here, the nose is not mine.

And it’s true, it’s not yours.

And this mole! Where is this mole on my face? No!

Um, really, no.

And then this one is old, and I am young. This one lies in a coffin, and I am still alive.

Mr. photographer, my daughter and I, I just want to warn you, she has a squint.

It's okay, we will align the eyes.

But she is very lop-eared.

Press the ears.

She doesn't even have teeth.

Let's draw the teeth. By the way, if not a secret, why are you photographing her?

Isn't it clear? For a passport! Who will marry her without a passport?

Chukchi are removed for a passport. The photographer cheated, took one photo and gave it to everyone. One Chukchi says:

The photo is definitely not mine.

The photographer was sincerely surprised:

Are your eyes?

Is this nose yours?

Is your face?

So why isn't this your photo?

The jacket is not mine.

A geographic magazine photographer is tasked with filming a large forest fire. But due to a lot of smoke on the ground, good footage did not work out, and he calls the editorial office with a request to rent a small plane for him. The editor-in-chief assures that the plane will be waiting for him at the local airfield. And indeed, in the morning, having reached the airfield, he sees a plane on the runway and warms up the engines. Anxious to get started, the photographer drops inside with his many cameras and shouts to the pilot:

Forward, forward, fly!

The pilot accelerates the plane and they take off.

Fly to the north side of the fire, says the photographer to the pilot, and make three or four low-altitude passes.

What for? - he asks.

Then what I need to take pictures! I am a photographer, and all photographers take pictures! - the photographer is irritated.

After a long pause, the pilot says:

Are you saying that you are not a flight instructor?

Once a photographer took a picture of the actress Greta Garbo. She really didn't like the picture:

What happened to you all of a sudden? Last time you photographed me so well, but here I am completely different from myself!

Oh, - said the photographer, smiling sadly, - then I was twenty-five years younger.

Who found a passport in the name of Vasily Vasilyevich Popin, a big request not to laugh at my

Photo.

Citizens! Use an urgent phototelegraph to send money. In one hour, the addressee will receive an exact photocopy of your money!

The old woman brought a portrait of her late husband to the photo studio.

Can you make it more?

No problem, madam.

Can you put your hat away?

Of course. Please describe what kind of hairstyle he had.

What for? You will see when you take off the hat from his head.

Mr. photographer, do you photograph the blind?

No? We have ready-made photographs for the blind.

After a friendly party, one of its participants, a photographer by profession, brings a friend to his studio.

Dr-r-ru ... well ... uh! .. You m-can you make me a group ... photo ... graphic?

Of course! Well, please ... get up half-bow-ru-gom!

Seven Chinese come to the photo studio, stand - three below, and four on their shoulders, then vice versa - four below, and three on their shoulders.

The stunned photographer, having done his job, asks:

Are you acrobats?

No, why do you think so! It was just that one of us was told to bring a photo for documents, and he forgot which one, either 3x4 or 4x3.

The police sent a seven-angle snapshot of the wanted perpetrator to all areas. After some time, a code was received from one station: "Six arrested, the seventh is being monitored."

Private Petrenko received a letter from his girlfriend. She said that she had met another and asked to return her photo. Petrenko grieved, then he collected all unnecessary photographs of women from the entire company and sent them to the girl with a note:

"Honey, I, unfortunately, cannot remember which one of them is you.

Please leave your photo and send the rest back to me. "

"New Russian" bought a photo studio. I advertised in the newspaper: "A photo model for erotica is required. Hour of work is 10.000 bucks!"

Many applicants came, one was selected. Photographed her for 3 hours. Then the owner comes out, announces:

Payment on the spot, in cash. Hey, photographer, how many times did you click?

One hundred and twenty frames.

What kind of shutter speed did you set?

One five hundredth of a second.

The owner turns to the model:

Well, you, by nature, have not worked for half a second ...

Sarah Bernhardt and Elizabeth Taylor pose for a photographer: One:

Raise your chin higher, dear ... Another: -You too, especially the second!

If you think you didn’t turn out very well in the picture, do not rush to throw it away. Just take it out in 20 years, and your opinion will change dramatically.

Once, after a photo shoot, the photographer was invited to dinner at the customer's place, and he took the finished works with him to give them to the client. The customer's wife, seeing the photos, exclaimed: What wonderful photos! You definitely have a very expensive camera. The photographer did not answer, but leaving home he said: Thank you so much, the dinner was amazingly prepared. You must have very expensive pans.

