Music editor profession. Creative professions: sound engineer and music editor. Learning new material

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The music editor profession arose with the advent of broadcasting and television. The first professionals were engaged in the selection of compositions for various programs, and also tracked their ideological orientation.

In the modern sense, this specialty appeared in Russia in the 90s. Now she is very popular. There are more and more artists and composers, and opportunities for creating and distributing music are also growing. Therefore, people are needed who are able to process and promote the material to the masses. This activity is well suited for creative people with an entrepreneurial streak.

Description of activity

The boundaries in which a “music editor” can apply his skills are vast. Thus, his competence will be useful when planning concert programs and releasing new songs. You can find a job on the Internet: for example, in digital store or music service, posting compositions for subscribers. Many radio stations require professionals, and each company has its own format, which dictates the choice of appropriate audio recordings. Music editors who know how to use sound to create a certain atmosphere are needed in film studios and TV channels. As you can see, the question of finding a job is easily solved, and a vacancy can be selected depending on preferences.

Wage

average for Russia:average in Moscow:average for St. Petersburg:

Job responsibilities

The duties of a music editor vary by location. He can, without leaving his home, place tracks in playlists on websites and in in social networks, or fully plan the release of compositions on the air of the radio station. While working on television, the editor deals with the sound design of programs, the selection of video clips, listening to participants in various castings, and tracking new artists. In any case, he needs to constantly monitor the release of audio novelties, determine the frequency of the appearance of songs on the air, compile various ratings, prepare concert programs and participate in rehearsals, develop a repertoire for singers.

Features of career growth

Opportunities career growth for a music editor are wide. Former DJs, journalists, radio station employees, bloggers come into the profession, who, with the ability to understand pop art and genres, grow into world-class producers or editors. But behind a big name there is always hard work: listening to hundreds of tracks a week, working with aspiring artists, organizing various castings, studying the audience. It turns out that a successful editor has to connect his whole life with music, but in return he will be able to control the mood of the population of an entire city or an entire country.

Employee characteristic

The work of a music editor requires good taste and hearing, as well as an understanding of the basics of arranging and pop art. Will help higher education in the artistic field. Excellent knowledge of a computer and a foreign language is also useful. Required personal qualities: clear diction, attentiveness, creativity, energy, sociability and patience. This profession is hardly suitable for uninitiated, passive people without organizational skills. In addition, it is important to have a subtle musical instinct, that is, to know in advance which composition can become a hit.

Hello to all readers of the blog site! Today I propose to consider another option for working from home.

The profession of an editor is not easy, but interesting, for creative people. It is also for the purposeful, ambitious, with organizational skills. In the article, we will analyze who an editor is, how to become one, what a specialist does and how much a specialist earns. So let's go!

To begin with, this is one of the oldest professions. With the development of printing, there was a need for text editing. There was a need for a person who would monitor the literacy of the printed word, its correct addition into sentences, clarity and interest for the reader.

Over time, editing covered all areas of stylistic activity. Work in the field of literature, the media is not possible without the participation of the editor. Newspapers, magazines, books, articles on websites, before reaching the eyes of the reader, pass through the hands of this specialist.

Editor - who is he and what does he do?

The name of the profession originates from the Latin "redactus", which means "put in order." What does the editor do? Of course, text. He is responsible for preparing it for publication.

This process includes:

selection of exciting and relevant topics,
content tracking,
adjusting the content in accordance with the requirements of a particular genre,
editing and finalizing the finished material.

But not only that. The editor combines the skills of a journalist, and even . This is also a manager / manager, because he has to deal with authors, publishers and other services.

Varieties of the profession

Editor is a creative and multifaceted profession. It all depends on what profile you want to create in, what kind of editor you want to become:

literary (editor of a book publishing house) - to be responsible for the artistic component of the text, its stylistic design, expressiveness of speech;
artistic (bild-editor) - to design the publication, its aesthetic content;
scientific - consult and edit popular science and educational works;
technical - to control the correctness of writing the text, to be responsible for the technical process of the route: editorial office - printing house;
the main thing is to manage the publishing department, control the direction of activity, be responsible for all the work of the publishing house.

The development and popularity of the Internet made it possible to do all this remotely and lifted the veil over another kind of profession - the editor of an electronic publication / website editor / content editor.

The functional features of the latter differ only in that all work is carried out online, and publications are presented to a wide readership in electronic form.

What are the responsibilities of an editor?

