The camera is informative for extreme sports. Action cameras. Extreme video cameras

Summer is coming and it's time for holidays. Many today prefer to spend it on tourist trips, on tours to new cities and countries, at resorts or on extreme trips to wildlife. So that in the end such a vacation does not remain just a series of personal memories, modern vacationers without fail take a digital camera with them - so that the pictures taken will allow them to again and again find themselves on warm islands, on the streets of European cities or in the mountains of the Pamirs or the Alps for many years to come.

What to take into orbit? The best cameras for extreme recreation and tourism. ZOOM selection

Since there is no formal class of "tourist" cameras, many traveling vacationers are guided by their own ideas and capabilities in choosing a particular model. As a result, you can see vacationers, "armed" with a variety of equipment: compact cameras, designer samples, mirrorless and mirrorless devices and so on.

Having chosen a place of rest - choose the right camera for the road!

Of course, in our material we cannot - and do not want to - cover all the diversity presented in travel. Therefore, we identified several main characteristics that the models chosen as the best should have corresponded to.

Selection criteria

However, at the beginning we decided that when talking about holiday tourism, we should keep in mind two different styles of holiday: traditional and extreme. The latter included trips to the mountains, to places with an uncomfortable climate for people and equipment, to marshy, desert, and arctic territories. This also includes tourism for diving.

For extreme tourism, the most suitable photographic equipment are special cameras with body protection. It provides moisture and water resistance, dust resistance, insensitivity of the device electronics to shocks, pressure drops, heating in the sun and the influence of low temperatures. In addition, when choosing the best representatives of rugged cameras, we focused on compactness and without fail checked the models for the presence of a built-in GPS signal receiver. We explained the first requirement by the fact that extreme tourists (namely tourists, not photographers and not amateur photographers who got on the expedition) have an impressive load, where there is no place for bulky cameras. The second is a certain uniformity of the material filmed in extreme conditions, the cataloging of which is difficult without geolocation information.

Nikon Coolpix AW110

Of all the four body colors presented, the Nikon Coolpix AW110 looks the most advantageous in khaki camouflage. So the camera looks like a real military device, which in fact it is.

The protective characteristics of the camera are impressive: the body of the Nikon Coolpix AW110 protects the electronic components of the model from water penetration at a depth of up to 18 meters, from drops from a height of up to 2 meters, from frost to -10 degrees Celsius, from shock, pressure (compression) and dust. In all of the above conditions, Nikon Coolpix AW110 is not only able to properly perform the functions of a camera, but also be an electronic compass, barometer, altimeter, depth gauge. The built-in GPS module allows you to record geopositioning data in the system information of the image, and also works as a navigator in conjunction with a world map preinstalled in the firmware of the device.

Nikon Coolpix AW110

The ergonomics of the Nikon Coolpix AW110 controls are also optimized for extreme conditions. So that a person can use the functionality of the camera without removing gloves, a gyroscope is built into the case, which catches the shaking of the camera up and down and left and right and translates these gestures into cursor movements through the menu system. In addition, all the main mechanical control buttons are oversized.

Among the additional advantages of the model, we can mention the presence of a built-in Wi-Fi module, an image stabilizer and an HDMI port.

Panasonic Lumix DMC-TS5

Panasonic Lumix DMC-TS5 is not just a camera for extreme tourism, but a whole complex that can greatly facilitate life in conditions of reduced comfort. In the body of the model, in addition to the necessary photographic components, there is a compass, barometer, altimeter - all with the ability to maintain a log of indicators.

The protective functions of the Panasonic Lumix DMC-TS5 case allow the device not to be afraid of falling from a height of 2 meters, not to pay attention to temperatures down to -10 degrees, to dive into water to a depth of 13 meters and be subjected to pressure at the level of 100 kilograms. In addition, the housing is dustproof in accordance with IPX8 and IP6X standards.

Panasonic Lumix DMC-TS5

The Panasonic Lumix DMC-TS5 is the first rugged body camera in the manufacturer's history to use technology wireless transmission Wi-Fi and NFC data - so that the transfer of footage can be done without "depressurization". In addition, the wireless connection allows you to control the machine with devices on operating systems Android and iOS.

As a Panasonic Lumix DMC-TS5 camcorder, you can shoot videos in Full HD resolution at 60 frames per second with progressive scan. As an aid in taking photos and videos, the device has a Power O.I.S image stabilizer. The maximum continuous shooting speed is 7 frames per second.

