Exhibition "Garden of Eden in Russian Art of the 17th - Early 20th Centuries" - report. Exhibition of Russian tiles of the 16th-19th centuries at the A. Rublev Museum Exhibition of tiles

Chapter 7. Exhibition "Moscow Tile" in Izmailovo

The exhibition "Moscow Tile" has its own background. In the 1930s. Moscow tiles were widely represented at the one created by P.D. Baranovsky in the Kolomenskoye museum exhibition "Engineering and art of construction in the Moscow state of the XVI-XVII centuries." In 1980, the exhibition "Moscow Architectural Ceramics" was opened at the museum in Sytny Dvor. The last exposition "Moscow Tile", created in 1996, until 2007, remained the only exposition in Moscow that presented in its entirety the history of Moscow tile production. Thus, addressing this topic is traditional for the museum.

The unique collection of building ceramics owned by the Moscow State United Museum-Reserve is rightfully considered one of the best in Russia. It has about 14,000 items and represents the whole variety of construction ceramic products: bricks, tiles, pipes, voices, floor and wall tiles, but the most significant part is tiles.

The exhibition will show the centuries-old history of the Moscow tile from its inception to the present day, as well as demonstrate the technical and artistic level of the art of Moscow masters, emphasize the "man-made" tile art.

The exhibition in Izmailovo is not accidental. It is here that the Intercession Cathedral and the Mostovaya Tower are located - outstanding monuments of the 17th century with tiled decorations. The works of contemporary ceramic artists, experts in the field of restoration of facade ceramics, presented at the exhibition, also allow us to touch upon the topic of preserving the tiled decor of Moscow that has survived to this day.

Choreographers - choreographers of the 20th century (Russia). Kosyan Goleizovsky (1892-1970)

He staged his first productions on the stages of small private theaters, of which many appeared at that time - in the "Intimate Theater", and then before the revolution itself - in " Bat", Mamontovsky theater of miniatures ...

Graphic works of A.M. Cassandra

The exhibition was originally planned for 1908 but was postponed several times, partly due to the First World War. The number of participating countries has exceeded twenty; the only exception was Germany ...

Impressionism in 19th century French culture

After the Salon of Les Miserables, Manet became the central figure of the entire progressive artistic intelligentsia of Paris. He is joined by artists such as Basil, Pissarro, Cezanne, Claude Monet, Renoir, Degas and Berthe Morisot ...

Summary of Stanislavsky's book "My Life in Art"

A significant meeting in the summer of 1897 by K.S. Stanislavsky, who adopted a theatrical pseudonym in January 1885 in honor of the talented amateur artist Dr. Markov, who performed under this name, with V.I.

Conceptual and artistic foundations of Russian abstract art on the example of the work of V. Kandinsky

In 1886, Kandinsky entered the law faculty of Moscow University ...

Museums of the city of Labinsk and their cultural and educational activities

The temporary exhibition mobilizes visitors by forcing them to come to the museum. Today, the number of tourists has decreased, but the number of city residents who come to the museum has increased ...

Musical and noise design of the performance " Scarlet Sails"at the musical theater" Monoton "

Theater "Monoton" was founded in 1986. In the musical, all the means of expressiveness of the actor, namely: vocals, dance, stage movement, recitation, playing on musical instruments - exist on an equal footing ... Surrealism in the work of Rene Magritte

In 1967, the last lifetime exhibition of Magritte's works was held at the Boijmans-van Beuningen Museum in Rotterdam. On August 15, 1967, Rene Magritte died of cancer. One of the artist-magicians of the XX century passed away ...

The Garden of Valuable Art. Tiles of the 16th - early 19th centuries

The production of tiles, which came to Russia from of Eastern Europe in the 16th century (they called it "valuable work"), it was a laborious process. One carver is not enough here - we also need potters and masons who know how to burn bricks. Nevertheless, tiles in Russia fell in love, they began to decorate the facades and interiors of churches, and from the Peter the Great era and stoves. At first, in the 16th century, these were anthracite tiles (covered with green glaze - "ant"), and then the carvers gave free rein to their imaginations - here are ornaments, and flower garlands with birds, and battle scenes. 44 exhibits were selected for the exhibition - it seems to be not so many, but they give a complete picture of the development of the "valuable business" in Russia from the moment of its inception to its heyday in the next century under Patriarch Nikon and up to the already "on the conveyor" manufacturing production at the beginning of the 19th century ... All samples on display are from the museum collection, as well as from private collections. The exhibition also included a catalog with a detailed history of the "valuable business" and the presented samples, most of which are of exact origin.