There is an opinion that the main and only responsibility of the editor is to edit the printed text. A deep delusion, because without a special education, a gift for writing texts and understanding styles of speech, without innate or acquired literacy, you will not become a professional.

Editorial work is not an easy creative process, and you won’t get into this position just like they say “from the street”, you need to have certain skills and be able to perform certain duties.

Editor's Responsibilities:

Work with printed material, first of all: compliance with the requirements of the genre and style, correction of speech defects and errors in the text, paraphrasing of incorrect phrases/words, etc.
Creation of the main concept of the project, which includes the definition of the general direction of activity, topics, titles of articles, tasks for authors and control over the deadlines, analysis of the material, quality control, and, if necessary, finalization and editing of edited materials.
Assistance in solving various issues: artistic, as well as technical design of the material before preparing it for publication.
Fulfillment of managerial tasks.

This is not the full range of duties. It can be supplemented, expanded or, conversely, reduced depending on the staff features, the presence or absence of specialists, as well as the concept of the editorial office / organization / site.

Important professional qualities

Who can become an editor? Who is suitable for this profession? What qualities should a person who wants to become a professional in this field have?

Alas and ah, many will have to be upset: not everyone who already sees himself in the editor's chair can succeed. It is necessary to have many personal qualities on which the result of the work will depend.

responsible
attentive
hardy
creative,
sociable,
literate,
erudite,
emotionally balanced and stress-resistant,
have organizational and public speaking skills,
have an analytical mindset and a good memory,
love to read
good computer skills,

this job is for you. If you don’t have any of the listed qualities, it doesn’t matter, “there is no limit to perfection” - you can develop them in yourself if you wish. Experience in journalism, pedagogical activity in the field of philology, knowledge of languages will be an excellent help. And most importantly, love what you do.

A purposeful, self-confident professional, having behind him a solid store of knowledge and skills, will not be unclaimed.

Pros and cons of the profession

As in any other profession, being an editor has its pros and cons.

The positives include:

moral component

The publication of the next edition brings joy and satisfaction from the work done. The work itself, whether it is an article or a book, entails the formation of opinions, attitudes, tastes and preferences of readers. Much of this is due to the editor.

The ability to work remotely in seclusion with a computer, author's material and linguistic splendor, to be first in line for a masterpiece.
Constant self-development and improvement. Working with the educated intelligent people- a powerful incentive for self-education, knowledge and realization of their capabilities.
“A good increase in pension,” as Lenya Golubkov said from the once sensational MMM advertisement, that is, your ability to write and edit gives you an excellent opportunity for a side job.
Career prospect.

The disadvantages, first of all, include medical contraindications:

vision restrictions,
diseases of the musculoskeletal system,
diseases of the nervous system.

numerous stresses due to the large amount of work within the framework of a hard,
high responsibility,
big competition.

The profession is in high demand, because editorial organizations, Internet resources are rapidly developing. More and more new projects appear every day, and the need for competent and timely editing increases significantly.

How much can you earn

A question that is difficult to answer unambiguously. The editor's fee may depend on many components: education (it must be the highest philological or journalistic, in extreme cases, pedagogical), qualifications, place of work (which is very important), your experience, the complexity of the projects being carried out, related skills (knowledge foreign languages, for example), etc.

An important factor affecting the level of income is a lot of competition. It is clear that the prestigious publishing house of a newfangled magazine or the editorial office of a book publishing house are more competitive and salaries there are many times higher than the editorial office of a district periodical or an electronic publication.

If you are specifically interested in numbers, then on the World Wide Web they range from $ 300 to $ 1,000. How much you will earn depends only on you and your desire.

Employment

How to become a remote editor? As mentioned above, without experience, no one will entrust you with their project. Usually a career begins with work, as the level of professionalism in this area increases, you can already count on the position of editor.

You can set up just like any other remote work, search and respond to vacancies .

Conclusion

Everyone, I think, made a conclusion for himself. A job that allows you to combine business with pleasure, turn a hobby into a source of income.

If you are seriously thinking about doing this job, then here are some final tips from already established pros in this niche:

to "get your hand" in the editorial craft, do not limit yourself to one thing, work in various genres, focus on your target audience;
do not leave facts unchecked;
learn to work with a large amount of information;
master the rules of spelling (remember: the editor has no right to make a mistake!);
study the computer (master the programs necessary for editing);
develop ;
the site editor needs to know;
constantly improve by reading cognitive literature, expanding your horizons.