Sony Cyber-shot DSC-TX200V

The minimalistic design of the ultra-compact Sony Cyber-shot DSC-TX200V does not fit in with the appearance of a traditional camera with a protective case. Nevertheless, this model is not afraid of dust and can be a good choice for underwater shooting at a depth of up to 5 meters.

Sony Cyber-shot DSC-TX200V

With this camera, Sony's first goal was to create a high-tech miniature photography device, the owner of which can easily move from one point of the world to another - without fear or intimidation. external environment, nor the possibility of being with a strange-looking apparatus in a crowd of "cultural" tourists. The result is the Sony Cyber-shot DSC-TX200V one of the most versatile cameras available for the holiday season.

The technological advantages of the Sony Cyber-shot DSC-TX200V include a large (3-inch diagonal) touch screen, the ability to record video in Full HD resolution at 60 frames per second with progressive scan, the presence of automatic panorama photography modes (normal and 3D ). We also note that the speed of continuous photography of the device is 10 frames per second.

Pentax WG-3 GPS

If the degree of protection of cameras directly depended on the design and appearance, Pentax WG-3 GPS would become just an "indestructible" model - its body looks so brutal and cheerful.

However, the device really does not experience a lack of strength: the camera can withstand immersion in water to a depth of 14 meters, a fall from two meters, freezing to a mark of -10 degrees Celsius. Also, Pentax WG-3 GPS is not sensitive to dust penetration and pressure (impact) at the level of 100 kilogram-force.

Pentax WG-3 GPS

Despite these impressive specs and the camera's built-in compass, the Pentax WG-3 GPS's design focuses on photographic capabilities. To do this, the camera uses rather “bright” optics with aperture from F / 2, the lens is able to focus at a distance of 1 centimeter from the front lens, and six micro-flashes from LED elements are installed around its shaft. The model also has a traditional built-in flash.

Other advantages of the camera include the presence of an image stabilization system, support for Qi wireless charging technology and the ability to shoot videos at 120 frames per second.

Olympus Tough TG-2iHS

To date, the Olympus Tough TG-2 iHS can be confidently considered one of the best cameras designed for extreme tourism. This model competently combines good photographic capabilities, a high degree of body protection and a rather attractive design.

Olympus Tough TG-2iHS

As for protection, this device has at least a little, but it surpasses the protection of competing cameras: immersion in water of the Olympus Tough TG-2 iHS can withstand up to a depth of 15 meters, it is not afraid of falling up to a height of 2 meters 10 centimeters, weather disasters do not affect electronics models to a cooling point of -10 degrees Celsius. The dustproof measurement of the Olympus Tough TG-2 iHS has not been numerically evaluated - but it is sufficient, but the shock pressure that the cases can withstand is 100 kilogram-force.

In terms of design, the Olympus Tough TG-2 iHS attracts not only with the harmonious lines of the case and its colors (classic combinations of red and black), but also with an excellent display on a 3-inch OLED matrix.

The assessment of the photographic potential of the camera can begin with the designation of the lens aperture, which is equal to F / 2. Also worth mentioning is the possibility of operating the device in semi-automatic mode with adjustable aperture and sensitivity and the presence of a lens mount for a branded teleconverter.

The best cameras for extreme tourism

Model The matrix Lens Advantages Cost, rubles
Nikon Coolpix AW110

1/2.3"" (6.17 by 4.55mm)

16.0 MPs (4608x3456)

28-140 mm EGF

  • Good case protection
  • Rich additional functionality
  • Optimized for gloved operation
  • Availability of Wi-Fi module
  • Image stabilizer
12 thousand
Panasonic Lumix DMC-TS5

1/2.33"" (6.08 by 4.56mm)

16.1 MPs (4608x3456)

28-128 mm EGF

  • Good case protection
  • Availability of Wi-Fi and NFC modules
  • Compatible with Android and iOS devices
  • Video recording [email protected]
  • Image stabilizer
15 thousand
Sony Cyber-shot DSC-TX200V

1/2.3"" (6.17 by 4.55mm)

18.2 MPs (4896x3672)

28-140 mm EGF

  • Great design
  • Enclosure protection against water ingress
  • Video recording [email protected]
  • Image stabilizer
  • High speed burst photography
  • Ability to shoot panoramas in 3D
17 thousand
Pentax WG-3 GPS

