System camera sony alpha 6500. Review of Sony α6500: mirrorless camera with fast autofocus. All Sony E mirrorless cameras with APS-C sensor

The Sony ILCE-6500 replaced its successful predecessor so quickly that many users did not even have time to appreciate the advantages of the previous model and began to be indignant: the manufacturer did not think about them who bought the Sony ILCE-6300! You can understand the dissatisfied: the novelty (one year old at the time of publication of this material) was only 8 months younger than its older (only by age) sister. But on the other hand, these negative emotions were caused by ordinary envy: after all, the Sony ILCE-6500 received the most desirable thing, which was so lacking in its "older sister" - in-camera image stabilization.

Introduction

The manufacturer combines all mirrorless interchangeable lens camera models into the ILCE line (Interchangeable Lens Camera with E mount, that is, "camera with interchangeable lens E mount"). The adjective "mirrorless", according to marketers, hints at a disadvantage, inferiority, since the prefix "without" in itself declares the absence of something. In our opinion, this far-fetchedness was simply transferred without any national adaptation from the English-speaking world, in which, probably, mirrorless and “does not sound proudly”.

In our country, it seems, this does not cause any undesirable associations. Nobody calls these cameras “system”, the term “mirrorless” continues to be used - obviously, because the first term sounds ambitious, like a slogan, and does not reflect the essence of the main classification feature - the real no mirror.

Model	Sony α6500 (ILCE-6500)
Bayonet	Sony E
Housing	magnesium alloy
Sealing	protection against moisture and dust (buttons, selectors, wheels, body components)
Sensor	Exmor APS-C CMOS 23.5 x 15.6mm
Sensor resolution	24.2 MP (6000 × 4000)
CPU	Bionz X
Still picture recording format	JPEG (Exif Ver.2.3), RAW (14bit ARW 2.3 compressed and uncompressed); 3: 2: 6000 × 4000 (24 MP), 4240 × 2832 (12 MP), 3008 × 2000 (6 MP); 16: 9: 6000 × 3376 (20 MP), 4240 × 2400 (10 MP), 3008 × 1688 (5.1 MP); horizontal panoramas: 12416 × 1856 (23 Mp), 8192 × 1856 (15 Mp); vertical panoramas: 5536 × 2160 (12 MP), 3872 × 2160 (8.4 MP)
Image Effects	13 modes: Posterize (Color, B / W), Explosive Color, Retro, Partial Color (R, G, B, Y), High Contrast Monochrome, Toy Camera, Soft Vivid Tone, Soft Focus, HDR Painting , rich monochrome, "miniature", "watercolor", "illustration"
Artistic modes	standard, vivid, neutral, clear, deep, portrait, landscape, sunset, night view, fall foliage, black and white, sepia, contrast (−3 to +3), saturation (−3 to +3), sharpness ( from −3 to +3)
Expanding dynamic range	off, Dynamic Range Optimizer (Auto / Levels 1-5), Auto High Dynamic Range (Auto Exposure Bracketing, Adjustable Exposure Bracketing 1-6 EV in 1.0 EV steps)
Color spaces	sRGB (sYCC), Adobe RGB (Triluminos Color compatible)
Video recording formats	XAVC S / AVCHD 2.0 / MP4, in all cases MPEG-4 AVC / H.264 video
Audio recording formats	AVCHD: Two-channel Dolby Digital (AC-3), Dolby Digital Stereo Creator; MP4: Dual Channel AAC-LC
Video in NTSC	XAVC S 4K: 3840 × 2160 (30p / 100Mbps, 30p / 60Mbps, 24p / 100Mbps, 24p / 60Mbps); XAVC S HD: 1920 × 1080 (60p / 50Mbps, 30p / 50Mbps, 24p / 50Mbps), 1280 × 720 (120p / 50Mbps); AVCHD: 1920 × 1080 (60p / 28Mbps / PS, 60i / 24Mbps / FX, 60i / 17Mbps / FH, 24p / 24Mbps / FX, 24p / 17Mbps / FH ); MP4: 1920 × 1080 (60p / 28Mbps, 30p / 16Mbps), 1280 × 720 (30p / 6Mbps)
PAL video	XAVC S 4K: 3840 × 2160 (25p / 100Mbps, 25p / 60Mbps); XAVC S HD: 1920 × 1080 (50p / 50Mbps, 25p / 50Mbps), 1280 × 720 (100p / 50Mbps); AVCHD: 1920 × 1080 (50p / 28Mbps / PS, 50i / 24Mbps / FX, 50i / 17Mbps / FH, 25p / 24Mbps / FX, 25p / 17Mbps / FH ); MP4: 1920 × 1080 (50p / 28Mbps, 25p / 16Mbps), 1280 × 720 (25p / 6Mbps)
Video "logs" recording	black level, gamma (video, still, cinema 1-4, ITU709, ITU709, S-Log2, S-Log 3), black gamma, gamma curve, color mode, saturation, color phase, color depth
White balance	auto, daylight, shade, cloudy, incandescent, fluorescent (warm / cold / day white, daylight), flash, underwater, color temperature 2500-9900K and color filter G7 — M7 (57 stops), A7— B7 (29 stops), custom mode; micro-adjustment G7 — M7 (57 steps), A7 — B7 (29 steps)
Auto focus	hybrid (combined) phase (425 zones) and contrast (169 zones); sensitivity range —1 to +20 EV (at ISO 100 and F2)
Focus modes	AF-A (automatic), AF-S (single frame), AF-C (continuous servo), DMF (direct manual), manual
Focus areas	wide (all phase and contrast detectors are involved), zonal, central, universal point, extended point, fixing (wide, zonal, central, universal point), extended point
Autoexponometry	exmor R CMOS sensor; 1200 zones; sensitivity from –2 to +20 EV (at ISO 100 and F2); frame-averaged, center-weighted, spot, over the brightest area in the frame
Exposure compensation	± 5 EV in steps of ⅓ EV or ½ EV
Expo bracketing	continuous and frame-by-frame by 3, 5, 9 frames; at 3 and 5 frames - in steps of ⅓, ½, ⅔, 1, 2, 3 EV, at 9 frames - ⅓, ½, ⅔, 1 EV
Equivalent light sensitivity	photo: ISO 100-25600 (expandable to ISO 51200), auto (ISO 100-6400 with a choice of maximum and minimum values); video: ISO 100-25600, auto (ISO 100-6400 with selectable maximum and minimum values)
Gate	electronically controlled focal-plane vertical movement
Shutter Modes	single, continuous, self-timer, continuous shooting self-timer, bracketing (continuous shooting, single, white balance, dynamic range optimizer)
Self-timer	delay 10, 5, 2 s; modes: single-frame, continuous shooting at 3 and 5 frames; exposure bracketing
Burst speed	Hi + - 11 fps, Hi - 8 fps, Mid - 6 fps, Lo - 3 fps
Shooting buffer capacity	JPEG: 233 frames in ultra high quality, 269 frames in high quality, 301 frames in standard quality; RAW: 107 frames; RAW + JPEG: 100 frames
Exposure range	from 30 s to 1/4000 s
Image stabilization	due to matrix shift with compensation along 5 axes; efficiency up to 5 steps in angular displacement (with the lens Sony Zeiss Sonnar T * FE 55mm F1.8 ZA, according to the method)
Viewfinder	electronic color XGA OLED 1 cm (0.39 ″); 2,359,296 pixels coverage 100%; magnification 1.07 × (0.7 × full frame equivalent)
Display	flip-down LCD TFT 2.95 ″, 921 600 pixels
Built-in flash	TTL pre-flash metering; guide number 6 (in meters at ISO 100); covering 16 mm; reload time ≈4 s; X-sync speed 1/160 s
Flash control	compensation ± 3 EV in steps of ⅓ or ½ EV; bracketing 3, 5, 9 frames in steps of 3 and 5 frames ⅓, ½, ⅔, 1, 2, 3 EV, at 9 frames - ⅓, ½, ⅔, 1 EV
Flash modes	auto, fill, slow sync, rear-curtain sync, red-eye reduction, wireless, high-speed sync
Interfaces	USB 2.0 (Micro-USB), Micro-HDMI (type D), Bravia Sync (menu), microphone input
Wireless connection	IEEE 802.11b / g / n, NFC, Bluetooth 4.1
Memory cards	SD / SDHC (UHS-I); Memory Stick Pro Duo / Pro-HG Duo
Battery	lithium-ion battery P-FW50; photo: 310 frames when sighting through the viewfinder, 350 frames when sighting through the display (CIPA standard); video: 105 minutes continuously
Dimensions	120 x 67 x 53 mm
Weight (with battery and memory card)	453 g

