Reportage snapshot. The best reportage shots at World Press Photo. Reportage photographer how to choose

✔ Reportage photography is a special type of photography and networking that combine several genres of photography at the same time. Each reportage photo is filled with movement, it conveys the atmosphere of the event, emotions and faces of the participants. And the very workflow of a photojournalist in reportage shooting is significantly different, because he must have time to capture a dynamic and interesting frame, taking into account the background and light environment. A professional photographer is required not only to be able to carefully observe and immediately capture a bright frame, but also to create interesting compositions without disturbing the participants of the event. This is the only way to get good reportage photos that convey the atmosphere of the event.

During the photo reportage of the event, the photographer has to take a whole series of photos in order to get a high-quality and vivid photo. In addition, all photographs from the series should complement each other and have a common story. This is what complicates the process of taking photographs. Reportage photography is universal, emotional and expressive. Such photographs are able to transfer a person to the place where they were filmed and feel all the emotions, moods and experiences that its participants experienced.

Today reportage photography used in a wide variety of fields. More and more often people order a photo reportage of a conference or a reportage for a celebration, for example, a birthday or a wedding. Professional photos will keep vivid events, impressions and emotions associated with this event in memory for a long time. Many professional photographers believe that a photo report from any event, for example, a photo report from a concert, is a whole poem that can be discussed and considered for a long time. And to do high-quality pictures- means getting pictures filled with a story that can be "read" without words.

How to choose a reportage photographer?

✔ Many people do not know that the work of a photographer is not only in the photography itself, but also in the subsequent processing of photos. Exactly professional processing photographs turns them into a self-sufficient work and conveys the emotions experienced by the participants at the time of the shooting. Reportage photography has its own specifics, and if you decide to order this type of photography, then you should pay attention not only to the experience of the photographer, but also to his skills in using photographic equipment. A photographer should be able to instantly react to problems associated with professional equipment and be able to quickly fix them, since every frame is important in reportage photography. And without modern professional equipment it is impossible to capture spectacular shots, and also it will not be possible to clearly distinguish plans. When choosing the services of a photographer, you should also familiarize yourself with his portfolio. Finally, I would like to say that reporting is a universal genre, if the photographs are of high quality and professional, then the viewer viewing such photographs will be able to experience all the emotions, grasp the meaning of what is happening, regardless of whether he was at this event or not, he knows the language and text written under the photograph.

Price for reportage shooting in Moscow

They have a lot to learn

Reportage photography is probably one of the most difficult, but at the same time interesting genres. After all, the photographer must tell a story in one shot. And so that it was exciting and bright.

In this article, we have collected the best reporting photographers of our time. Who have reached unprecedented heights in this difficult genre.

Stanley Greene

In his photographs, Stanley Greene shows the stories of people's lives. He has no purpose to portray death or shock the public with his photographs. His photographs reflect death and destruction on the faces of those who survived, and these photographs give us a glimpse of the war.

Seamus Murphy calls photography "half history and half magic." it short description can serve as a title for the entire archive of his works, because his work is particularly penetrating. For a long time he has shot in the Middle East, Europe, Russia and Far East, in African countries, in North and South America. He is a six-time winner of the World Press Awards.

Polish photographer who specializes in non-commercial sports photography. Among his works you can find dynamic shots of Mongolian horse racing, street parkour, training of kung fu masters and much more. His works are actively published by such well-known publications as Forbes, Newsweek, Time and The Guardian. Tomas himself does not consider himself a sports photographer and says that each of his shots is a story about a person.

Frames by French photographer Noel Patrick Quidy are lifelike. And at the same time, they are filled with humanism and compassion. “The war is so ugly that I do not understand those who seek to make beautiful pictures» , says the photographer. For his shots, Noel won the World Press Photo award three times.