1/2.3"" (6.17 by 4.55mm)

16.0 MPs (4608x3456)

25-100 mm EGF

  • original design
  • Good case protection
  • Reprogrammable control
  • Aperture optics from F / 2
  • Image stabilizer
  • Wireless charging technology
  • Video recording at 120 frames per second
  • Six LED flashes for macro photography
15 thousand
Olympus Tough TG-2iHS

1/2.3"" (6.17 by 4.55mm)

12.0 MPs (3968x2976)

25-100 mm EGF

  • Good case protection
  • Built-in pressure sensor and compass
  • Aperture optics from F / 2
  • Image stabilizer
  • Macro assist modes
  • Mount for teleconverter
  • Photographing at 60 fps (3 MPs)
17 thousand

website

Cameras with a wide range are well suited for traditional tourism. focal lengths. These are the models we were looking for. the best samples. It took into account the quality of the optics, the quality of the final images, the possibility of video recording in Full HD and the overall functionality of the device. Cameras with minimum values ​​at the lower end of the range of focal lengths were also a priority - when traveling through European cities saturated with architecture, the widest possible angle of photography is very important. As for the built-in GPS signal receiver and the dimensions of the device, these characteristics were not hard-coded. Nevertheless, the presence of GPS was welcomed, and we tried to equalize the rather serious (by road standards) dimensions of the selected models by mentioning more compact alternatives from the same manufacturer.

Nikon Coolpix P520

(Alternative compact version - Nikon Coolpix S9500)

Nikon Coolpix P520 is a good "holiday" ultrazoom that tries to minimally (compared to competitors on the market) affect the budget of your trip.

In general, studying the characteristics of this model, you cannot get rid of the idea that the manufacturer, releasing the Nikon Coolpix P520, had tourists in mind as the target audience.

No, this does not apply to dimensions. They at the camera are quite standard for their class: 12.5 by 8.4 by 10.2 centimeters with a weight of 550 grams. It's about achieving a good price-performance ratio. Having abandoned some of the features (connector for an external flash, shooting in RAW format), Nikon has invested in the Nikon Coolpix P520 some extremely useful options.

Nikon Coolpix P520

Among them - the presence of a GPS signal receiver, an excellent freely rotating display with a diagonal of 3.2 inches and a resolution of 921 kilopixels, the ability to connect a Wi-Fi module.

The Nikon Coolpix P520 is also capable of shooting Full HD video at up to 60 frames per second in progressive scan, burst photography at 7 frames per second, and automatic panorama and 180-degree panoramas. The device has an automatic mode for shooting frames with a high dynamic range (HDR) - which is very important on sunny beaches and city streets. Finally, the focusing system of the model is optimized for macro mode and allows the camera to focus on objects that are at a distance of 1 centimeter from the front lens.

Sony Cyber-shot DSC-HX300

(Alternative compact version - Sony Cyber-shot DSC-HX50V)

It can be seen that when creating this tourist ultrazoom, the manufacturer was ready to make sacrifices in functionality for the sake of the highest possible shooting quality. As a result, the Sony Cyber-shot DSC-HX300 really has an outstanding picture for its characteristics. And this is a transfocal lens with a fifty-fold difference in the range of focal lengths and aperture from F / 2.8 and a 1 / 2.3 '' matrix with a resolution of 20.4 megapixels.

Of course, it is not possible to achieve the maximum result at any level of ISO sensitivity. However, the available range from 100 to 12800 units is more than half usable. At least up to the ISO 3200 mark - for sure.

The camera does a good job of shooting videos. Full HD resolution is available at up to 60 frames per second in progressive scan.

Sony Cyber-shot DSC-HX300

Traditionally for Sony products, the camera pleases with the presence of a large number of automatic modes– including the branded panoramic iSweep.

The Sony Cyber-shot DSC-HX300 has a burst shooting speed of 10 frames per second. The model demonstrates more than impressive turn-on speed and fast autofocus performance.

As for the victims, when designing the Sony Cyber-shot DSC-HX300, they touched on the connector for external flashes, the ability to record frames in RAW format, the presence of GPS and Wi-Fi modules, as well as the limited freedom of the information display mounting mechanism.

Canon PowerShot SX50HS

(Alternative compact version - Canon PowerShot SX280 HS)

Last year, the Canon PowerShot SX50 HS became the first ultrazoom camera to break the fifty-fold difference between the minimum and maximum focal lengths available to a camera lens. And although there are currently three such models on the market, the Canon PowerShot SX50 HS remains Canon's most advanced ultrasonic.