The data given in the table above make it possible to conclude that the Sony α6500 has a modern sensor, wide possibilities for controlling photo and video shooting and irreplaceable qualities: hybrid phase and contrast autofocus, as well as intra-camera image stabilization.

Technology, design, construction, menu

The manufacturer calls our ward "premium camera" and, it should be noted, has every reason for this.

Sensor

The Exmor image sensor has 24.2 million effective pixels. This is the maximum offered by "mirrorless" with APS-C matrices today.

A sensor of the traditional type is used with a layer of conductors over the photodetectors (frontal "backlight"). However, the conductors themselves are located more compactly within the layer.

Due to this structure, the conductors to a lesser extent "cut off" light on its way to the photocathode layer, and more of it gets into the light-receiving cells than in conventional matrices. This makes it possible to increase the sensitivity of the Sony α6500 to light.

The dynamic range of the sensor is 13.7 stops of exposure - this is a very impressive figure, especially for APS-C sensors - and the working ISO values, according to the same source, reach 1400.

Five-axis stabilization

The Sony α6500 differs from its predecessor and most other non-full-frame mirrorless cameras from other manufacturers in that it has an in-camera 5-axis image stabilization system based on the movement of the sensor.

It serves to compensate for vertical and horizontal shifts arising from shaking hands, as well as turns and deviations of the camera relative to the main optical axis. The efficiency declared by the manufacturer is 5 stops of exposure, which is slightly ahead of the promises of optical stabilization in the best modern lenses and allows the Sony α6500 to compensate for shake when working with unstabilized optics, and created not only for this camera, but also for any other mirrorless, DSLR, rangefinder medium format system, including those compatible with the Sony E mount only with adapters.

Hybrid autofocus

Previously, mirrorless systems used contrast autofocus, which has not yet seen an alternative in the world of smartphones. Contrast detection is the only thing that can be implemented without the need to place special sensors of a different kind on the sensor itself or even install a separate AF matrix. Our ward has implemented a much more effective combined system.

Hybrid autofocus needs to be fast and accurate, perform well in low light conditions and when capturing high contrast scenes.

Device and management

	Front view. The most noticeable detail is the polished flange of the Sony E mount. At 4.5 o'clock to the left of it, the lens release button protrudes from the body. The handle for holding the camera is large, with a good profiling for the fingers. The shutter button, power-on lever and front control wheel are in their usual places, fingers immediately fall where they need to.
	Back view. The most noticeable details are, of course, the display and the viewfinder. Above the screen on the right are the buttons for ejecting the built-in flash, calling the menu and the combined button for exposure memory and switching the focusing mode from automatic to manual. The ends of the main selector of shooting modes and the control wheel are visible from above. The rest of the controls surround a four-way joystick aligned with the selector dial and center select button.
	View from above. Closer to the center are a fully functional hot shoe and a built-in flash. To the right of them are the main shooting mode selector and the control wheel, the programmable buttons C1, C2 and C3, as well as the most important thing - the shutter button and the rim of the camera shutdown lever hugging it.
	Bottom view. Here, as befits a classic layout, the minimum required: a standard tripod mount and a cover for the battery and memory card. The detachable tripod pad does not block access to this compartment and allows you to replace the power supply and memory card without removing the camera from the tripod.
	Left view (in relation to the display). There is a hatch for access to the wiring connectors, covered with a plug.
	If you open the cover of the compartment on the left, then under it you will find Micro-USB 2.0, Micro-HDMI (Type D) connectors and a jack for connecting an external microphone.

The vertical-travel curtain-slit shutter allows automatic shutter speeds from 30 to 1/4000 s. We do not have direct indications of the guaranteed number of its operations.

Thanks to Sony for providing the camera and lenses for testing.