“Oh, this is not an easy job…” Well, who said it would be easy? But then it will be nice to show off your ability to turn even the most boring article into a masterpiece.

That's all, friends. I hope the article was useful and interesting for you. Share your opinions, thoughts. I look forward to your comments. See you on the blog pages.

It would seem that classical music is a narrow area of activity for a select circle of people. In fact, there are quite a few professional musicians in society. This is not surprising, because hundreds of millions of people on the planet listen to music, and music must come from somewhere.

Today we will talk about where musicians work, and we will name the most common musical professions. If earlier, only about 200 years ago, a professional musician had to be universal, that is, be able to play several musical instruments at once, compose music and improvise, promote their own compositions for performance on stage, but now all these functions are divided between different specialists -musicians.

Music creators - composers and arrangers

First, consider the group of musical professions that is associated with the creation of music. This composers and arrangers. Composers write music for songs, performances, films, as well as for performance in concert halls.

Despite the fact that many popular musical compositions are created using computer programs, composer's music does not lose its relevance, if only because it is the composers who ensure constant progress. They are “inventors”, and until some cool feature is invented by a trained composer, it will never appear in electronic programs to create music.

Arrangers help distribute composer's music - these are people who prepare music for performance by a group of musicians. For example, there is a cool song for a vocalist with a modest piano accompaniment, an arranger can remake it so that it can be performed, for example, with such a line-up: 3 vocalists, guitars, flute, violin, drums and keys. And from this, the song should somehow embellish, and at the same time not lose composer originality - this is the professionalism and element of co-creation of the arranger when working with the original version of the composition.

By the way, both composers and arrangers actively use various ones in their work. Before the advent copying equipment and special music editors, another old profession was widespread - music copyist, the modern analogy is music compositor on computer, music editor.

Music performers - singers, instrumentalists and conductors

Now let's see what musical professions exist in connection with the performance of music. Music can be vocal (that which is sung) and instrumental (that is played). It is clear that among musicians there are soloists(perform alone - for example, pianists, violinists, singers, etc.) and those who take part in various forms ensemble playing or singing (any musicians)

The types of ensembles are different: for example, several musicians can be combined into a chamber ensemble (duets, trios, quartets, quintets, etc.), pop groups can also be included here. Members of these associations chamber ensemble artists. There are larger associations - a variety of orchestras and choirs, and hence such musical professions as choir artist or orchestra member.

Orchestras and choirs are either independent musical groups, or large groups of musicians serving performances in theaters, church services, or, for example, a military parade. Naturally, in order for the playing of the orchestra and the singing of the choir to be harmonious, the teams need leaders - conductors.

Conducting is another important musical profession. Conductors are different. Actually conductors- these are the leaders of orchestras (symphony, variety, military, etc.), choirmasters work in secular choirs, and regents run church choirs.

Assistant conductors in the orchestra are concertmasters- musicians responsible for the quality of the playing of an orchestral group (for example, violin accompanist or brass accompanist). The concertmaster of the entire orchestra is the first violinist - before the start of the game, he bypasses all the musicians and, if necessary, corrects the order of the instruments, and if necessary, he replaces the conductor.

The word accompanist has another meaning. Concertmaster is a musician (most often a pianist) who accompanies singers and instrumentalists (as well as their ensembles) during performances and rehearsals, helps soloists learn their parts.

Musicians-teachers

Schools, colleges and conservatories work musician teachers who dedicate themselves to educating future professionals. You can read a separate article about what is taught at a music school -. In ordinary schools and kindergartens, those who educate with music work - music teachers and music directors .

Music organizers and PR people

These are people who promote music projects - art managers, producers, impresario- they are not always musicians by education, but they are well versed in talents. To the same group belong entertainer - hosts of concerts and themed evenings.

Musicians in media, radio and television

Many musicians work in this area. This TV and radio hosts, journalists, reporters. This is due to the fact that a lot of music and entertainment programs are broadcast on television and radio. In creating products for a mass audience (films, programs, music albums, etc.), sound engineers.

Other musical professions

There are many other professions related to music. Some scientific bias acquired professions music critic and musicologist. Applied character are such musical professions as piano and grand piano tuner, master of making and repairing musical instruments, creators of computer music programs etc.

Here is a far from complete list of those professions that are somehow connected with music. Special musical education is received in colleges and conservatories, as well as in the music faculties of pedagogical universities and cultural institutions. However, not all people working in the musical field are equally important to obtain a diploma from the conservatory, the main professional quality there is and remains a love for music.