At the international photography competition called "The Gulf of Finland", the winner was a photograph that depicts a Finn drinking vodka straight from the neck of a bottle on the embankment of the Neva.

Photo-Lefty: in the 1x1 pixel image, he managed to fit his name and the photo of his beloved woman ...

As soon as you notice that you look like your passport photo, you urgently need to go on vacation.

Fashion Model Contest. The organizer enters the hall and names the names of three models:

Ivanenko, Petrenko, Sidorenko ...

Me, me too, me too ... - bouncing, asked for another one.

The organizer looked at her carefully:

Okay, you too. Get out of here immediately!

Firstly, do not forget that you are the object of the photo shoot, so you should not impose on the photographer all close people, distant relatives, neighbors on the site, dog-walking friends, etc. By the way, I wrote about photographing animals.

Secondly, having received ready-made photos, do not try to "bring them to mind" additionally. After all, before agreeing to shoot, you probably familiarized yourself with the master's portfolio and looked through samples of finished photographs - so you should have a rough idea of the style and quality of future photographs. And if for some reason you are not satisfied with the result - just refrain from public placement. Believe me, a photo processed by a homebrew "photo shopper" next to a professional one is still a pitiful sight.

Quite often the specialist returns the set of "raw" ones together with the processed photos. So if you don't typical model, then you should not take this fact as a go-ahead to fill the global network or personal blog with them. Just imagine: when retouching, the master carefully works out any noticed flaws and flaws, corrects the color, brightness, and the surrounding background - in general, brings you as close as possible to the ideal.

Therefore, you should not so rudely debunk the myth of your perfection by placing "raw" pictures in the immediate vicinity of the processed photographs, all the more, having previously "conjured" them over them in Photoshop. Rest assured, unprofessionalism will immediately catch your eye, while giving rise to uncomfortable questions for you.

Photographers often provide the service of additional processing of the frames you like the most. Each such photo will cost from 100 to 500 rubles, depending on the price list.

If you propose an idea for a specific photoset, then it should be just a formalized thought, taking into account the key nuances: clothes, props, general mood, shooting location, etc. Phrase inherent typical models, sounds something like this: “I have a great idea! I want something so divinely extraordinary! " Do not do like this.

It is important to set aside enough time for taking pictures and not to occupy the next few hours with anything else. And if you really need to pay a courtesy visit to your grandmother on this day, visit the dentist or pick up your nephew from the kindergarten - I advise you to postpone the photo event. Be responsible for the upcoming photoset, because the photographer values his time as much as yours, so being late without a good reason is extremely ugly.

Quite often observed typical models who want to get on a free shooting, without having the slightest idea what to devote it to. Remember: as a rule, without an idea and free of charge, only representatives of the human race with a perfectly folded face and body are photographed. Therefore, please respect the work of the master - try to think over the topic of the photoset in advance, especially if you do not expect to pay for it.

For you, such shooting is a couple of hours of relaxed poses and freedom. For a photographer, in addition to two hours of work, there is also a weekly processing of the result. As a confirmation of the words: it takes me several hours (from three and more) to finish processing a single photo, and sometimes even days. Using elementary arithmetic calculations, calculate how long it will take to process 10 photos.

Photographer: Olga Alorda.

Separately, I would like to dwell on a set of standard phrases that photographers often hear and which they would not want to hear.

"Give it back as you do, take your time."

Such a phrase informs about your frivolity. And photographers, as you know, are creative people, and like all creative people, they are very scrupulous in relation to their offspring. Therefore, after such statements, do not expect prompt and especially high-quality work. You will not receive a photo soon, if at all.

If you are not really concerned about the result of photography, let it remain your secret.

"I don't like everything."

There is no way that you don't like literally everything. Don't be typical model, tell the photographer what exactly did not suit you: color, background, angle, processing result, or there are some defects in the photo. Everything can be corrected, provided that you have a clear idea of what exactly needs to be edited.

"I will not act like this." "I'm fat in this dress." "Don't take a close-up picture of me: I have a small pimple."

By agreeing to work with the master, trust him completely. Don't be surprised that your self-image rarely matches what a professional sees through the viewfinder. So let him reveal and capture your new image, in which you could not imagine yourself.

Photographer: Alex Homin.

It's no secret that high-quality photos can bring an impressive bonus to your confidence box and even help get rid of complexes, if any.