The new Sony Alрha E-mount mirrorless camera family has announced the α6500, which is an improved version of the α6300, which was released in February this year. Outwardly, compared to the α6300, the new product has not changed much, most of the characteristics also remain the same. The most notable improvements have been made to the built-in gimbal and camera control.

At the heart of the Sony α6500 is a 24.2MP APS-C Exmor CMOS sensor with copper interconnects and 4D Focus Hybrid AF with 425 points of phase detection and locks onto the subject in 0.05 seconds. Responsible for image processing are the BIONZ X processor and an auxiliary LSI chip, one of whose tasks is to reduce the noise level at high ISO values. By the way, the matrix's sensitivity range is ISO 100-51200.

The burst speed is 11 frames per second (or 8 frames per second with refocusing and exposure metering for each frame), and thanks to the use of a more capacious buffer, the camera can take over three hundred pictures per burst. The manufacturer's guaranteed operating time for the shutter mechanism is 200,000 operations. The minimum shutter speed is 1/4000 s.

One of the most important features of the Sony α6500 is a 5-axis sensor shift stabilization system with an efficiency of up to 5 exposures. Another innovation is that the display of the model is now touch-sensitive, and with its help, in particular, you can select the focus point. At the same time, its diagonal is 3 inches, the resolution is 921,600 pixels, and the swivel design allows you to tilt the screen up 90 ° or down 45 °.

Other Sony α6500 specifications include support for 4K video recording using the XAVC S codec at up to 25 frames per second, Super 35 mode, OLED XGA Tru-Finder electronic viewfinder, S-Log3 and S-Log2 profiles, and built-in wireless adapters. Wi-Fi and NFC data.

The Sony α6500 will go on sale in November with a retail price of $ 1400.

09.10.2016 18002 Tests and reviews 4

The new flagship of the Sony E-mount APS-C camera line, which will be the development of the Sony a6300, released in February, has been rumored for a long time. But at the loudest photo forum Photokina 2016 such a camera was not presented, obviously the company's marketers decided to separate the announcement from the general background of the exhibition and the Sony a6500 (ILCE-6500) was announced a few weeks after the events in Cologne closed. From its predecessor, the new model inherits the hybrid focusing system, but the a6500 now allows you to select focus points by pointing on the touchscreen or using the viewfinder for sighting. Another innovation is the Image Stabilization System, which compensates for misalignment in five axes.

But let's not get ahead of ourselves, evaluating the innovations of the Sony a6500, and compare its characteristics with the previous model and competitors on the market.

Compare specifications Sony a6300 vs A6500

	Sony a6300	Sony a6500
Image sensor		23.5 x 15.6mm (APS-C) Exmor CMOS
Effective sensor resolution	24.2 megapixels	24.2 megapixels
Image stabilizer	Not	5-axis intra-chamber stabilization
Bayonet	Sony E-mount	Sony E-mount
Photo format		RAW, JPEG (DCF Ver. 2.0, Exif Ver. 2.3)
Video format		4K, 100 Mbps, XAVC S, MP4, H.264, Linear PCM
Frame size	Up to 6000 × 4000	Up to 6000 × 4000
Video resolution	Up to 3840 × 2160, 30p	Up to 3840 × 2160, 30p
Sensitivity		ISO 100-25600 (expandable to 51200)
Gate	1 / 4000-30 s	1 / 4000-30 s
Burst speed / buffer	Up to 11 fps / up to 44 frames JPEG and 21 frames RAW	Up to 11 fps / up to 307 frames JPEG and 107 frames in RAW
Autofocus		Hybrid AF (425 phase points, 169 contrast points)
Exposure metering, operating modes		1200-zone evaluative: matrix, center-weighted, spot
Exposure compensation		± 5.0 EV (in 1/3 EV or 1/2 EV steps)
Built-in flash		Built-in, sync 1/160 sec, guide number 6 (ISO 100)
Self-timer	2, 10 s	2, 10 s
Memory card		Memory Stick PRO Duo / Memory Stick PRO-HG Duo; SD / SDHC / SDXC up to UHS-I
Display	Oblique 3-inch, 921k-dot	Tilting, touch, 3 inches, resolution 921 thousand points
Viewfinder	OLED, 2359k points	OLED, 2359k points
Interfaces	microUSB, miniHDMI, 3.5mm microphone jack	miсroUSB, miniHDMI
Wireless Modules	Wi-Fi, NFC	Wi-Fi, NFC
Power / Resource (CIPA)	Li-ion battery NP-FW50, 7.3 Wh (1020 mAh, 7.2 V) / 400 frames	Li-ion battery NP-FW50, 7.3 Wh (1020 mAh, 7.2 V) / 350 shots
Overall dimensions	120 x 66.9 x 48.8 mm	120 x 66.9 x 53 mm
Weight	404 grams (with battery and memory card)	453 grams (with battery and memory card)
Actual price	$ 998.00 (without lens)	$ 1,399.00 (without lens)

The table shows that the sensor remains the same. The range of sensitivity, the number of phase sensors and other basic specifications have not changed either. But, as we mentioned above, the in-camera 5-axis image stabilizer stands out. It should expand the ability to shoot in low light conditions with an efficiency that the manufacturer estimates at five stops of exposure.

The Sony a6500 finally has a touch screen with a wide range of capabilities: one-touch shooting and setting the AF point, and when framing through the viewfinder, the screen works like a touchpad, allowing you to select the focus area with your finger without taking your eyes off the viewfinder. This is the first time a Sony camera has ever been. At the same time, its diagonal is 3 inches, the resolution is 921.600 pixels, and the swivel design allows you to tilt the screen up 90 ° or down 45 °.

A larger snapshot buffer is also an important improvement. It now allows continuous production of up to 307 frames in JPEG and 107 frames in RAW, while the A6300 was limited to 44 frames in JPEG and 21 in RAW. Continuous shooting speed is 11 frames per second (or 8 frames per second with refocusing and metering for each frame). The speed and storage benefits come from the new LSI technology, which also improves photo and video quality. The manufacturer's guaranteed operating time of the shutter mechanism between failures is 200,000 operations. The minimum shutter speed is 1/4000 s. Improved software interface.