The undoubted advantages of the device include a good 1 / 2.3 '' sensor that is not overloaded with pixels. Due to the moderation of the designers, the matrix has a very good signal-to-noise ratio at high ISO sensitivity values.

Canon PowerShot SX50HS

Dimensions Canon PowerShot SX50 HS are 12.3 to 8.7 and 10.6 centimeters, weight - 595 grams. This roughly corresponds to the dimensions of the SLR camera. entry level with complete lens.

Among the advantages of the camera's ergonomics, one can single out good control with a wide use of mechanical elements, a display mount with three degrees of freedom, and the presence of a proprietary connector for an external flash from the Canon Speedlite EX line.

The device is capable of shooting video in Full HD resolution at up to 60 frames per second in progressive scan. Still photography supports RAW recording, maximum speed burst photography - 2.2 frames per second.

Fujifilm FinePix HS50 EXR

(Alternative compact version - Fujifilm FinePix F770EXR)

To compensate for the dimensions - 13.1 by 9.7 by 12.6 centimeters and 687 grams of weight - Fujifilm FinePix HS50 EXR, more than comparable to the dimensions of entry-level DSLRs, the manufacturer endowed this device with functionality similar to what we have in DSLRs and see.

Fujifilm FinePix HS50 EXR

So, the model's forty-twox zoom lens changes its focal length with the help of a mechanical ring - which allows you to crop the image very accurately. Like SLR cameras, the Fujifilm FinePix HS50 EXR has a connector for connecting an external flash, an HDMI port and a jack for connecting an external microphone. The autofocus speed of the Fujifilm FinePix HS50 EXR is quite comparable to what we see in entry-level DSLRs - this was made possible thanks to the use of a hybrid phase contrast system in the camera. The gyroscope built into the device allows you to display a level line on the information display or in the electronic viewfinder - which helps to avoid perspective distortion, especially when shooting architecture and landscapes at wide angle.

Although the technical characteristics of the Fujifilm FinePix HS50 EXR, related to photography, can hardly be directly compared with the characteristics of SLR cameras, the model has a lot of advantages here too. So, the device is based on a 1/2'' EXRCMOS matrix. Fujifilm FinePix HS50 EXR allows you to shoot in RAW format, record video in Full HD resolution at up to 60 frames per second in progressive scan, and burst speed is 11 frames per second.

Panasonic Lumix DMC-FZ200

(Alternative compact version - Panasonic Lumix DMC-ZS30)

Among the top picks, the Panasonic Lumix DMC-FZ200 has the lens with the smallest zoom factor. This, however, is more than generously compensated by the constant aperture ratio of the optical design at F / 2.8. According to this indicator, the Panasonic Lumix DMC-FZ200 remains a unique representative of the ultrazoom class on the market to this day.

However, the advantages of the model are not limited to optical superiority. The device is "charged" with a complete list of all the features necessary for a long journey. These include a connector for an external flash, a jack for connecting an external microphone, a host of automatic modes - including panorama and high dynamic range (HDR) shooting, and a powerful battery designed for shooting 550 frames.

Panasonic Lumix DMC-FZ200

The shooting capabilities of the camera allow you to capture images in RAW format. The Panasonic Lumix DMC-FZ200 burst shooting speed is 12 frames per second. The device can perfectly situationally replace a video camera, making very high-quality video clips in Full HD resolution at up to 60 frames per second in progressive scan.

Last but not least, the advantages of the Panasonic Lumix DMC-FZ200 include very thoughtful control ergonomics - with a wide range of mechanical elements and a double zoom mechanism.

The best cameras for traditional tourism

Model The matrix Lens Advantages Cost, rubles
Nikon Coolpix P520

1/2.3"" (6.17 by 4.55mm)

18.1 MPs (4896x3672)

24-1000 mm EGF

  • Built-in GPS module
  • Large screen with high detail
14.1 thousand
Sony Cyber-shot DSC-HX300

1/2.3"" (6.17 by 4.55mm)

20.4 MPs (5184x3888)

24-1200 mm EGF

  • Excellent image with high detail
  • Many automatic shooting modes
19 thousand

1/2.3"" (6.17 by 4.55mm)

12.0 MPs (4000x3000)

24-1200 mm EGF

  • 50x zoom range
  • Screen mount with 3 degrees of freedom
  • RAW format support
  • Connector for external flash
15.2 thousand
Fujifilm FinePix HS50 EXR

1/2"" (6.4 by 4.8 mm)

16.0 MPs (4608x3456)

Which action camera should you choose?