Creative professions always seem attractive to people and, as many believe, do not require any effort. But this is fundamentally wrong, specialties of this kind require talent - because without it it is difficult to create masterpieces. And professions related to music are no exception. For the majority, there can be only one musical profession - a singer or a musician. Someone can still remember about the composer. In fact, work in the music industry is not limited to these well-known specializations. What are the professions associated with music? Their rather large variety, which is not limited to some singers and musicians. Below the reader will be presented with a list of professions related to music.

Music performers

These are those who convey to the listeners the meaning of the musical work. These include representatives of the following specialties:

Singer. This is probably one of the most popular professions related to music. A singer is a person who, with the help of his voice, conveys to the listeners the content of a musical work. The voice is his working tool, so he must be able to master it perfectly. It is not enough just to have good vocal abilities by nature - you need to purposefully work on your vocal cords so that the performance of the composition remains in the hearts of the listeners for a long time.
Musician. If for a singer his instrument is his voice, then for a person of this profession it is absolute pitch and the ability to play any musical instrument, as a result of the game on which people hear the music.
Conductor. This is one of the difficult professions associated with music, because the quality of the performance of a piece of music depends on how he manages a group of musicians or vocalists. After all, his task is not just to manage the performers, but to convey the meaning of the composition. The conductor must have perfect pitch and organizational skills.

Music Makers

In order for performers to have something to perform, it needs to be created. And here the musical society cannot do without representatives of these wonderful professions:

Composer. This is the one who writes music, conveys his emotions through notes. Some compose while at the instrument. Some prefer to write notes. If you cannot live without music, if you want to communicate with the world through it, then the profession of a composer is for you.
Arranger. This specialization is remembered less often than the above. This is the person who processes the sound of the composition. An arranger can make a real masterpiece out of an uninteresting thing, but for this he needs some composer skills. Also, it is this specialist who can give, for example, a classic work a rock sound.
one of the most popular professions among young people related to music. Progress does not stand still, including music. A DJ, using special equipment, mixes, i.e., mixes several compositions and creates something new.
it can be said, a combination of skills from the last two specialties. A person doing sound engineering various techniques creates new image sound, which can then be used in films, performances.

Music teachers

Of course, one cannot do without music teachers. After all, for all professions related to music, you need to have the necessary skills and abilities that only a teacher can give. In addition to voice training, learning to play instruments, people in the musical field must be well erudite and understand musical directions. All this knowledge is given by music teachers.

Specialties with a technical and scientific bias

It is also worth mentioning the following professions:

Sound engineer. Thanks to him, all the musical equipment that is available on stage, film sets, works, and listeners can enjoy excellent sound.
Musicologist. It's pretty rare profession, considering the musical sphere from a scientific point of view. These specialists are engaged in the development of musical theory, its systematization and the solution of various musical issues.

Listed above are 10 music-related careers that may seem the most interesting. As in any creative field, you cannot create beautiful things without having talent. But even a wonderful idea can not be properly implemented due to lack of knowledge. Therefore, musical professions need to be trained if you want to connect your professional activity with music.

Where do they teach

Music specialists are trained in conservatories, philharmonics, special musical institutions, faculties. It is necessary to study for all the professions listed above, which will allow you to become a real professional in the musical field in the future. The main thing is to remember that the creation and performance of music is, first of all, an art that should bring spiritual harmony.

As part of the special project MediaProfi » Artyom Samoilov, music editor of Radio ROKS, toldMediaBusiness about the technical and creative side of the work, about who decides the fate of Beyonce on the air and where people come from in the profession of music editor on the radio. Recall that the first cycle of "MediaProfi" dedicated to the topic of radio and implemented jointly with the Radio Committee.

There is an opinion that a music editor is exactly the person who decides what will sound in this hour, for example.

Well, it's too big a statement that I decide the fate of Beyonce on the air (laughs). In any case, each radio station has a certain set of music and a set of rules according to which it gets on the air, that is, it is rotated. Of course, it is not specifically written anywhere that the Rolling Stones must be on the air at the tenth hour. But there is some rule according to which 10 songs can get into this hour and the first in line is the Rolling Stones. So she gets on the air. In the next similar situation, the song that is second in line, and so on, will be aired.

- Who creates these rules?

Station management, including the music editor. We define our objectives and decide what we need to achieve them. But even with the same rules, as I said, different people will create different sounding stations.

Where do people in your profession come from? Do they train music editors in our country?