Bradner is widely known for her humanistic photography. Her work is actively published by New York Times Magazine, Granta, GEO, Time, Newsweek, US News & World Report, Stern. "When I am in another country, I am very open to what people tell me ..."- says Heidi. Apparently, this is the secret of her success.

This is one of the most famous American photojournalists. In total, he filmed 18 international conflicts, including the invasion of US troops in Iraq, military operations in Afghanistan, Yugoslavia, Chechnya and other countries. Christopher is the recipient of numerous awards, including the World Press Photo Award. "The role of the photographer in war is very important: we must face its ugliness if we want world peace." - says the photographer.

The famous French photographer has been shooting wars for many years, social conflicts, poverty and suffering. Emphasized honesty in front of the viewer, combined with thoughtful dramatic storytelling, is what sets this photographer apart from others. His photographs are not only published in the press, but also exhibited in museums, creating truly powerful compositions.

“My every effort is to be as neutral as possible and to feel as much as possible in order to allow the image to reveal to the viewers the mystery of the real.”

An outstanding photographer and the only Russian citizen who became a full-fledged member of the most authoritative Magnum agencies... His works are extremely colorful, and one of the most famous was the series "Tbilisi Baths", after the creation of which he was admitted to Magnum. His photographs are published in GEO, Actuel, New York Times.

“All my best photographs are contingencies. You just need to destroy your own self-will, the stereotype and surrender to the free wave ... You need to find harmony with reality, but, once again - this does not guarantee you success. "

With his photographs, the photographer not only tries to draw attention to any problem, but literally calls on to solve it. The main theme his creativity, which is not surprising for the South African, became the problem of AIDS. He was one of the first to describe this terrible disaster through the use of photography.

His photographs are actively published by the world's leading publications, including National Geographic, Fortune Magazine, Condé Nast Traveler, GEO, The Sunday Times Magazine, The Guardian Weekend Magazine, L'Express and Stern Magazine.

War and social confrontation is the main theme of his work, imbued with real pain and a call to stop violence across the planet. James worked in South Africa, Latin America, in the Middle East, in Russia and other countries of the former Soviet Union as well as in Eastern Europe.

His dedication to his cause and humanistic ideals has made James Nachtwey one of the most respected reportage photographers.

“I'm half deaf. I have bad nerves and my ears are ringing all the time ... I guess I became deaf because I didn’t put the earplugs in my ears, because I really wanted to hear. I wanted to achieve maximum strength of sensations, even if they are too painful ", - says Nachtwey.

The English photographer began his career as a freelance photographer for the Guardian and Observer newspapers. The first direction of his work was the protest movement of the "green". But since 1999, he has completely gone into reportage photography, covering numerous armed conflicts.

He received his first World Press Photo award back in 1994, and since then there have been three of them. His work can be seen in publications such as Newsweek, Time, Stern, GEO, Paris Match, Der Spiegel, The Sunday Times Magazine and many others.

For more than 25 years, he has covered all the significant events taking place in our country, as well as many significant world events, including the wars in Chechnya, Afghanistan and Iraq. As a result, this photographer's creative baggage has accumulated unique material that has brought him a large number of international awards, including six World Press Photo awards.

“My work is for the soul, this is my life... And there was never separation, there were life stages... I've lived it all. "

The goal of this photographer is to show the war as it is. He filmed the Battle of Vukovar in Croatia, the siege of Sarajevo, the atrocities committed in Serbian concentration camps in Bosnia and Herzegovina, and much more.

“It's terrible when someone is killed next to you. The first time it happened, I was not allowed to film. I couldn't save them, but if I hadn't told the world about it, it would have been even worse. And I promised myself that if I find myself in such a situation again, then at least I will be able to press the button. ".

Jan Grarup's black-and-white footage tells about troubles and other people's pain. Showing the life of people in conditions of wars and crises, he draws the attention of the world community to small feats that have become an integral part of life.

“My most important advice is to listen to your heart. If you shoot without empathy, you will fail. Only the time spent at the shooting location with the characters, only communication and interaction, only help and sympathy will help you create a real story ".