Today it is almost impossible to single out a certain leader in the field of action cameras, however, one brand still stands out from the crowd:

GoPro Hero represents amazing performance, quality and reliability in its products. IN latest line(GoPro Hero 3+), the global brand has traditionally presented three models Black, Silver and White, which are distinguished by their maximum resolution and frequent video recording.

In the 13th year, the old SONY entered the market, demonstrating to the public the stunning HDR-AS30V, in many respects not inferior to eminent competitors. The high-quality sensor delivers really great results, and the built-in GPS makes this camera stand out.

The Bullet and Drift Innovation cameras deserve special mention. The first have an original and memorable cylindrical design, which makes it easier to use and store the camera in some cases. The latter have the entire traditional set of characteristics of extreme video cameras, have a lot of well-thought-out nuances, such as convenient system fasteners, ergonomic controls, WiFi module, etc.

Extreme video cameras

All of the above examples are just examples. Often an extreme camera for shooting one direction or another depends on its model features, and on the preference and choice of the buyer. Some cameras may have similar designs but different features, or similar features but completely different designs. Therefore, the choice of a camera, say, for the best action shooting of a ride on a LiquidImage snowmobile or AEE BlackEye, depends on the buyer himself. The main thing is that all the latest action video cameras shoot what is happening in Full HD quality, such a maximum video resolution of 1920 by 1080 megapixels will allow you to capture your takeoffs and vivid impressions in the very best quality and real picture. Make records, record your achievements on video and keep the unique brightness of events with the help of the perfect modern technology called action cameras!

Each direction of filming has its own characteristics, its own requirements and certain rules. Accordingly, in the direction of various modes and methods of shooting scenes, there are models and adaptations of action cameras.

A man is a hunter, and the thirst for adrenaline is in his blood. If you are into skiing, snowboarding, rafting, surfing, rock climbing, wakeboarding or any other extreme sport, you probably know how you want to capture your best trick and leave cool pictures as a keepsake.

If you love to take pictures, on your next trip with friends to the mountains or the coast, take on the role of a sports photographer. Keep in mind that doing this is sometimes as difficult as the sport itself. You have to climb trees, shoot on rocks, follow the athletes, not a single step behind them, and sometimes ahead of them, and at the same time think only about how to get good shots. Professional sports photographer Leonid Zhukov shared the secrets of extreme photography with us.

“Extreme photography is when you love sports so much that you can't help but shoot them. It all started with a hobby - taking pictures for myself, for friends. And then it ceased to be just a hobby, and now it is one of my main activities. And the most beloved.

Basics

Extreme photography is a separate direction of photography. As a dentist understands little about cardiac surgery, it is the same here: in order to shoot extreme sports well, the photographer must “be in the know”. Some tips for those who want to learn how to shoot sports:

Love what you shoot. It is best if you yourself are involved in extreme sports or at least tried yourself in the direction that you shoot. This will allow you to feel and catch the most interesting moments, convey in the frame all the beauty and complexity of the tricks performed.

Get in shape. Extreme photography places high demands on the physical form of the photographer. This is not a studio shoot! You need to be ready to climb mountains with a backpack full of equipment, sit in the snow and rain, waiting for the rider to jump from this jump, run with a camera along the track to catch the most important shots.

Start from filming friends or local sports events. Once you feel that your shots are good, you can try moving on to bigger competitions and more challenging shots.

About technology

Certainly, professional equipment- not a guarantee of a successful picture. To catch the right moment and choose the best angle, you just need experience and reportage shooting skills. However, no matter how master of photography you are, amateur technology will never give you the opportunity to take the perfect picture.

Choose the right camera. Professionals prefer to take one precise shot than to "scribble from a machine gun." However, the trick can be so dynamic that it is difficult to single out a particular moment. It is better to shoot a series and only then, in a calm environment, choose the most successful shot. The determining factor here is the rate of fire of the camera - choose a camera that shoots at least 5 frames per second. For modern digital cameras, another parameter is important - the matrix. Professionals choose full frame cameras - when the matrix is ​​approximately equal in size to a 35mm film frame. Only full-matrix cameras can capture the full depth of light and color that traditional film equipment is capable of.