What else has remained unchanged? 4K video recording capabilities up to 100 Mbps are implemented in the same way in both cameras. We hope that the designers managed to solve the overheating problems in the new model. Both cameras use a high-quality OLED Tru-Finder with 2.36M dots, S-Log3 and S-Log2 profiles, and built-in Wi-Fi and NFC wireless adapters. You can use SD, SDHC, SDXC, or Memory Stick Pro Duo cards as removable media.

Externally, the Sony a6500 hardly differs from the a6300, it is the same well-known NEX-6, gradually evolving and finally leaving the NEX control scheme. Although some family features of the first Sony mirrorless cameras remain - in particular, a large selector dial on the top edge and a second ring on the rear panel combined with four navigation keys. The body is now made of magnesium alloy, the grip (not very good, in our opinion, close to the lens) has not changed, the shape of the protrusion and the rubberized coating material do not raise any questions.

The front panel contains a bayonet mount with a lens release button, an autofocus lamp, and an infrared port for the remote control. On the left, under the hinged cover, are hidden miniHDMI, microUSB and 3.5mm audio jack for a microphone. On the right is the NFC pad.

On the top edge you can see a universal multi-interface connector that can work as a traditional "hot shoe". There is also a flash, a mode selector and a navigation selector; closer to the leading edge, you can see the release button with the switch lever, as well as two programmable keys (the a6300 had one). On the bottom there is a combined compartment for the battery and memory card, as well as a tripod socket.

The rear panel houses a tilting touchscreen display, a viewfinder with a diopter adjustment wheel and a proximity sensor, buttons for activating the flash and calling the menu, as well as a customizable lever. Below are the familiar a6300 elements - a function key that invokes the quick menu by default, a five-way key with a navigation ring, a picture playback button and another programmable button (in playback mode, it is responsible for deleting pictures). The video recording start button is moved to the corner.

As for the price of the upgrade, the battery capacity is now enough for shooting 50 frames less, the camera has added a little weight, it has become larger by 4 mm (someone can notice it?) And ... more expensive. Sony a6500 will hit stores for $ 1400, which is significantly higher than the previous model.

conclusions

In terms of consumer characteristics, the previous model is noticeably inferior to the new a6500, and those who want to pay for boosting the previous model a6300 with an enlarged buffer, 5-axis intra-camera stabilization, faster sensor readout speed and reduced noise will certainly be found. And the touch screen will be a nice bonus and the last argument in favor of the new product when buying.

The Sony α6500 is an APS-C mirrorless camera. The model embodies the evolution of the popular NEX family. The cameras of this line were the first to receive the E bayonet mount. The NEX prefix is \u200b\u200bno longer used in the name of Sony cameras, the models that have replaced are called α5000, α6000, α6300. The Sony α6500 is the final link in this chain. An interesting model became thanks to the built-in 5-axis optical image stabilizationSteadyShot , excellent 4D FOCUS focusing system, the ability to shoot 4K video and the presence of a touch screen.

The camera body is made of magnesium alloy, it is protected from dust and moisture - this ensures durability, reliability and performance of the device in difficult conditions environment... This device is not afraid of rain, but it may not survive swimming in a pond. At the first glance at the device, the family traits of Sony mirrorless cameras are immediately recognizable - the chopped edges of the body and small dimensions. There are no spectacular and stylistic elements. The α6500 measures 120.0 x 66.9 x 53.3mm and weighs 453g.

On the front you can find: bayonet lock, lens release button,

self-timer / AF-assist illuminator lamp, microphone slots and grip with rubberized grip. Before coming to the α6500 test, I was sure that such a crumb would be uncomfortable to fit in my hand, but my fears were not justified. Although the grip is small, it is quite comfortable - the hand feels confident when held. The handle quite closely matches the contours of the hand, the phalanges of the fingers have a place to hide. The sharp edges of the case are a little annoying at first, but this is out of habit, after a few days of operation you get used to such rudeness tactilely.

Above: Multi-Interface Shoe for accessories, built-in flash, mode dial, command dial, two user buttons, shutter button with power On / Off switch.

On the right is the NFC tag and the video recording button. She was slightly drowned in the body and made flat. The reason for this inconvenient decision was that the location is at risk and you can accidentally use it by pressing your palm to the grip. The response of the button is poorly felt and you have to check yourself, focusing on the red record indicator. This inconvenience can be solved by giving the recording function to one of the custom buttons on the top panel.

At the opposite end there is a compartment for interface connectors. Under the cap are: Micro USB connector, charging indicator, Micro HDMI and an external microphone jack. The disadvantages include the lack of a headphone output, which would be useful for those who shoot video and are used to controlling the quality of the incoming signal, but in practice, not everyone needs such an opportunity.

The back side meets many elements, most of them are located on the right. Here you can find: flash raise, menu, Fn mode, playback buttons, a customizable user button with a delete function during playback, an AF / MF / AEL mode switch lever, a multi-function control wheel and a center button built into it. The main area of \u200b\u200bthe rear panel is occupied by a tilting LCD touch screen. An electronic OLED viewfinder is installed in its upper left corner. All controls, if desired, can be reached with the fingers of the holding hand. Some elements, although small in appearance, are tactilely recognized and have a clear response without false alarms, except, as already mentioned, the record button.

In the lower part of the case there is a combined compartment for the battery and an SD memory card slot. It is a pity that we did not find a place for the card capture reader on the side; to replace the card, you have to remove the camera from the tripod, which will create certain inconveniences. The battery and memory card compartment cover has an outlet for an adapter alternating currentproviding constant power to the camera. An access indicator is located near the hinge of the compartment lid. Closer to the center, at a sufficient distance from the shaft, the hole for the tripod socket is located, when using the platforms, access to the battery will be open.

Display

Tilting LCD screen with a diagonal of 3 inches and a resolution of 921 600 dots. It deviates only vertically, 90 degrees up and 40 degrees down. This is not the most successful solution, as the rotation system that competitors use in their cameras looks much more functional. First of all, it will upset those who will use the camera to record vlogs. It is also worth considering that there may be inconveniences when working with a tripod, the protrusion of the platform will interfere with the tilt of the screen.