One of the most famous photographers of our days, whose pictures have repeatedly graced the covers of National Georgaphic, GEO, Time Photo and many others. His pictures are imbued with the desire for the best, the desire to "give the world a chance." In 2001, he founded AINA, a charitable association dedicated to children's education.

“Two natures coexist in me: a photographer and a humanist. Photography for me is not just a picture. With my work, I try to establish a connection between cultures, as well as show the society countries and people whom they have not seen ”, says Reza.

Dane Eric Refner began his career as a commercial photographer. However, at some point he realized that the romance of photojournalism attracted him much more. And he began to travel the world with a camera in his hands.

But he did not confine himself to wars and humanitarian disasters. In particular, he received the World Press Photo award for his report on the "last romantics of rockabilly" who still live as if they were in the 1950s.

“I hate to hear complaints and excuses that things are not going the way they want. I don't like people who are cold about their work. There is nothing technically complicated in photography. It is important to understand and desire to do something unique, without passion for this business nothing will work. "

The Italian photographer came to photojournalism shortly before the outbreak of numerous armed conflicts in Europe and other parts of the world. Therefore, he began to visit these hot spots as a correspondent. He was in Angola in 1996, prepared two projects on Iraqi issues, and filmed in Africa, Brazil and other regions.

The result of 13 years of his work was the book Born Somewhere, dedicated to the children of the countries he visited. For his work, Francesco Zizola has received seven World Press Photo awards and four Picture of the Year awards.

This is one of the few photographers who has a deep classical education. He achieved impressive success, becoming a recognized master of photography: his work can be found in the Cambridge Museum of Art. The International Center photographs in New York and many other museums. In addition, as a journalist, he is actively published in publications such as National Geographic, GEO, Time, New York Times Magazine. Also Alex Webb is the author of numerous books on photography.

“I work in color. Therefore, the quality of lighting is especially important for me, for this reason I shoot more at one time of the day than at another. I always try to be outside in the afternoon and evening. "

As a photojournalist for the renowned agency Magnum, he has found his special niche in the everyday life of photojournalism. In his bright, emphatically coloristic works, the West and the East meet.

"A composition formed suddenly of color, lines and movement is magic."
“When filming anywhere, I try to be open to the world. The camera must be ready, and the head must be empty, so that prejudices do not prevent me from seeing the world as it is. "

A recognized classic of Soviet and Russian photography. He owns many reports that honestly and impartially showed the Russian reality of the 80s and 90s of the last century.

“The photograph is taken not by the photographer, but by chance. Professionals who control everything are doomed to mediocre staff. The photographer is not a creator, the same Cartier-Bresson said that life is much more unusual than fiction: no brains are enough to invent such a frame that is given to you for free. We must wait for him ... ".

What you need to know when you first shoot a report.What equipment to take with you.What and how to shoot at the event.

We will talk about all this and many other things in the article "The first shooting of a reportage". Today I will cover all the basic things a photographer needs to know to be successful in reporting.

So, you were invited to shoot a report: corporate party, music festival, presentation or any other event. To shoot successfully, first of all, you need to properly prepare. Let's take a look at what equipment should be in a reportage photographer's bag.

Photographer's bag

Lenses

During the reportage, the photographer must be ready to shoot diverse shots. First, you need to shoot people in the banquet hall, and then - the musicians on the stage.

This is why you need lenses that will cover all major focal lengths. Most photographers use two types of optics to shoot reportage:

    • Wide-angle lens ("shirik")

It is “shirik” that is the main working lens of a reportage photographer. With this lens, you can frame a large number of subjects in the frame. And this is necessary when shooting general plans or, for example, group portraits.

The 35mm is a classic wide angle reportage lens. Practice shows that the majority of reportage shots are taken precisely at this focal length. It is also very convenient to use zoom lenses such as 18-70mm. With a zoom lens, you can quickly change the focal length, which is very important in sequential shooting conditions.