Art and the City: Graffiti in the Internet Age

Graffiti, which originated in the 1970s as part of the street subculture, has recently become the subject of exhibitions not only in gallery spaces, but also in museum spaces. The exhibition entitled “Art and the City: Graffiti in the Internet Era” at the Electromuseum in Rostokino Moscow gallery is dedicated to how graffiti evolved in the digital era, ceasing to be not only purely street art, but also anonymous. Now they are equal participants in contemporary art, with all its pluses and minuses. This is how the exhibition's curator, artist Igor Ponosov, sees the current situation with graffiti: “New technologies are becoming so accessible that graffiti artists are beginning to be used along with spray cans. Attempts are being made to create works by means of robots, drones and other special equipment. Ultimately, modern graffiti transforms into practices that are more and more like hacking. " Is it really? You can draw your own conclusions by visiting the exhibition, where, in addition to fresh works prepared specifically for the project, photographs and video filming of the most iconic graffiti from different years are shown for comparison.


Seaman, artist, person. Vladimir Golitsyn


Vladimir Golitsyn (1902-1943) - an artist who created his own, unique style, combining laconicism propaganda poster and the traditions of folk crafts. He studied under such different, but wonderful masters as Pyotr Konchalovsky and Konstantin Yuon from Diamonds, and attended courses at the Higher Artistic School. Golitsyn worked a lot to order, mainly for the Central Handicraft Museum of Moscow, founded at the beginning of the 20th century thanks to the patron Sergei Morozov and which existed until the 1930s. Golitsyn's painted wooden boxes even received a gold medal at the International Exhibition of Decorative Arts in Paris in 1925. At the exhibition you can see almost all of Golitsyn's legacy, which is kept both in the VMDPNI, the assignee of the Handicraft Museum, and in other collections. In addition to applied works, these are illustrations for children's books and magazines, sketches from expeditions to the Kola Peninsula and Novaya Zemlya, a family archive, items provided by the artist's grandson Ivan Illarionovich Golitsyn, as well as documents on the numerous arrests of Vladimir Golitsyn due to his noble origin.

Visitors to the exhibition of tiles of the 15th-19th centuries, which will open on April 27 at the Sergiev Posad Museum-Reserve in the Moscow Region, will be able to see more than 350 unique exhibits, among which are elements of ancient church decor and the work of famous artists of the century before last, the press said -services of the Trinity-Sergius Lavra.

"The Sergiev Posad State Historical and Art Museum-Reserve will open on April 27, 2018 exhibition tiles of the 15th – 19th centuries "From sample to tile". In the East building museum complex "Horse yard" more than 350 unique exhibits will be presented to the audience, ”the message says.

The exhibits were provided by the Moscow United Art Historical-Architectural and Natural-Landscape State history museum, State Historical, Artistic and Literary Museum-Reserve "Abramtsevo" , State Research Museum of Architecture named after A.V. Shchusev and the Museum and Exhibition Complex of the Moscow Region “New Jerusalem.

The exhibition will acquaint visitors with the development of tile business in Russia from the 15th to the 21st century. The exhibition will feature many creations created in Trinity-Sergius Monastery and decorated temples monastery, in particular, one of the earliest finds: a rare fragment of terracotta relief tiles and a baluster from the decor Spiritual Church XV century, as well as exhibits of decoration of the Vvedenskaya church of the XVI century. No less interesting are the anthracite (green) tiles of the 17th century from the decor of the church of St. Zosima and Savvaty of Solovetsky.

Also, viewers will see the reconstruction of two old ovens from Sergiev Posad and tiles made by famous craftsmen Jan Flegner in the 18th century and Mikhail Vrubel in the 19th century. In addition to tiles, the exhibition will feature graphic works by such famous masters as Vrubel, E. Polenova, V. Hartman, S. Miloradovich.

“The exhibition will be of interest not only to a narrow circle of art experts, but also to the general public, since it will allow the mass spectator to come into contact with the“ witnesses of living history ”- old tiles,” the message says.

More publications on the topic

Contextual Help

— Spiritual Church (1476)
Located to the east of the Trinity Cathedral, the Church of the Descent of the Holy Spirit (Spiritual Church) closes the southeastern corner of the cathedral square, organically integrating into the architectural ...