For the first time in an α-series camera, there is a touch panel, but, unfortunately, with reduced functionality. It can be used only for focusing, enlarging the image for viewing and during the installation of additional applications. The brightness of the screen is adjustable, but even the maximum value is sometimes not enough in clear weather. For such cases, the developers have added the "Sunny Weather" mode, which intensifies the display backlight by several steps above the maximum value. Of course, this will noticeably affect the autonomy, but in a situation where it is inconvenient to use the viewfinder, this option will come in handy. It was not without a fly in the ointment, the brightness in high-bitrate video modes is reduced to a low value and cannot be increased. Shooting video with high quality in bright sun will have a hard time.

Viewfinder

The device was equipped with an advanced electronic OLED-viewfinder with a resolution of 2.36 megapixels and a coverage of the field of view of 100%. It is equipped with an automatic brightness adjustment function. The refresh rate of the viewfinder screen can be increased to 120 frames per second - this allows you to easily follow even fast moving objects and brings the overall performance closer to the level of an optical viewfinder. The high refresh rate is maintained even in low light conditions, making framing easier when shooting at night.

The eyecup has a comfortable rubber pad. If you wish, you can remove it - this will make the camera more compact for transportation, for example.

Settings

The menu structure is hard to call convenient, Sony needs to work on this. But, in fairness, it's worth noting that this drawback is covered by the wide customization options. In the settings, ten function buttons, which is a lot, can be assigned a total of 68 functions, which provides quick access to frequently used control options. After taking some time to tweak, you won't have to frequently return to confusing menus.

The “Memory” tab allows you to register up to 6 frequently used camera modes. Two of them, for quick access, are placed on the mode switching disk and are designated as 1 and 2.

The Fn button brings up a shortcut menu of twelve parameters (which, again, can be changed to suit your needs). There is an Application tab in the settings. From here, you can access the camera software download service, PlayMemories Camera Apps. With it, you can expand the functionality of various applications: Time Lapse, Star Trail, PlayMemories Mobile (for remote control for the camera), etc.

Equipment

The α6500 is equipped with a 24.2MP APS-C Exmor CMOS sensor. Thanks to the BIONZ X image processor, the sensor is capable of supporting a wide ISO range (100 to 51,200) for low-noise images. If you need to get great results and not think about artifacts, then you should not go above 3200 ISO. Detail drops and grain becomes more noticeable at ISO 6400.

The combination of the sensor and the processor allows you to shoot in single-frame mode at a speed of up to 11 fps at 24.2 megapixels, with an enlarged buffer for pictures up to 307 JPEG frames and 107 RAW frames.Color depth is processed using 14-bit encoding.

The manufacturer's guaranteed operation of the shutter mechanism is 200,000 actuations. The minimum shutter speed is 1/4000 s.

One of the most important features of the Sony α6500 is its five-axis Steady Shot stabilization system.This makes handheld shooting possible in low light, and also reduces the amount of waste when shooting close-ups. This stabilization is equivalent to reducing the shutter speed to 4.5 stops.

The built-in Wi-Fi adapter in the camera makes it possible to quickly exchange images with mobile devices, publish photos on social networks. NFC technology is used to easily control the main functions of the camera from a mobile device, including the release of the shutter. Built-in Bluetooth adapter is designed to receive geolocation data from compatible mobile devices.

Focusing system

It is not for nothing that this topic has been placed in a separate section. The α6500 has the fastest autofocus among digital cameras equipped with APS-C sensor, based on Sony research (as of October 2016). The number of points of phase detection autofocus - 425, and contrast - 169. New technology eloquently named 4D FOCUS. The symbiosis of the matrix with the processor analyzes not only the location of the object in space, but also the time of movement, which allows you to focus efficiently on moving objects and ensure the clearest pictures.

Dots are distributed throughout the frame at a high density, so no object is left out of sight during shooting. Moreover, the autofocus speed reaches 0.05 s, which makes the camera a world leader in this aspect. Lock-on AF maintains focus on a moving subject. There is also the ability to instantly select the focus point with one touch on the screen. There are settings for the sensitivity of autofocus, which will help in case of rapid movement of the subject. All this greatly expands the creative possibilities for both photographers and video makers.

One of the handy features of the device is the Touch Pad function. By sliding your finger across the LCD touchscreen, you can move the focus point around the frame without even taking your eyes off the viewfinder. The focusing mode is an excellent mark.

Video Recording Mode Capabilities

The camera is capable of recording video in UHD 4K resolutionusing XAVC S codec with a bit rate of 100 Mbps.

The recording format is based on the standardSuper 35 with effective 20 Mp,with full data reading. With the mode recording at 25 fps, 2.4x oversampling works (changing the resolution in pixels). This allows you to record video with high detail and reduced moiré, which is quite important for Bayer-type matrices. So if you want maximum quality - write4K in the PAL standard. Of course, you will not be able to completely get rid of artifacts on very small details, but not everyone can notice them.

The file is written to MP4 container with 4: 2: 0 color subsampling. You can also record in 4K resolution to an external device with a 4: 2: 2 ratio. The maximum shooting time is 30 minutes. During this time, the camera heats up noticeably and may turn off during operation, but before that, a notification about the heating of the camera will appear on the display. The limitation can be removed in the settings, but I would not recommend it - it can negatively affect the operation of the matrix.

Another feature worth noting is the ability to record 120 fps in Full HD resolution. This option is useful for realizing creative ideas, post-processing video can be slowed down by 4 times.

When purchasing this unit, remember that you will need high-speed SDXC Class U3 or higher memory cards to record videos at maximum quality. Considering their cost and the volume of files received from the camera, you will have to spend a lot.

To store and transmit as much of the visual information captured by the camera's sensor as possible, Sony has created Picture Profiles. In them, you can change many parameters that affect the final result. The first six profiles PP-1 to PP-6 apply standard gamut variations, resulting in almost ready-to-use images.

Profiles PP-7 to PP-9 are designed for deep post-processing after the survey. Here, S-Log is used as gamma, which results in a very faded, flat, low contrast image. S-Log2 preserves information better in highlights, and S-Log3 in shadows. If you have no experience with S-Log, then I advise you to experiment first before responsible shooting. It is worth noting that the mode has a feature - the camera fixes the minimum ISO 800, when shooting in sunny weather, you should take this into account and stock up on ND filters.