So historically, it probably happened that they coped without professional courses and educational programs. During the early days of the industry, early music editors operated almost blindly. Now the radio stations have gained experience and requirements for the profession and the air. And we are self-taught, because it has become easier to find out what people are doing in the same States where they have been doing commercial broadcasting for thirty or forty years. They come here and share their experience. Yes, and among ourselves in Kyiv, we communicate in the profession. It happens that you have a problem that needs to be solved. And a colleague ran into her earlier and he has turnkey solution, simple and classy. Or, on the contrary, someone says: we have a problem, we are fighting - we can’t do it in any way. And you say - yes, it's easy, 15 minutes - and you're done, because you already know how. Of course, a good music editor, tech-savvy, will solve any problem. However, if there is a ready-made solution that will save time and effort, then why not use it? It turns out that there is training, but not classical. And through the exchange of experience within the profession.

- How did you get into the profession?

Like 90% of music editors, I used to work in radio. First - the host of the broadcast, then - in other positions. Once a situation arose when a music editor quit, and it was necessary to look for a replacement for him. For me, this job was interesting and technically simple, since I am a programmer by education, and I had experience with programming. The management offered to try myself in this direction, and I agreed.

I had a feeling before the interview that a music editor is a creative profession, and we are talking about programming ...

Creative, of course. Just on the one hand, programming is a set of clear rules by which the radio station air is built: we take this, this and this, and combine it. And, already if you approach this globally, it's not such a big difference whether you program the site with scripts or broadcast with songs. It's all programming, planning.

On the other hand, it is a creative process. As in cooking, there is a recipe and there is a chef. Two different chefs from the same ingredients can, after all, make, if not completely different, then certainly very different dishes from each other. So we have - there are rules, but according to these rules, two different music editors can make two completely different stations.

At that time, programming was not new to me. Only in addition to developing programs, I also took up on-air programming. It's very interesting actually - you program the broadcast, and then you hear how it all sounds. I won't say it was easy, but it was very interesting.

- And how did you first learn the profession of a music editor?

Learned in several ways. At that time, I already had colleagues, acquaintances, friends who worked as music editors for a long time. And the first time I really bothered them. In every job there is a standard “rake” that all newcomers have stepped on, are stepping on, and will step on. And which are better, if possible, to bypass.

- For example?

Basically - some technical points, rules. But how to do it? How about that? Someone came to this with their mind, bumps and experience over several years. I tried to skip this stage with minimal losses.

- And what are these moments, the rules?

For example, how often can we put on this or that song, what kind of music we put on in the morning, what kind in the evening, and so on.

BBC legend Tony Blackburn, in an interview in honor of his anniversary, lamented that the list of songs for rotation by British broadcasters is very narrow, that it needs to be expanded. How limited are our radio stations in this matter?

We have it, let's say, optimal, this set of songs in the playlist. Optimal both to feel the variety, and, at the same time, to meet the expectations of the radio listener. Much depends, of course, on the radio station. For example, I do not welcome "random songs".

- In what sense - "random"?

This is when the song gets aired according to the criterion "too good song", "let it be". Sometimes you listen to the radio and you can’t understand why this song appeared here, in this particular place on the air of this radio station. It seems to be not bad, well sung, well-mixed, but the fact is that the listeners of this station somehow don't really need it - that's what they need. And we are trying to balance between making the broadcast recognizable and not becoming monotonous. It is important to get each song in the expectation of the listener, no matter if it is new or old. Of course, you can always push yourself into limits that will bother you, or vice versa - expand them so much that the station will no longer be recognizable and, as a result, beloved.

What are the requirements for the work of a music editor today? Knowledge of music, knowledge of technology, knowledge of the basics of programming ... What else?

Technical education, in fact, is not required at all. It turned out so well that I had it and yes, in some moments it turned out to be easier. But there are plenty of examples when people with liberal education work in this profession and make radio stations certainly not worse. The technical part can be learned.

And yet, if you had to select a person for the vacancy of a music editor, what would be your requirements for the candidate?

I would insist on the experience of working on the radio in the program part - the presenter of the air, the producer, etc. Such a person already has some kind of picture of the air, which, as a music editor, is only expanding and supplementing. Theoretically, you can take a person from the street with a great desire to work and teach "from and to". But this takes time, which, as a rule, is not available, because the vacancy opens when the current music editor is about to leave. And we do not have a year or two for a person from the street to penetrate. And when a person has worked for a year or two or three on the air, he sees how the songs stand, he already understands the system. And everything that changes when he becomes a music editor - he begins to manage this system.