— Historical and architectural complex "Horse yard"
"Horse yard" is an exposition, exhibition and cultural and leisure complex of the Sergiev Posad State Historical and Art Museum-Reserve, which includes ...

— All exhibitions of Sergiev Posad region
Information about exhibitions in the city and the region, both passing and preparing for the opening. Posters of museums, galleries and exhibition halls.

— The profession of a stove-maker
I have always admired people who can create something with their own hands. On the pages of our project, we often publish reviews about companies in the Sergiev Posad region, but about people - craftsmen ...

— Temples and churches
In addition to the Trinity-Sergius Lavra in Sergiev Posad and the region, there is a huge number of temples, chapels and churches. Here you can see photographs, learn history, architectural features, interesting historical facts about the temples and churches of the city and Sergiev Posad region.

— Trinity-Sergius Lavra
Over the centuries, a unique ensemble of buildings of different times has developed on the territory of the Holy Trinity Lavra of St. Sergius, including more than fifty buildings and structures.

In the southwestern part of the monastery is the white-stone Trinity Cathedral (1422-1423), erected on the site of the first wooden church of the XIV century. It was around him that the formation of the monastery ensemble took place. To the east of the cathedral in 1476, Pskov craftsmen erected a brick church-belfry in the name of the Descent of the Holy Spirit upon the Apostles.

- Sergiev Posad and its region is a region with a rich history. The history of Sergiev Posad has almost seven centuries of eventful life. The Trinity-Sergius Monastery was founded in 1337 by St. Sergius of Radonezh. In the XIV - early XV centuries. several settlements arose around the monastery (Kukuevo, Panino, Klementyevo, etc.), united in 1782 by the decree of Catherine II into a city called Sergievsky Posad. From 1930 to 1991 Sergiev Posad was called Zagorsk, in memory of the deceased secretary of the Moscow Party Committee. .M. Zagorsky, then the historical name was returned to the city.

— Museum-Reserve Abramtsevo
For the first time Abramtsevo (then Obramovo) was mentioned in 1504 in the letter of Ivan III. The village got its name because of the terrain: framing (from the word framing).

At the beginning of July 2017, the exhibition “Garden of Valuable Art. The Garden of Valuable Art” was opened at the Andrei Rublev Central Museum of Old Russian Culture and Art. Tiles of the 16th - early 19th centuries from the collection of the Andrei Rublev Museum and Private Collections "dedicated to Russian tiles of the 16th-19th centuries, which displays exhibits that have recently entered the museum collection, as well as those belonging to private collectors.

Production of tiles (" valuable business») Has become widespread in Russian art since the 16th century. Initially, these were small ceramic tiles intended to decorate the facades of buildings and were not painted. In the first half of the 17th century, "etched" tiles, covered with green glaze, appeared. Common subjects for 17th century tiles are horsemen, battle scenes, birds, garlands of fruits and flowers, decorative cartouches and other Western European ornamental motives.

On March 25, 2016 in the museum complex "Horse yard" the grand opening of the interregional exhibition "Stove samples, relief and painted" took place.


This is the first exhibition in Sergiev Posad dedicated to tiles. A lot of people who are interested in this kind of art gathered in the exhibition hall of the East building that day. Over the 95-year history of the museum, a large collection of architectural and stove tiles has been collected, including the earliest finds - tiles of the 15th century that adorned the Dukhovskaya church, the rarest relief terracotta and anthracotta (green) tiles of the 17th century, made in the Trinity-Sergius Monastery , rare architectural tiles that adorned the temples of the Trinity monastery, Moscow, Moscow region estates. There are tiles with plot compositions, including those dedicated to the military theme, as well as brightly painted tiles, decorated with flower bouquets and garlands, created at the famous enterprises of M. S. Kuznetsov. Along with the ancient ones, there are modern tiles, made in our days for the restoration of architectural monuments of the Trinity-Sergius Lavra and Moscow, made in the ceramic workshop of the Lavra.