    • Long focus lens (telephoto)

The most popular and convenient telephoto for reporting is 70-200mm. A TV set is used when you are far from the subject, which often happens in a reportage. You can also use it to make interesting close-up portraits of event visitors.

So, in our photo bag we put 18-70mm and 70-200mm lenses, so we can work on focal lengths from 18 to 200 mm. This means that we will be able to make any frame that we need.

I gave the main characteristics of lenses in a separate article.

Flash

The flash is one of the main working tools of the reportage photographer. Events are often very poorly lit and extra light is essential. A how to choose a flash, you already know.

But when going to shoot a reportage, you must take into account several important things:

    • Bring spare sets of flash batteries with you.

On sequential shooting, you will be taking a large number of shots, which means that your flash battery will quickly run out. Always carry 4-5 spare sets of batteries with you. It is better to have unused batteries after the event than if the batteries run out during shooting and you cannot use the flash.

    • Take a colored tracing paper

Colored tracing paper, or just a small plate made of translucent plastic, is a necessary thing for some cases. The thing is, sometimes you need to color the light from the flash. For example, when you need to warm up the flash light. To do this, simply stick the orange plate on the flash - and you get warmer colors.

    • Reflectors and diffusers


The light from the flash is very hard and highly directional. Precisely in order to soften and diffuse it, there are reflectors and diffusers. If you want to take really high-quality photos, you should always have them with you on the set. In the near future, I will talk separately about the use of reflectors for flashes.

Important little things

When going to shoot, it is important not to forget about a few necessary things:

    • Batteries and chargers

In addition to the battery pack for the flash, take an additional battery for the camera. It is best to have a charger for your camera and flash batteries with you.

    • Polarizing filter

When shooting a reportage, you often have to choose between high ISOs (and therefore more noise) or shooting at slower shutter speeds, fraught with the appearance of wiggle. It is also important to remember that during processing you may need to brighten the photo, which means that the noise will become even more noticeable.

But nevertheless, practice shows that it is better to raise the ISO all the same, because the shake is much more difficult to remove during processing, in contrast to digital noise... To work with noise, there are special noise reduction programs, for example, Noise Ninja or Neat Image.

When we have filmed the material and brought it home, the next stage of work begins - photo processing.

Processing of reportage photos

What is the main feature of processing reportage frames?

The fact that you are working with a large volume of photographs. As a rule, "at the exit" the photographer should get 300-600 selected good photos... The number of frames varies depending on the duration of the event, but in any case, you have to process a large amount of material.

To work effectively with so many photos, you need to be able to use batch processing, that is, processing a large number of photographs at once. I'll tell you more about batch processing shortly, as this topic really deserves a separate article.

It is also very important to pay attention to the colors in the photo. Your photos should be bright colors, juicy and saturated.

Such photographs immediately attract attention and a priori are liked by customers. If you are shooting outdoors, always raise the Saturation and Contrast slightly - this will make the frame livelier and more vibrant.

Besides brightness and saturation, it is very important that your photos are sharp.

The sharpness of the frame is one of those things that even a person who is far from photography and photography notices. The most a big problem when sharpening is increased, the noise in the photograph increases along with the sharpness. But this can be avoided by using one very effective batch sharpening technique with actions in Photoshop. The essence of this method is that we increase the sharpness only in the light areas of the frame, without affecting the shadows (where the noise is most noticeable).

I described this sharpening method in detail in previous article.

And always, absolutely always, along with full-size photos, I write to disk a preview of 700-800 pixels in size on the long side. Viewing them is much faster and easier than bulky full-sizes, and they can also be sent by mail or posted on "classmates".

Of course, the topic of reportage shooting is huge and has a lot of nuances that cannot be described in one article. And in the future I will definitely devote several more articles to this topic.

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