As we already know, the camera has a decent range of sensitivity, it is limited when shooting video by ISO 25,600. At ISO 6400 the image looks quite edible, for everyday tasks it will do - the result is more than decent, as for an APS-C matrix. Anything shot above this value will be accompanied by a noticeable level of noise and loss of detail.

There is an AUTO option in the ISO settings. The mode works well - the exposure levels out smoothly. This will come in handy when shooting a reportage with difficult lighting conditions.

The focusing system, as in the photo mode, works perfectly and has a lot of active settings: adjusting the speed of focusing and its sensitivity, detecting faces and registering them. The Sony α6500 is arguably the first camera you can trust in video autofocus.

The camera has a lot of settings that are useful for a videographer: zebra, magnifier, Gamma assistants, focus picking. When using a Sony E PZ 18-105 F4 lens

G OSS (equivalent focal length 27-158), the device turns into a video camera. This is facilitated by a versatile focal length and a constant aperture value. The lens was designed with the needs of videographers in mind, so it focuses smoothly and quietly, moreover, the zoom drive is also motorized and silent in the lens. Zoom control can be carried out using a special slider. If you have a fleet of third-party optics, then using inexpensive adapters can expand your creative possibilities.

Autonomy

The α6500 uses an NP-FW50 battery. Its resource is 350 frames per charge using the active screen and about 310 frames when working with the viewfinder. In the active video recording mode, the device will work for no more than an hour. Autonomy is not good, you have to stock up on additional batteries.

A nice bonus is USB charging. When the power is connected, the camera takes energy from an external source (you can use a powerbank), after disconnecting it, it switches to battery power. It is possible to use the AC-PW20 AC Power Adapter, which is sold separately.

The Sony ILCE-6300 camera, introduced over a year ago, has been and remains a great compact solution for 4K video recording. For a complete set, it lacked built-in optical stabilization. The Sony Alpha a6500 has a stabilizer. Moreover, a touchscreen display appeared, as well as a significantly increased buffer, which allows you to shoot long bursts in RAW at maximum speed.

Specifications

Camera type	Mirrorless Interchangeable Lens Camera
Matrix	APS-C type Exmor CMOS sensor (23.5 x 15.6 mm)
Effective pixels	24,2
Total pixels	25,0
Low pass filter	there is
Lens mount	Mount E
CPU	Bionz X
Photo frame size	6000 × 4000, 4240 × 2832, 3008 × 2000 6000 × 3376, 4240 × 2400, 3008 x 1688
Still picture format	JPEG (DCF Ver. 2.0, Exif Ver. 2.31, MPF Baseline compliant), RAW (Sony ARW 2.3 format)
Video frame size	3840 × 2160, 1920 × 1080, 1280 × 720
Video file format	XAVC S: MPEG-4 AVC / H.264, AVCHD: MPEG-4 AVC / H.264, MP4: MPEG-4, AVC / H.264
Sensitivity	ISO 100-25600 (extended range - up to ISO 51200)
Exposure range	1/4000 to 30 s
Exposure metering modes	Multizone, center-weighted, spot, average of the whole frame
Exposure compensation	+/- 5.0EV (1/3 EV, 1/2 EV steps selectable)
Flash	Yes (guide number 6 at ISO 100)
Viewfinder	1 cm (0.39-inch) OLED viewfinder, 2,359,296 dots
Display	Tilting TFT LCD 3.0 inches, 921k dots
Data carrier	MS PRO Duo / MS PRO-HG Duo / MS Micro (M2), SD / SDHC / SDXC (UHS-I)
Connectors	USB, HDMI, microphone jack (3.5 mm)
Additionally	Wi-Fi, IEEE 802.11b / g / n 2.4 GHz, NFC, Bluetooth 4.1
Nutrition	Li-ion battery NP-FW50, 7.3 Wh
Dimensions, mm	120.0 x 66.9 x 53.3
Weight, g	453 (with battery and memory card)

Appearance

All Sony mirrorless cameras with APS-C sensor are extremely similar to each other (except perhaps the Alpha a3000), and in the case of the a6300 and a6500 models, it is extremely difficult to find differences at first glance, because their body panels are extremely similar, and most of the controls are identical. Of the differences, only two additional programmable keys are striking, installed between the mode selector and the shutter button. And the presence of the touchscreen layer of the display in the ILCE-6500 model is completely invisible.

The main thing is that the body of the tested mirrorless camera, traditionally for the 5000/6000 family, is thin and light, even though it added about 50 grams. Magnesium alloys are actively used in the construction of the case, which is the norm for cameras from the middle price segment. The build quality is impeccable and there is nothing to complain about.

In front, in addition to the bayonet, there is an autofocus illumination lamp, a pair of microphones, and an IR receiver window. The latter seems to be an archaism, especially in light of the presence of Wi-Fi, NFC and Bluetoth modules, but Sony is in no hurry to get rid of it.

On the back side, most of the surface is occupied by an inclined display. Above the display there is a viewfinder, a key for entering the main menu, and a key for a mechanical lock of a lifting flash. On the right side of the rear panel, most of the controls are concentrated, namely: the AE / AF lock key, surrounded by the operation mode selection lever, keys for entering the quick menu, switching to viewing mode, deleting, as well as a round four-position multifunctional key, which is also the second control dial with the enter key in the center.

Above is a hot shoe, a pop-up flash, a circular mode selector, a main command dial, a pair of programmable keys and a shutter button surrounded by a power lever. The bottom is pretty familiar and boring - a tripod mount, as well as a cover for the battery and memory card compartments. The latter is a little surprising, because the cost of the camera is considerable, and the manufacturer did not endure the slot for installing a memory card on the side surface. Apparently, the hotel slot fell victim to the struggle for the thickness of the case.

On the left side surface, you can see the system speaker, as well as a spring-loaded cover that hides the connectors for connecting the USB and HDMI cables, as well as connecting the microphone. On the right side surface, only the video button is installed.

Display, viewfinder and user interface

The camera uses a 2,359k-dot OLED viewfinder with a diagonal of 0.39 inches (1 cm), i.e. exactly the same as in the case of the Sony ILCE-6300. The viewfinder is complemented by a proximity sensor that automatically switches between display and viewfinder. But the delay in switching is quite noticeable. The brightness of the viewfinder can be adjusted in both manual and automatic modes.