"Is it necessary to retouch?" "And I don't need processing, just give me the source."

Asking the photographer for something similar is similar to asking the artist for rough sketches. After all, the processing of the footage is an integral and important part of the photoset.

As a rule, a photo without retouching is raw meat, and you, I think, usually do not eat it without preliminary cooking (unless, of course, you are a representative of the Tumba-Yumba tribe from a distant African continent). I will give one more example for completely typical models: it is unlikely that the bakery will sell you an unbaked loaf for you to bake it at home.

“I only need one photo. How much is it?"

It costs the same as ten and twenty. As a rule, according to the results of a standard photo session, the output of decent photos, I emphasize, corresponding to the master's ideas about a good photo, is no more than 10-15%. And by an inexplicable pattern, the best shots are found among the last frames.

Do you still want to pay for the number of photos, not for the shooting time?

"What do you shoot with?"

It is pointless and unreasonable to talk about things about which you lack knowledge. After all, a photographer a priori understands this better. typical models.

Enjoy the result of your work and do not ask such questions. Or, alternatively, hire a personal photographer and ask him whatever your heart desires. Is it really so important for you to know the brand of the camera that the specialist works with?

Further gems, as they say, "no comment."

"In your photos I look like a terrible fat woman, in fact I am five (ten) kilograms lighter."
"Do I also need to pay for this?"
“I hope you will give back all 300 photos? I need them all! "
"Why so long? Will you photoshop? "
"Wouldn't it be easier to shoot in black and white right away?"
"Isn't it necessary to photograph in full growth?"
"In your photos, I'm so scary."
"You did something wrong, the face is somehow crooked in the photograph."
“Actually, I'm not going to pay for the photo shoot. There are no ideas. The nude style is not for me. But if you come up with something, call! "
“I want you to film me in nude. Let's just agree that you won't show anyone! "
Turn off the flash! I do so often when I shoot with my phone. "
"I will not come alone: with my mother, friend and dog."
"I think the reflector will be superfluous here!"
"No, this is some kind of stupid pose ... and this one too ..."
"Doesn't your camera immediately stitch the frames into a panorama?"
“Which of us is a photographer: you or me? Think of something yourself! "
“I made it up! It should be as if the moon is in my palms. And so that the shoes were visible! "
"Why can't you stand against the sun?"
“In the photo I want to be a brunette. And don't forget to paint the wings! "
“I didn’t see my photos on Vkontakte. Why haven't you posted them yet? "
"Could you remove my photos from Odnoklassniki?"
"In general, they wrote to me that I don't look like myself here, delete these pictures!" "Listen, my plans have changed, all photos must be removed."
“We're not together anymore, will you post those photos? Well, poh-a-a-aluista, kitty? "
“Why don't you want to film me next to this plane, train, balloon, dead dog? I only want there and nowhere else. "
“I'll be on Skype in the evening. Will you send me pictures? Well, don't be mischievous. We need all 300! "
“Look, I have perfect skin! You just don’t know how to photograph and therefore you’re afraid to show me what happened. ”
“I want a photo session. How much are you willing to pay me? "
"I don't like it, the light blinds me."
"What kind of professional are you if you can't film me against the backdrop of a sleeping city?"
"Wow! What a cool fotik! "
“Why are you shooting with this lens? I want so much more! "

My friends, don't be typical models otherwise you will be filmed by typical photographers. And this, as you know, is fraught with consequences. Happy photo session!

« Your first 10,000 photos are your worst ”, - Henri Cartier-Bresson.

“A lot of photographers believe that if they buy the best camera, they can shoot the best photos. The best camera will not work for you if there is nothing in your head or heart, ” - Arnold Newman.

« Which of my photos is your favorite? The one I'm going to take off tomorrow. ", - Imogen Cunningham.

« Outstanding photography is about depth of feeling, not depth of field», - Peter Adams.

« You do not photograph, you create ", - Ansel Adams.

« If your pictures are not good enough, then you are not close enough. " -Robert Capa.

« What I love about photography is that it captures a moment that's gone forever, impossible to reproduce.», - Karl Lagerfeld.

« Nothing happens when you sit at home. I always carry my camera with me at any time ... I just shoot what interests me at the moment ", - Elliott Erwitt.

« There is such a subtle reality in photography that it becomes more and more real than reality itself.», - Alfred Stieglitz.