Speed ​​matters. Photos need not only be quickly taken, but also quickly recorded. Use high-speed flash cards: when you shoot long series, the difference with ordinary cards is very noticeable. The temperature difference is also important here, at which stable operation is guaranteed. Special "extreme" series of cards allow you to shoot without interruption in the range from -25 to 85C.

What else to pay attention to. A range of fast lenses, from wide angle to telephoto, will let you shoot in any conditions (eg 14-24 f/2.8, 70-200 f/2.8). Flashes help to freeze motion or create more dramatic lighting.

Save. good technique are usually expensive. If you have just started mastering the art of extreme photography, do not rush to buy premium equipment right away. After all, before the investment in a hobby begins to pay off, it will take more than one month of long and hard work. Save money and time on the selection of the right equipment will help ebay.com. Often there you can find not only individual profitable offers, but also entire sets - a camera with suitable lenses, filters, flash and everything you need to start. This collection, for example, contains everything for a beginner extreme photographer.

About travel

“When traveling, you always want to combine photography, relaxation, and extreme sports. Take pictures of your friends, and let them take pictures of you! And then everything will work out.

If you have already mastered surfing in Bali and skiing in the Alps, and still decide to seriously take up sports photography, be prepared for the fact that all the most interesting things happen at international competitions. You have to travel a lot, visiting various sports. What to take with you on such trips?

What should be in the backpack. When going on a trip, in addition to photographic equipment, you may need: Swiss knife(saw off a branch, tighten a bolt on a tripod, cut off a piece of a color filter or share an apple with friends); insulating tape, 2-3 meters thin climbing rope and a few plastic clamps(universal tools that allow you to fix anything and anywhere), several garbage bags(in summer, rain can start as suddenly as it ends, especially in the mountains; you can not only cover the camera with a bag, but also put it on instead of a raincoat), a couple muesli bars- sometimes the photographer simply does not have time for a snack, but you need to maintain your strength.

Clothing should not restrict movement. This applies not only to a comfortable cut, but also to compliance with the shooting conditions. The photographer should think about how to make a beautiful shot, and not about how not to stain sneakers. In winter, the two main attributes of the wardrobe are warm waterproof boots and good gloves. Gloves should be moderately warm to keep fingers warm, but also thin enough not to lose sensitivity to control the camera. In summer, these are usually light pants, a pair of T-shirts (most often synthetic), a fleece that can be stowed in a backpack, and a sun cap.

Get ready for extreme conditions. In search of an unusual interesting angle, you may have to shoot in the mountains or climb trees. For this, climbing equipment is very useful - ropes, carabiners, belay system, helmet (and who said it would be easy?). Professional sports photographers often carry two backpacks (one with a camera, the other with equipment), but the shots are really interesting and the result is worth it.

About inspiration

"When I see my friends doing some new element, go through a difficult route, raise the bar even higher, I want to catch this moment and tell others about it!”

Athletes- these are obviously those for whom you started doing this at all. To convey the tension of a person, his emotions, the beauty and complexity of the trick, the picturesque landscape and the nature around is a whole art.

Professional photographers. Browse the footage of talented sports photographers, especially if you're new to the sport. You can get new ideas from colleagues and be inspired by beautiful photographs. Do not be afraid to borrow ideas, in any case, everyone embodies them in their own way.

Nature and city also very inspiring! Always try to shoot not the trick itself separately, but in relation to the surrounding space. Sometimes the simplest element can look absolutely stunning in the right setting.

Over the past decade, photo and video technology has come so far that athletes and thrill-seekers have been able to easily capture their achievements with the help of portable action cameras. "Popular Mechanics" was interested in how exactly shooting takes place in the most difficult conditions and what difficulties the conquerors of industrial facilities most often face. To find out the answer to this question, we interviewed the three most daring extreme urbanists.