Deputy general director Sergiev Posadsky
historical and Art Museum-Reserve,
candidate of Historical Sciences Svetlana Viktorovna Nikolaeva

The Sergiev Posad Museum selected 300 exhibits from its own funds. The exposition was complemented by other museums and the Institute of Archeology, with which museum workers conducted joint excavations. Items from the MDA and the Trinity-Sergius Lavra are presented. Colleagues from the Moscow Kolomenskoye Museum, which is famous for its collection of tiles, responded to the invitation of the Sergiev Posad Museum-Reserve. Items from the funds of regional museums are presented - the museum complex New Jerusalem, in which a center for the production of tiles was created in previous centuries. Brought a collection from the Zaraisk Museum, relating to manor collections. The Alexander Art Museum participates in the exhibition with his exhibits. And the ceramic workshop of Lavra agreed to show how the tiles are made. Private collectors did not stand aside either.


Vitaly Vladimirovich Shcherbakov,
Senior Researcher of the Archaeological Department of the Museum,
exhibition curator

“The preparatory stage was quite large - several months, - explained Vitaly Vladimirovich Shcherbakov, senior researcher of the archaeological department, curator of the exhibition, - perhaps in the future a book will be published and it will include all the footage on this topic. At the exhibition, we wanted to show the variety of tiles from the most ancient to the present day, using the example of tiles from the Golitsyn princes' estate, preserved in Sergiev Posad on Vifanskaya Street. This is the only surviving estate in the Moscow region, built back in 1823. The exhibition features unique tiles with images of saints made by master Jan Flegner, a Swede who was captured by us during the Northern War. He began working at the New Jerusalem Monastery and was one of the first to create painted tiles in Russia. Red tiles and emblems are also associated with his name. It turns out that tiles of the 18th century can also be attributed to the first comics. This discovery was made by scientists, having made out a drawn inscription of flying letters at the level of the mouth of a little man on one of the tiles. This is how modern comics are drawn. "

On the Sergiev Posad land, tiles are first found on the territory of the Trinity-Sergius Lavra - on the facade of the Duhovskoy Church (15th century) and the altar belt of the Vvedensky Church (16th century), as well as elements of red-clay decor. There are tiles on the churches of Zosima and Savvaty of Solovetsky (1635-1637) - anthracite (green) with floral ornaments, double-headed eagles, warriors and cannons. Ancient tile panels from Pskov are presented at the exhibition by the CAC MDA. In the hall are presented polychrome anticated tiles of Moscow production (1670-1680), which are the only material evidence of the existence of the royal traveling palace in the village of Slotino, which stood on the road to the Aleksandrovskaya Sloboda, where similar samples were also made. The stoves of the Trinity Monastery were built from polychrome relief tiles at the end of the XYII century. The monastery houses one of the most ancient furnaces of the early 18th century with the image of painted medallions in the Church of the Nativity of John the Baptist. A similar stove has survived in Aleksandrov. Unique 18th century stoves with painted tiles are located in the Metropolitan Chambers and the Royal Palaces of the Lavra. Facade tiles from these cultural monuments are also presented at the exhibition. In addition to samples of the Trinity-Sergius Lavra, the exhibition includes works by Moscow masters, kept in the museum-reserve in Kolomenskoye. They were on the monuments of Moscow and Kostroma. The decoration of the exhibition is a platband with decor from the Church of Paraskeva Pyatnitsa, standing in Okhotny Ryad in Moscow (1687). The tiles of the manor stoves are represented by exhibits stored in the Zaraisk Museum. These are multicolored tiles from the Goncharovs 'estate that has not survived (the village of Ilyitsyno, Zaraysk district), as well as simpler, typical for many house stoves from the Golitsyn princes' estate in Sergiev Posad.


Professor Leonid Andreevich Belyaev

Nowadays, interest in this craft is reviving. Doctor of Historical Sciences, chief Editor journal "Russian Archeology", head of the New Jerusalem Expedition of the Institute of Archeology, Professor Leonid Andreevich Belyaev highly appreciated the exposition presented at the exhibition:

To be honest, there are no such tiles anywhere in the world. We not only adopted this craft from other peoples and produced it in Russia. We came up with it and implemented it ourselves. The tile is our national pride. We have brought materials to this exhibition, which were given by New Jerusalem. This monastery is now being restored, and in the process of restoration we have acquired a huge number of exhibits. We ourselves did not imagine to what extent it would be interesting for us. Our specialists have been working for six years all 12 months a year and even 24 hours a day, staying together with builders, architects and all others at the facilities. The members of the scientific expedition do not go on vacation for the winter months, as is customary in archeology, but continue to work, studying the laboratory in which the Russian tile was born. And the results have been fantastic! We present here only a small part of these findings. And they allow us to conclude that our Russian tile lived for a very long time - the entire second half of the 16th century in various parts of the country - in Kazan, Sviyazhsk, Yaroslavl, Siberia ... He lived in the 19th and 20th centuries before Vrubel. There are many testimonies of this in New Jerusalem. He is not dead now. We are interested in its origins. The Trinity-Sergius Lavra is also a very important place in the study of tiles. There are terracotta slabs in the Lavra, they are, perhaps, more interesting than the tiles of the 17th-18th centuries. They are studied closely, on purpose, very seriously. Terracotta slabs are the earliest stage of tiles, they are not even quite tiles yet. These plates make it clear that it is the Lavra that stands at the origins of this ancient craft that has become an art.