The display of the tested camera differs from the a6300 only in the presence of a sensor layer. Unfortunately, touch control functionality is limited to focus point selection, zoom and movement of the zoomed area when reviewing the captured image and manual focus, as well as in installed applications.

Otherwise, everything is the same - a similar inclined design and exactly the same 3-inch LCD matrix with a resolution of 921 thousand points. When sighting through the viewfinder, the touch surface of the screen remains active, and in the settings you can choose the size of the active area: the entire screen, the right half or the lower right quarter.

The viewing angles of the display are very large and the color reproduction is also excellent. At the maximum brightness level of the backlight, the luminosity of the white field is 468 cd / m2, and the luminance of the black field is 1.06 cd / m2, which gives a static contrast ratio of 442: 1.

In terms of displaying information, there are comments only to the oleophobic coating, or rather to its absence. In the case of the ILCE-6300 model, this is not so critical, but the tested camera has a touchscreen display, so it is instantly covered with prints.

The camera's quick menu has remained unchanged, but the main menu has been slightly modernized due to the huge number of options available. Firstly, one more tab for photo shooting settings was added, and secondly, the number of sub-items was significantly increased (14 in the first tab and 9 in the second against only 7 in the menu of the ILCE-6300 model). As in the case of the younger model, it is possible to customize the quick menu and physical keys. In order not to describe each item, below are the screenshots.

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Features and additional functions

Among competing cameras, Sony solutions stand out for a huge number of additional features that are integrated into both the most affordable and flagship solutions. The tested camera was no exception. There is a function of shooting panoramas with high resolution and automatic stitching, multi-frame noise reduction, HDR mode, program increase dynamic range, face detection with the ability to register, and automatic shutter release when a smile is detected. However, now all this is even in smartphones, so it does not cause much delight, as in the days of Sony NEX 3 and NEX 5.
The presence of Wi-Fi, NFC and Bluetooth 4.1 modules can be considered a plus, but these modules are increasingly appearing even in budget DSLRs, so you won't be able to flaunt it. But not so many cameras can boast of a built-in 5-axis stabilizer with a declared efficiency of 5 EV. However, at Olympus OM-D The E-M1 Mark II is rated at 5.5 EV for the 5-axis gimbal, but the cost is much higher. Also impressive is the huge number of phase focus sensors integrated into the matrix, namely 425, and the sensors cover almost the entire field of the frame. Another important feature is the large image buffer, which allows you to store up to 307 full-resolution images in JPEG format (Fine compression) with focus and exposure tracking.

Camera in operation

Powering up and getting the camera ready is still the Achilles' heel of mirrorless cameras. Some are able to take a picture in half a second, and for some, even a second is not enough, while for DSLRs, measuring the duration of preparation for work is a completely meaningless task, because this time is extremely short. In the case of the tested camera, the first shot can be taken in 0.28 seconds, which is a relatively good result.

The speed and duration of continuous shooting are much more important, and here the Sony ILCE-6500 has something to please. The maximum speed is 11 frames per second (Hi + mode), and the burst length when shooting in JPEG (high quality) with continuous AF / AE tracking and 8 frames per second (Hi mode) is an impressive 307 frames. Our technique involves the use of RAW, JPEG with the best quality (Super Fine) and RAW + JPEG at the fastest available speed, i.e. 11 frames per second. The result was amazing - 107 frames in RAW, 100 in RAW + JPEG and 228 in JPEG. Thanks to the huge buffer capacity, the duration of continuous shooting at maximum speed depends little on the write speed of the memory card. But writing such a huge amount of data from the buffer to a slow card takes too long, so it's better to use fast cards. Unfortunately, there is no SDXC UHS-II support. It is worth noting here that the Sony Alpha A6300 was able to shoot a series of 20, 23 and 45 frames, respectively, in similar conditions.

In press releases, the manufacturer actively focuses on the extremely fast autofocus and a huge number of focus sensors, namely 425, which no competitor can offer. However, the a6300 has the same number of focus points. The number of contrast detection zones in related cameras is also identical - 169 each. When tested according to the CIPA standard, autofocus copes with the task in 0.05 seconds, but our method is slightly different. With the Sony E 3.5-5.6 / PZ 16-50 OSS lens, the tested camera was able to aim at the subject in 0.25 seconds, which is by no means a record. It is noteworthy that the younger model Sony a6300 in the same conditions was able to focus in 0.28 seconds. The difference is so small that it can be attributed to the measurement error.

Unfortunately, ultra-high sensitivity autofocus is not declared. The working range of autofocus is -1… + 20 EV, i.e. exactly the same as in the case of the a6300. When tested according to our method, the Sony Alpha a6500 was able to focus at an illumination of 0.76 lux, and the younger a6300 at an illumination of 0.77 lux. And this is only slightly less than -2 EV (0.625 lux). But in any case, competing solutions from Olympus and Panasonic have significantly higher autofocus sensitivity - from -4 EV.

When focusing manually, the user has three assistants at once: a simple distance scale, the function of increasing the focusing area (focused magnifier), as well as illumination of the edges of sharpness with the ability to select the mode of activity of the function and the color of the backlight. It is noteworthy that the automatic focusing process can be started when the “manual focus” mode is set using the dedicated key. Moreover, autofocus can be initiated even when using a focused magnifier.
In terms of ekpopara installation modes, everything is the same - a standard PASM set is available. But in terms of the choice of metering modes, the a6500 is slightly different from the a6300. In addition to the standard modes, there are options for setting "average over the entire frame" and "selection". The latter mode ensures the correct exposure setting when shooting brightly lit areas or bright light sources. The exposure bracketing settings do not differ from the a6300 at all. You can shoot from 3 to 5 frames in 0.3 / 0.7 / 1/2/3 EV steps and up to 9 frames in 0.3 / 0.7 / 2 EV steps. Under laboratory conditions, under fluorescent lighting, metering error does not exceed 0.05 EV. Such a tiny error is difficult to notice even when compared with the standard. However, with complex mixed lighting or the presence in the frame of zones with a large difference in brightness, you have to select a suitable exposure metering mode or enter manual correction.