“I'm not interested in rules or convention. Photography is not a sport ”, - Bill Brandt.

« There are always two people in every photo: the photographer and the viewer. ", - Ansel Adams.

« For me photography is the art of observation. It's about looking for something interesting in an ordinary place ... I found that it has little to do with what you see and with everything that has to do with how you see. ", - Elliot Erwitt.

« I'm not interested in photography by itself. I just want to capture a minute part of reality», - Henri Cartier-Bresson.

« The world just doesn't fit into a 35mm camera format. ", -Eugene Smith.

« Look, I'm not an intellectual - I'm just taking pictures. ", - Helmut Newton.

« Photography can only represent the present. Once you have photographed it, it becomes part of the past. ", - Berenice Abbott.

« No place is boring if you had a good night's sleep and you have unexposed film. ", - Robert Adams.

« Look and think before you open the shutter. Heart and Mind are the True Camera Lens», - Yusuf Karsh.

« It is more important for a photographer to have very good shoes than a very good camera.» - Sebastiano Salgado.

« I've always thought good photos are like good jokes. If you explain them, they are not so good anymore. ", - unknown author.

« If you shoot in color, you show the color of the clothes, and if you shoot in black and white, you show the color of the soul.", - unknown author.

« Buying Nikon doesn't make you a photographer. She makes you a Nikon owner. ", - unknown author.

“One photo out of focus is a mistake, ten photos out of focus are experiments, a hundred photos out of focus is a style", - unknown author.

« Most of my photographs are based on people, I look at the unguarded moment when the soul peeps out, then the experience is engraved on the person's face. ", -Steve McCurry.

« I have to shoot three cassettes of film a day for my eyes to practice.», - Joseph Koudelka.

« Remember that the person you are photographing is 50% of the portrait and the other 50% is you. You need a model as much as he or she needs you. If they don't want to help you, it will be a very bleak picture. " - Lord Patrick Lichfield.

« Photos are open doors to the past, but they provide a glimpse into the future.», - Sally Mann.

« A good shot stops a fleeting moment. ", - Eudora welty.

« Photography picks up a fact from life, and it will live forever ", - Raghu Rai.

« The results are questionable even among more experienced photographers. ", - Matthew Brady.

« It's more important to get along with people than to click the shutter. ", - Alfred Eisenstedt.

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« I see something special and show it to the camera. The moment is held until someone sees it. Then he is theirs ", - Sam Abel.

« I went into photography because I thought it was the perfect vehicle to comment on the madness of today's existence. ", - Robert Mapplethorpe.

« I think that the best photographs are often at the forefront of any situation, I do not find photographing a situation as interesting as photographing an edge. ", - William Albert Allard.

« To be a good photographer, you need to have a rich imagination. You need less imagination to become an artist because you can make things up. And in photography, everything is so ordinary that you will have to consider a lot before you learn to see the unusual. ", - David Bailey.

« The two most attractive features of photography are to make new things familiar and familiar things new. ", - William Thackeray.

« I think I shot about 40,000 negatives and of them I have about 800 photos that I like. ", -Harry Callahan.

« I don’t wrap myself up in technology and the like ”, - Faye Godwin.

« You can give everything to photography, but from it you will receive only one thing - happiness. ", - author unknown.

"When I photograph what I really do, I look for an explanation of things.", - Wynn bullock.

« There will be times when you find yourself in the field without a camera. Then you will see the most magnificent sunset or the most beautiful scene ever seen. Do not grieve that you cannot capture it. Sit down, absorb it and enjoy it as it is!», - Degriff.

« Sometimes you can tell a big story with a tiny subject.», - Eliot Porter.

« Ultimately, photography is about who you are. This is true in relation to yourself. And the search for truth becomes a habit ", -Leonard Freed.

« Don't stop seeing. Do not stop cropping. Do not turn off and turn on. It's continuous ",- Annie Leibovitz.

« Most things in life are moments of joy and difficulty. Photography is a moment of difficulty and a lifetime of pleasure. " -Tony Benn.

« The artist's world is limitless. He can be found far from where he lives or a few feet away. Though he's always on the doorstep of his home», - Paul Strand.

« My life is driven by the urgent need to wander and observe, and my camera is my passport. ", - Steve McCurry

« Photography has completely abstracted from life, but it looks like life. This is what has always worried me about photography.», - Richard Kalvar.

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