I made no less discovery and Olga Nikolaevna Glazunova - a member of the expedition in New Jerusalem. Working on tiles, she began to understand more deeply church history:

This collection contains very interesting tiles that provide an opportunity to better understand church history. These are, first of all, two tiles with the image of a man and a cancer on a water lily. There is a tile with the symbol of the Easter holiday and the image of the patron saint. Such things were in the monastery. They have very deep meaning - you understand this when you start to study them.

Several years ago, together with Vitaly Shcherbakov, Olga Nikolaevna Glazunova studied the tiles that were made in the Lavra and were used as head pillows for the burial of deceased priests. There was such a tradition in the Sergius monastery. Usually, a brick was placed under the head of the clergy, but in the Lavra they began to make special tiles. And for this, craftsmen were invited from New Jerusalem, because under Patriarch Nikon in New Jerusalem this craft was already being done. This fact was found out by specialists during the preparation of this exhibition. In order to establish production, craftsmen from different places were gathered in New Jerusalem - from Moscow, from Lithuania, from the north of Europe, from the south of Europe, from the Trinity-Sergius Lavra. A huge number of craftsmen boiled in this cauldron, and they were able to create a new phenomenon unlike anything else - a Russian tile.

“The exhibition is very good, there has never been such an exhibition yet,” says Olga Nikolaevna. - But I would also add items that represent the technology of making tiles. there is modern technologies... I would show old technologies. We also have them: bowls for cooking watering, and separators for tiles, tiled stamps to clearly show a kind of production history of tiles. It has changed over the years. If you compare things of the 17th and 18th centuries that are identical in use, you will see that they are made differently. In the 17th century, there were the so-called forge-burners - large clay pots with holes, which were replaced with caps in the 18th century. These things help to imagine how production has changed. "


Keeper of the Tiles Foundation of the Kolomenskoye Museum
Svetlana Izmailovna Baranova

Keeper of the Tiles Foundation of the Kolomenskoye Museum, Doctor of Historical Sciences, Candidate of Art History, Associate Professor of the Theology Department of Moscow State University Svetlana Izmailovna Baranova - one of those specialist colleagues who helped prepare the exhibition by providing their materials:

The archaeological expedition, which works on the territory of the New Jerusalem Monastery, does not exhibit its collection yet, but it generously shows you its findings in this room. In our museum, we even removed the platbands from the walls of the exposition and brought them to you. This is an original and restored casing from the drum of the church of St. Paraskeva Friday, which stood in Okhotny Ryad. At this place, where the church stood, is now the State Duma. Moscow lost a lot in 1928, not only this church, the palace of Vasily Vasilyevich Golitsyn also disappeared. As a reminder of the past, durable tiles remain. Interest in them is growing all over the world. We have not gone anywhere before. And recently we have visited the Louvre with their collection, and this museum has selected tiles for itself. We are going to Dusseldorf, where there will be a special exhibition on Russian tiles. We are involved in difficult, complex projects and are happy to receive any invitation.

Svetlana Izmailovna, why is this exhibition important for you? What would you like to say to the people who come to see its exhibits?