Noises

The sensitivity level range is the same as that of the younger model - from ISO 100 to ISO 51,200, with the standard range limited to 25,600 ISO equivalent units. The camera provides the already familiar function of multi-frame noise reduction, but it only works when shooting in JPEG format.

click on thumbnails to view full size

In the numerical representation of the noise level, the opponent was the Canon EOS M5, which, like the hero of the material, is equipped with an APS-C sensor. As you can see in the graph, when shooting in RAW in the entire sensitivity range, the difference between the opponents is small. The camera under review shows a slight jump in the graphics when shooting in RAW. When the sensitivity was changed in the range of ISO 100… 6 400 by one step, the noise level changed by approximately 3 dB, and the difference between the values \u200b\u200b6 400 and 12 800 was 1.7 dB. This leap is clearly achieved through hidden software processing. In principle, there is nothing wrong with that, because at such a high sensitivity one cannot do without noise cancellation, but still this is not entirely fair. When shooting in JPEG with disabled noise reduction, hidden noise reduction is present in the entire range, and as the sensitivity increases, its activity is unstable, but still grows on average.

Stabilization

One of the main differences between the tested camera from Sony ILCE-6500 is a 5-axis stabilizer built into the carcass with a declared efficiency of 5 EV when tested according to the CIPA method. This is not the best result, but no one can provide better among cameras of comparable cost. The opponent was the much more expensive Olympus OM-D E-M1 Mark II, which is also equipped with a 5-axis stabilizer, but with a declared efficiency of 5.5 EV.

Flash

The camera under test has a built-in flash, but the guide number is extremely small - only 6 at ISO 100. Flash settings are extremely poor. The power divider is not provided, but there is a power correction function in the range of -3… + 3 EV in steps of one third. The operating modes are quite standard: fill-in, slow-motion sync on the first or second curtain, as well as the mode of wireless sync with external flashes. Unfortunately, the latter mode is not compatible with the built-in flash. Considering that a low-power built-in flash is of little use for anything other than synchronization, its presence is essentially meaningless.

But there is also cause for joy. For Sony cameras, there are a lot of relatively inexpensive report-grade flashes from Chinese manufacturers, including automatic TTL solutions. The flagship speedlights with high power, pivoting head, reflector zoom, high-speed sync and built-in radio sync start at $ 119. Only Canon and Nikon devices have such a pleasant bonus among mirrorless cameras, and even then only due to the compatibility of "hot shoes" with the lines of DSLRs of these manufacturers. But in the case of Panasonic, Olympus and Fujifilm, a reportage TTL flash will have to pay many times more. Of course, Sony's own solutions are also expensive, but users of cameras from this manufacturer have a choice.

Sample photos

Video recording mode

The opposition of mirrorless in video mode is tough, but there are only two main players here - they are Panasonic and Sony. For Sony, a good breakthrough in terms of video shooting was the ILCE-6300 model, which supports 4K video recording, supports gamma S-Log2 / S-Log3, has a "zebra", provides video output to HDMI with color subsampling 4: 2: 2 for recording with an external recorder, but this camera does not have built-in stabilization and a headphone jack. The Sony ILCE-6500 has stabilization, like the more expensive Panasonic DMC-GH5. Of course, this problem can be solved by connecting an HDMI-DVI + mini-jack adapter, but this is at least inconvenient.
The Panasonic DMC-GH5 is also capable of recording 4K video at 60p, while the tested camera is limited to 25 frames per second. In addition, the maximum video bitrate does not exceed 100 Mb / s, while even the Panasonic DMC-GH4 has 200 Mb / s, and the newer Panasonic DMC-GH5 in the second half of 2017, the manufacturer promises a data stream of up to 400 Mb / s ... In addition, Panasonic's flagship camera is capable of recording 4K / 60p 10-bit video with 4: 2: 2 color sub-decoding to an external recorder, while the hero of the material is limited to 4K / 25p, 8-bit and 4: 2: 2 ratio. Among the disadvantages of the video mode, it is worth noting a decrease in the brightness of the display backlight when shooting video with a high bit rate, which is very inconvenient when shooting on a sunny day.
Another important point is autofocus sensitivity, which is more tenacious in low light with competing Panasonic solutions. In general, the tested camera, albeit significantly cheaper than one of the main competitors, but in video mode loses even to its predecessor, which, in turn, is much cheaper. Among the advantages of the Sony ILCE-6500, we can note less noise due to the larger sensor size, which is important when shooting in low light, as well as a wider dynamic range.
An example of a video recording in the dark. XAVC S 4K 25p

Sample XAVC S 4K 25p movie recording

Sample XAVC FullHD 50p Movie

Sample AVCHD FullHD 50p movie

Sample MP4 FullHD 50p video

Autonomous work

The camera uses an NP-FW50 battery with a capacity of 7.7 Wh (1080 mAh), which when tested according to the CIPA standard is sufficient for shooting 350 frames. For comparison, the Panasonic DMC-GH5, when tested using the same method, is capable of shooting 410 frames. But here you shouldn't forget that this camera is much larger than the experimental one, which makes it possible to use a more capacious battery (13.3 W * h). In real conditions, the camera was able to shoot up to 480 images, of which a third was shot in series of 30-40 frames. The charge level indicator with the ability to display in percent works accurately, and even after a half-hour cold test in the freezer, the indicator readings remained accurate. In Movie mode, you can shoot 105 minutes of video, but the length of each clip is limited to 29 minutes. The battery can be charged both in an external charger and in the camera body, therefore, when working in the field, you can replenish the charge using an external battery (power bank).

Conclusion

Sony Alpha a6500 in photography mode easily copes with the main competitors, although it is inferior in terms of autofocus sensitivity. In the video mode, the victory is with Panasonic solutions. But do not forget that the tested camera is much more compact and lighter, which is extremely important for non-professional use as a camcorder with a minimum of additional attachments.

Minuses:
- no oleophobic coating of the touch screen;
- work of autofocus in low light;
- automatic dimming of the display backlight when shooting video with high bitrate;
- no headphone jack.
Pros:
- compact and lightweight body;
- quality materials and assembly;
- touchscreen;
- long-term continuous shooting at high speed;
- high quality video.

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