How is the shooting during the poles?- Now I personally take with me an impressive set of equipment, because in addition to photography, we are also engaged in video filming. For it, we use action cameras that are attached to the head, and in the event that we climb the spire, we use a monopod. To make the shot more “extreme”, the camera needs to be raised as high as possible, and besides, you always have to choose the most interesting angle, and this is not easy. Of course, an ordinary camera is also always with us, with its help you can sometimes take interesting city views. A telephoto lens helps here, which is useful for interesting shots, and a wide-angle lens, which is better suited for shooting on the edge, where it is important to capture both the person and the surrounding landscape in the frame. https://www.youtube.com/watch?v=pCdZRsEV4lI" >Link to full video
The next guest of Popular Mechanics was Denis Lenchevsky, a well-known base jumper and stunt performer. Base jumping is an extreme sport that uses a special parachute to jump from fixed objects. Due to the high risk of going into a random fall during a jump (because the athlete does not have time to correct the position of the body in the air, like an ordinary skydiver), this sport is considered very dangerous and in order to practice it, you need to have a sober head and steel will. Denis has been jumping for 19 years now, and until now, each jump for him is a separate event, full of vivid emotions. — What causes you the most trouble while jumping?— You know, although I personally do not consider base jumping a sport, although I participated in world-class competitions, it is still a technically complex event and deep psychological practices. This complexity is akin to parachuting, but if most of your actions are determined by the leader of the jumps at the airfield - when to jump, where, from what height - then here you are left to yourself, and this imposes on you the burden of additional responsibility for your life. You yourself must understand the weather reports and take into account the features of the relief and local climate features, up to folk signs. For example, if a “cap” (a cloud of a special shape) hangs over the top of Elbrus, then in the near future the weather will change dramatically. Often it takes more than one day to climb to the jump point, so you involuntarily learn to be pedantic.
- After 19 years of jumping, do you still get the same thrill as before? Many experienced skydivers complain that jumps get boring over time. - Indeed, for skydivers, ordinary jumps quickly become monotonous. It doesn't matter where you jump, in Russia or Argentina, the picture changes, but the essence remains the same. Base jumping is completely different. We try to be progressive athletes and are constantly discovering new places from which no one has ever jumped, and in this case, jumping always brings a different feeling. In base jumping, you can be both a geographer and a pioneer at the same time. — How is the process of shooting while jumping?- It depends on the format. Sometimes we shoot each other by prior arrangement, sometimes we mount the camera on our suit. We started filming a long time ago, because there were projects on Channel One, and just feature films. Among other things, I am also a stuntman, so sometimes I dubbed actors during filming, while a film crew independent of me worked on the set.
... And that means that you need to navigate in flight and make decisions very quickly. Author of the photo: Andrey Kamenev
In the case when personal shooting is carried out, now action cameras are most often used, and at one time we started shooting on film. There was a period when I jumped with a film camera and with a film camera on my helmet, and now hardly anyone can repeat this. Modern cameras are sold already in a protective case, and you just need to press the button in time. Imagine what it was like before: we had to make our own fiberglass boxes and custom camera rigging. During the jump, you will not be able to shoot with the camera manually, it is very dangerous. Therefore, it was possible to take a baby's pacifier into your mouth, inside of which there was a terminal: you clench your teeth - the circuit closes and the device works, and in the same way it was possible to bring the button to the index finger of your left hand. Today, the equipment is incredibly light and practically does not interfere with athletes, but then we had to make anatomical helmets that allowed us to correctly distribute the load. In the case of jumps with heavy movie cameras, the helmet even had shoulder rests in order to unload the neck at the moment of the jerk at the opening. — Over the past 19 years, technology has certainly stepped forward. In your opinion, do modern cameras that allow you to carry out are superior in quality and convenience to those that were in the late 90s? - Of course, if we are talking about comfort while shooting, modern action cameras are beyond any competition, although the film equipment was very good. Everything has become much easier and more convenient, but the resolution of the picture, in my opinion, is even ahead of its generation. For example, I have the ability to shoot video in 4K resolution, but not every computer is able to process it. Cameras are definitely evolving faster than software, so modern devices still have a very long period of time ahead of them, during which they will remain relevant. Link to original video
Another person who shared secrets with us professional excellence, was Roman Usatov, director of the AlpProm company, which provides services industrial mountaineering. It is these people who carry out high-altitude work on building structures where it is not possible to place a suitable support. Professional experience Roman is 16 years old, 7 of which he personally had to hang on the walls of buildings in the heat, and in the snow, and in the rain. For him, mountaineering is just a job, but Usatov assures that those who, in their free time, cope with their duties best of all. labor activity time is fond of speleology and mountain climbing. — What external factors most influence the work of an industrial climber?- First of all, of course, the weather. There is a strict binding to height and wind: the higher the building and the stronger the wind, the harder it becomes to work. For example, if the height of the building is 150 meters, while the work is carried out at a height of only 20 meters, then the rope is very long and the amplitude from the attachment point is very large. Due to this, the wind can push you away from the building, resulting in a strong impact on its surface when you return. There is a special insurance system for this, it does not have a clear regulation - we develop everything ourselves. When the wind reaches more than 16 m / s, it becomes unsafe to work, and in rainy weather, visibility is seriously impaired. The temperature also plays important role, first of all, the comfort of the climbers themselves depends on it. In addition, they play an important role architectural features. There are places where we never let beginners. In difficult situations, speleologists are the best at coping, who combine work with their hobby.