The importance of this exhibition lies in the fact that in this small area the tile is presented from a variety of angles. There are tiles in the archaeological rough gluing, which clearly shows in what condition the item was found. Major architectural objectsshowing the history of the creation of tiled decor. We also see remakes - an attempt by modern masters to turn to the traditions of the past. I would like the exhibition to encourage the desire to collect tiles. This process is very affordable. Sometimes we just trample the tile with our feet. And now it is already clear that he also disappears. Therefore, it is important to change the attitude towards him now. The exhibition does it. Thanks to its qualities - the durability of the glaze, the strength of the shard, the ability of Russian craftsmen to make these outstanding works that survive for centuries - it has come down to us with all its splendor, with all its ornaments and still pleases. Therefore, I ask everyone: collect tiles, bring them to museums, replenish our funds. Especially if you know where this piece was found. Placement is very important for us. For a very long time, the tile was perceived as something too simple in comparison, for example, with porcelain, crystal. They were often found on the ground, even under a plow. There was such a case in my life. Once walking around the city of Yaroslavl, which is famous for its tiled decors, I saw a whitening piece in the dark under a lantern. Raised. It turned out that this is a plot tile on which the inscription: "This is for our benefit." The obvious benefit of such research exhibitions is that they give an idea of \u200b\u200bthe tiles as an indispensable part of Russian life and almost compel us to collect, store and study them.

What a stove tile can tell its specialist appearance? And can a tile fit into our modern lifeto become popular in the 21st century?

A tile can tell a lot to a careful look. Through the tile we can reconstruct the house, we can tell exactly what kind of stoves were in it. By these stoves, we can judge the condition of this house, the wealth of the owner, his tastes, his capabilities and history in general. We can talk about how these ovens changed. They figured out, they had their own fashion. Sometimes a small pile of shards, which at first glance seems like rubbish, can be a witness to the history of the stove and tell the whole story of a house, even when this house has already ceased to exist. It is not for nothing that the fashion for ceramic ovens has reappeared recently. And the Russian tile has become in demand. Houses are again decorated with special inserts, ceramic panels. Our workshops, especially in the northern regions, where the stove is needed for heating, are simply overwhelmed with orders. Despite the fact that this pleasure is expensive, people go for it, they see the beauty of the tiled stove and its comfort.

- What is the comfort of a tiled stove?

Firstly, it is hygienic and can be washed. Secondly, it is safe. Smoke does not pass through its pores and bricks do not darken. Thirdly, it is aesthetic. There is nothing to say about her beauty! Workshops now make stove sets, and then they build stoves according to the dimensions of this tiled set. Of course, all orders are individual, copyright, original. Customers often ask to destroy the forms on which his tiles were made, so that there are no repetitions, so that it does not turn out that a neighbor has the same stove as his. These requirements for the masters have existed before, in all ages ...

Doctor of Historical Sciences, Editor-in-Chief of the Journal "Russian Archeology", Head of the New Jerusalem Expedition of the Institute of Archeology, Professor Leonid Andreevich Belyaev summarized everything said at the presentation:

Perhaps the main element of the material culture of the Moscow state was a tile. We are not fully aware of this. But if we take the Russian culture of the 19th century, the pre-Petrine era, then everything Russian at that time was perceived with some suspicion, as some kind of wrong, callous, wretched, not meeting the European standard of that time. When they began to determine their national path, then the tile came to the fore, as an element national culture... He entered the chamber of the Romanovs, the terem palace. In this form, it reached modernity, albeit in small quantities and survived until Soviet times. You will not see these unique exhibits in every Russian museum. Moreover, they were found by the expedition, taken from burials, from the soil layers. In this exhibition, along with the originals, there are also copies. And this is also a very important thing. After the collapse of the Resurrection Cathedral in New Jerusalem, the tiles were restored. Trained european masters made Russian copies. This was actually the first restoration in Russia and at the same time it is a tradition. The tile is always relevant. We must remember that the understanding of ancient Russian life in modern Russia began with tiles. In Europe, Russia was represented by a tile, which at that time corresponded to the level of culture of many continents.


Senior Researcher of the Department
history and culture of Sergiev Posad region
Nina Viktorovna Kholodkova

Are you satisfied with the first day of the exhibition? We asked this question to one of the creators of the exhibition Nina Viktorovna Kholodkova - senior researcher Department of History and Culture of Sergiev Posad Territory:

We are glad that everyone responded to our invitation. Guest reviews are positive. The audience's interest is genuine. Few people used to pay attention to the tiles. And they are so different, there are so many plots. Even to take the birds - none is repeated, and all are so touching and individual! Thanks to the work of several generations of museum staff, we have a collection that today we were able to present not only for specialists, but also for those who love beauty.

Wednesday, Thursday, Saturday, Sunday - from 10.00 to 17.45

Friday - from 10.00 to 16.45

2nd Wednesday of every month - from 11.00 to 19.45

Weekend: Monday, Tuesday and last Friday of the month.


 

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