In addition, this work requires some perseverance. It's one thing you - the host of the show, bright, incendiary, worked 3 hours of air - and left. Such a person is unlikely to work as a music editor. Here the work must be done slowly, very carefully.

- What are the duties of a music director? It's a 24 hour X 7 day job

- And how are these new songs usually collected, from what sources?

Depending on the radio station. If this is Radio ROKS, then we look at the charts. Let's say we are interested in the music of the 70s -80s - we look at the charts of those years - have we missed any song. So painstaking technical work. There is also permanent job with music for editing. For example, after the song, you can put one beat “Radio ROKS!”, Or you can put the second, third, etc. You can wait until the song ends, or you can cut it off in some interesting way.

- Previously, it was done, it seems, by the hosts of the live broadcast ...

Somewhere DJs still do it, but we have a music editor. I know this scheme, when the music editor simply uploads a certain number of songs for each hour, and the host himself arranges them within the framework of every 60 minutes, selects the breaks himself and decides how to cut the song or not to cut it at all. And for each song we have optimal markups made by the music editor - here we cut off the song and put such and such an interruption. But, if a DJ sees that in some case he can make not an optimal, but an ideally beautiful version, then he can correct this markup a little, that is, move the interruption and let the song sound further or make it shorter, cut it off.

We have all the joints of the songs by default are good. They are proven, listened to more than once. But it happens that something can be improved one-time precisely at the junction of this and this song right now. This is the beauty of a living person on the air, because the process is creative.

You're talking about cutting songs, but what about mixing them? Do people do it, do you line it up or does a special program do the mix?

We don't do any mixing because, first of all, our format is rock songs that people want to listen to from start to finish, because it's a finished piece. Therefore, our task is to beautifully complete the song, say what you need or put an interruption with the radio station's call signs and beautifully go to the next song. Perhaps this makes it easier for us - that we do not need to pick up a hard mix. On other radios, this task can be critical.

How long does it take to make a playlist?

Maybe an hour. Or maybe the whole day. Differently. There is a regular day of broadcasting - night, morning show, line presenters, evening. And there are special broadcasts, when all the elements of the day need to be built almost from scratch. For example, I planned an online broadcast of a concert on the air. Or some special morning broadcast. It happens that a special broadcast goes on all day. This was our morning show's birthday. In those days when the program grid changes, this is a concern for everyone, and the task of the music editor is to provide everything technically.

- Do you listen to the air often?

I try to do this as often as possible. It's one thing to sit at lunch and imagine how the songs will sound in the evening. And the other thing is to turn on the radio station in the evening and hear "from the side." I listen critically, analyze - did the songs blend well, for example, or not? If not, then I mark myself, I come to work and look - and if I do it this way or this way, how will it be better? It is necessary to listen to the broadcast, because you get a completely different impression, and it is easier to control yourself.

You don’t get tired of music, there is no burnout or a situation when the musical taste of the music editor fails?

I don't see the point of working as a music editor at all if music can be annoying. In my experience, music editors get people who have a good attitude towards the music they work with. If this is not a random person for a couple of months, of course. You don’t need to be a fan of this music, you don’t need to love it devotedly and passionately, but if you don’t like it and are frankly not interesting, it’s difficult to work. And if the work causes discomfort to a person, this will 100% affect the quality.

As for taste, this is a loose concept. Rather, other professional feelings are developed in the process of work. For example, after a few years, you can quickly give a preliminary assessment of whether the song of this station will fit or not. I mean in terms of sound, vocals and so on. The radio station has been on the air for four years now, now it’s easier for us, but at first, of course, we checked ourselves - double-checked at every step.

- Checked how?

We regularly conduct music testing. This is done by a separate company, to which we give music and from which we receive the opinions of people, on the basis of which we build our musical policy.

And what place does a music editor occupy in the radio hierarchy? Which of his colleagues does he come into contact with at work or is it a fairly autonomous profession in conjunction with a music editor and program director?

We all interact with everyone. It is clear that the music editor forms the schedule, and the presenter adheres to it. In turn, the music editor is instructed by the program director or the director of the station, depending on the situation, because the music editor in terms of linking the air is a technical position. Where the program comes out is decided by the program director. Where some new elements appear - also he. The task of a music editor is to make it beautiful.

Besides, it's creatively interesting to do something and then listen to it from the outside. When you do your work, it's an interesting process because you're working with nice material.

Natalia Tyutyunenko

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