During work, do you often shoot the object?- Yes, sure. It is always interesting for the customer to receive a visual report on how the work is proceeding and what defects need to be eliminated on the building. As a rule, we shoot with action cameras, or we shoot from below, using a powerful camera. Sometimes climbers shoot each other to get a better shot. In this case, weather conditions play a key role: visibility often deteriorates due to urban smog, and there is simply no point in shooting during fog or heavy snow - not only is nothing visible, but there is also a risk that expensive equipment will suffer from hitting moisture or dust. In such situations, they help out, which are well protected and are not afraid of bad weather. — If you could record videos in ultra-high resolution and shoot in 360°, would it help you in your work? — Yes, in the conditions that our team works, it would play into the hands of both us and the customer. First, we can get a much better picture of the problem, especially if it is global. Secondly, it will simply help to shoot much better and more interesting material, and this, it seems to me, will be useful in any field of activity, and not just for climbers. Link to full video In conclusion, I would like to note that now such types of extreme urban tourism are available to everyone. But if you want to not only experience the thrill yourself, but also share it with your friends, then a good action camera is a must for you.

GoPro cameras for extreme shooting are no longer curiosities. A wide range of accessories and mounts for an extreme camera allow you to mount it on your chest, install action camera on the helmet, directly on the skis or snowboard. Mounting on tubes for an extreme camera will be useful for cyclists or, for example, windsurfers. A special box will protect the camera for extreme shooting not only from snow during a snowfall or when falling into a snowdrift, you can also shoot video under water with it. You can also buy a telescopic stick for a GoPro camera, from which you can shoot not only the environment, but also yourself. The camera for extreme shooting will be able to capture you from the most incredible angles, everything is limited only by your imagination. The GoPro action camera starter kit already comes with basic set fasteners. Some craftsmen are completely limited to them and irreplaceable adhesive tape.

Many fans of extreme video even before the trip think over the scenario of the future video for participation in various contests, choosing the optimal mounting systems for their extreme camera and coming up with an original plot. By the way, we strongly recommend that you stock up on an extra battery for your action camera. Time flies quickly, and in cold conditions, the battery can run out pretty quickly.

Extreme camera for all occasions

Extreme GoPro cameras are very compact! Such a camera will definitely not weigh down your backpack, but if you wish, it will simply fit into the pocket of your ski jacket. With this camera, you can take photos and videos of different formats. Perhaps the disadvantage of the extreme camera is the lack of a screen for viewing the captured photos and videos. However, this problem is also easily solved by installing a camera application on your smartphone to view the footage on it.

If you buy a camcorder for extreme sports - it will come in handy for home family video. You can safely entrust an extreme camera to your child without fear for its safety.

By mounting the action camera on a tripod and setting the Time Lapse mode, you will be able to capture the awakening of the camp, preparations for the trip, as well as sunrises and dawns and everything that your imagination has enough for!

You can also buy an extreme GoPro camera in order to analyze your skating technique or just not to ask your friends to film themselves this way or that way. Buying an action camera you can do it yourself!

Extreme Sports Camera Features

You can come to the decision that you need to buy an extreme camera quite quickly after analyzing all its advantages compared to a conventional video camera.

  • Extreme camera compact and lightweight
  • The action camera is very easy to use, just a few buttons that anyone can figure out. This is a very important factor especially when you ask your friend to take a picture of you.
  • The action camera is reliable and durable, it is always ready for extreme falls, takeoffs, diving.
  • The quality of shooting is practically not inferior to classic video cameras. You will be surprised what extreme cameras are capable of.
  • A wide range of various extreme camera mounts will open up new perspectives for you.
  • Another good thing about an extreme camera is that the price is not so high compared to classic camcorders.

"Sport-Marathon" offers to buy extreme cameras in Moscow on Saykina, 4, or place an order for an action camera in the online store on our website.

 

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